A Son of the Middle Border. Garland Hamlin

Hunters, athletes, skilled horsemen – everything they did was to me heroic.

      Frank, smallest of all these sons of Hugh, was not what an observer would call puny. He weighed nearly one hundred and eighty pounds and never met his match except in his brothers. William could outlift him, David could out-run him and outleap him, but he was more agile than either – was indeed a skilled acrobat.

      His muscles were prodigious. The calves of his legs would not go into his top boots, and I have heard my father say that once when the "tumbling" in the little country "show" seemed not to his liking, Frank sprang over the ropes into the arena and went around the ring in a series of professional flip-flaps, to the unrestrained delight of the spectators. I did not witness this performance, I am sorry to say, but I have seen him do somersaults and turn cart-wheels in the door-yard just from the pure joy of living. He could have been a professional acrobat – and he came near to being a professional ball-player.

      He was always smiling, but his temper was fickle. Anybody could get a fight out of Frank McClintock at any time, simply by expressing a desire for it. To call him a liar was equivalent to contracting a doctor's bill. He loved hunting, as did all his brothers, but was too excitable to be a highly successful shot – whereas William and David were veritable Leather-stockings in their mastery of the heavy, old-fashioned rifle. David was especially dreaded at the turkey shoots of the county.

      William was over six feet in height, weighed two hundred and forty pounds, and stood "straight as an Injun." He was one of the most formidable men of the valley – even at fifty as I first recollect him, he walked with a quick lift of his foot like that of a young Chippewa. To me he was a huge gentle black bear, but I firmly believed he could whip any man in the world – even Uncle David – if he wanted to. I never expected to see him fight, for I could not imagine anybody foolish enough to invite his wrath.

      Such a man did develop, but not until William was over sixty, gray-haired and ill, and even then it took two strong men to engage him fully, and when it was all over (the contest filled but a few seconds), one assailant could not be found, and the other had to call in a doctor to piece him together again.

      William did not have a mark – his troubles began when he went home to his quaint little old wife. In some strange way she divined that he had been fighting, and soon drew the story from him. "William McClintock," said she severely, "hain't you old enough to keep your temper and not go brawling around like that and at a school meeting too!"

      William hung his head. "Well, I dunno! – I suppose my dyspepsy has made me kind o' irritable," he said by way of apology.

      My father was the historian of most of these exploits on the part of his brothers-in-law, for he loved to exalt their physical prowess at the same time that he deplored their lack of enterprise and system. Certain of their traits he understood well. Others he was never able to comprehend, and I am not sure that they ever quite understood themselves.

      A deep vein of poetry, of sub-conscious celtic sadness, ran through them all. It was associated with their love of music and was wordless. Only hints of this endowment came out now and again, and to the day of his death my father continued to express perplexity, and a kind of irritation at the curious combination of bitterness and sweetness, sloth and tremendous energy, slovenliness and exaltation which made Hugh McClintock and his sons the jest and the admiration of those who knew them best.

      Undoubtedly to the Elwells and Dudleys, as to most of their definite, practical, orderly and successful New England neighbors, my uncles were merely a good-natured, easy-going lot of "fiddlers," but to me as I grew old enough to understand them, they became a group of potential poets, bards and dreamers, inarticulate and moody. They fell easily into somber silence. Even Frank, the most boisterous and outspoken of them all, could be thrown into sudden melancholy by a melody, a line of poetry or a beautiful landscape.

      The reason for this praise of their quality, if the reason needs to be stated, lies in my feeling of definite indebtedness to them. They furnished much of the charm and poetic suggestion of my childhood. Most of what I have in the way of feeling for music, for rhythm, I derive from my mother's side of the house, for it was almost entirely Celt in every characteristic. She herself was a wordless poet, a sensitive singer of sad romantic songs.

      Father was by nature an orator and a lover of the drama. So far as I am aware, he never read a poem if he could help it, and yet he responded instantly to music, and was instinctively courtly in manner. His mind was clear, positive and definite, and his utterances fluent. Orderly, resolute and thorough in all that he did, he despised William McClintock's easy-going habits of husbandry, and found David's lack of "push," of business enterprise, deeply irritating. And yet he loved them both and respected my mother for defending them.

      To me, in those days, the shortcomings of the McClintocks did not appear particularly heinous. All our neighbors were living in log houses and frame shanties built beside the brooks, or set close against the hillsides, and William's small unpainted dwelling seemed a natural feature of the landscape, but as the years passed and other and more enterprising settlers built big barns, and shining white houses, the gray and leaning stables, sagging gates and roofs of my uncle's farm, became a reproach even in my eyes, so that when I visited it for the last time just before our removal to Iowa, I, too, was a little ashamed of it. Its disorder did not diminish my regard for the owner, but I wished he would clean out the stable and prop up the wagon-shed.

      My grandmother's death came soon after our second visit to the homestead. I have no personal memory of the event, but I heard Uncle David describe it. The setting of the final scene in the drama was humble. The girls were washing clothes in the yard and the silent old mother was getting the mid-day meal. David, as he came in from the field, stopped for a moment with his sisters and in their talk Samantha said: "Mother isn't at all well today."

      David, looking toward the kitchen, said, "Isn't there some way to keep her from working?"

      "You know how she is," explained Deborah. "She's worked so long she don't know how to rest. We tried to get her to lie down for an hour but she wouldn't."

      David was troubled. "She'll have to stop sometime," he said, and then they passed to other things, hearing meanwhile the tread of their mother's busy feet.

      Suddenly she appeared at the door, a frightened look on her face.

      "Why, mother! – what is the matter?" asked her daughter.

      She pointed to her mouth and shook her head, to indicate that she could not speak. David leaped toward her, but she dropped before he could reach her.

      Lifting her in his strong arms he laid her on her bed and hastened for the doctor. All in vain! She sank into unconsciousness and died without a word of farewell.

      She fell like a soldier in the ranks. Having served uncomplainingly up to the very edge of her evening bivouac, she passed to her final sleep in silent dignity.

      CHAPTER III

      The Home in the Coulee

      Our postoffice was in the village of Onalaska, situated at the mouth of the Black River, which came down out of the wide forest lands of the north. It was called a "boom town" for the reason that "booms" or yards for holding pine logs laced the quiet bayou and supplied several large mills with timber. Busy saws clamored from the islands and great rafts of planks and lath and shingles were made up and floated down into the Mississippi and on to southern markets.

      It was a rude, rough little camp filled with raftsmen, loggers, mill-hands and boomsmen. Saloons abounded and deeds of violence were common, but to me it was a poem. From its position on a high plateau it commanded a lovely southern expanse of shimmering water bounded by purple bluffs. The spires of LaCrosse rose from the smoky distance, and steamships' hoarsely giving voice suggested illimitable reaches of travel. Some day I hoped my father would take me to that shining market-place whereto he carried all our grain.

      In this village of Onalaska, lived my grandfather and grandmother Garland, and their daughter Susan, whose husband, Richard Bailey, a quiet, kind man, was held in deep affection by us all. Of course he could not quite measure up to the high standards of David and William, even though he kept a store and sold candy, for he could neither kill a bear, nor play the fiddle, nor shoot a gun – much less