Название | The Romance of the Forest |
---|---|
Автор произведения | Анна Радклиф |
Жанр | |
Серия | |
Издательство | |
Год выпуска | 1791 |
isbn | 978-5-17-170159-8 |
Chapter II
…how these antique towers And vacant courts chill the suspended soul! Till expectation wears the face of fear: And fear, half ready to become devotion, Mutters a kind of mental orison It knows not wherefore! What a kind of being Is circumstance!
He approached, and perceived the Gothic remains of an abbey: it stood on a kind of rude lawn, overshadowed by high and spreading trees which seemed coeval with the building, and diffused a romantic gloom around. The greater part of the pile appeared to be sinking into ruins, and that which had withstood the ravages of time, showed the remaining features of the fabric more awful in decay. The lofty battlements, thickly enwreathed with ivy, were half demolished, and become the residence of birds of prey. Huge fragments of the eastern tower, which was almost demolished, lay scattered amid the high grass, that waved slowly to the breeze. "The thistle shook its lonely head; the moss whistled to the wind." A Gothic gate, richly ornamented with fret-work, which opened into the main body of the edifice, but which was now obstructed with brush-wood, remained entire. Above the vast and magnificent portal of this gate arose a window of the same order, whose pointed arches still exhibited fragments of stained glass, once the pride of monkish devotion. La Motte, thinking it possible it might yet shelter some human being, advanced to the gate and lifted a massy knocker. The hollow sounds rung through the emptiness of the place. After waiting a few minutes, he forced back the gate, which was heavy with iron work and creaked harshly on its hinges.
He entered what appeared to have been the chapel of the abbey, where the hymn of devotion had once been raised, and the tear of penitence had once been shed; sounds, which could now only be recalled by imagination – tears of penitence, which had been long since fixed in fate. La Motte paused a moment, for he felt a sensation of sublimity rising into terror – a suspension of mingled astonishment and awe! He surveyed the vastness of the place, and as he contemplated its ruins, fancy bore him back to past ages. – And these walls, said he, where once superstition lurked, and austerity anticipated an earthly purgatory, now tremble over the mortal remains of the beings who reared them!
The deepening gloom now reminded La Motte that he had no time to lose; but curiosity prompted him to explore further, and he obeyed the impulse. As he walked over the broken pavement, the sound of his steps ran in echoes through the place, and seemed like the mysterious accents of the dead reproving the sacrilegious mortal who thus dared to disturb their precincts.
From this chapel he passed into the nave of the great church, of which one window, more perfect than the rest, opened upon a long vista of the forest, through which was seen the rich colouring of evening, melting by imperceptible gradations into the solemn gray of upper air. Dark hills, whose outline appeared distinct upon the vivid glow of the horizon, closed the perspective. Several of the pillars, which had once supported the roof, remained the proud effigies of sinking greatness, and seemed to nod at every murmur of the blast over the fragments of those that had fallen a little before them. La Motte sighed. The comparison between himself and the gradation of decay which these columns exhibited, was but too obvious and affecting. A few years, said he, and I shall become like the mortals on whose relicks I now gaze, and, like them too, I may be the subject of meditation to a succeeding generation, which shall totter but a little while over the object they contemplate ere they also sink into the dust.
Retiring from the scene, he walked through the cloisters, till a door, which communicated with the lofty part of the building, attracted his curiosity. He opened this, and perceived across the foot of the staircase another door; – but now, partly checked by fear, and partly by the recollection of the surprise his family might feel in his absence, he returned with hasty steps to his carriage, having wasted some of the precious moments of twilight and gained no information.
Some slight answer to Madame La Motte's inquiries, and a general direction to Peter to drive carefully on and look for a road, was all that his anxiety would permit him to utter. The night shade fell thick around, which, deepened by the gloom of the forest, soon rendered it dangerous to proceed. Peter stopped; but La Motte, persisting in his first determination, ordered him to go on. Peter ventured to remonstrate, Madame La Motte entreated, but La Motte reproved – commanded, and at length repented; for the hind wheel rising upon the stump of an old tree, which the darkness had prevented Peter from observing, the carriage was in an instant overturned.
The party, as may be supposed, were much terrified, but no one was materially hurt; and having disengaged themselves from their perilous situation, La Motte and Peter endeavoured to raise the carriage. The extent of this misfortune was now discovered, for they perceived that the wheel was broke. Their distress was reasonably great, for not only was the coach disabled from proceeding, but it could not even afford a shelter from the cold dews of the night, it being impossible to preserve it in an upright situation. After a few moments' silence, La Motte proposed that they should return to the ruins which they had just quitted, which lay at a very short distance, and pass the night in the most habitable part of them: that, when morning dawned, Peter should take one of the coach horses, and endeavour to find a road and a town, from whence assistance could be procured for repairing the carriage. This proposal was opposed by Madame La Motte, who shuddered at the idea of passing so many hours of darkness in a place so forlorn as the monastery. Terrors, which she neither endeavoured to examine or combat, overcame her, and she told La Motte she had rather remain exposed to the unwholesome dews of night, than encounter the desolation of the ruins. La Motte had at first felt an equal reluctance to return to this spot; but having subdued his own feelings, he resolved not to yield to those of his wife.
The horses being now disengaged from the carriage, the party moved towards the edifice. As they proceeded, Peter, who followed them, struck a light, and they entered the ruins by the flame of sticks which he had collected. The partial gleams thrown across the fabric seemed to make its desolation more solemn, while the obscurity of the greater part of the pile heightened its sublimity, and led fancy on to scenes of horror. Adeline, who had hitherto remained in silence, now uttered an exclamation of mingled admiration and fear. A kind of pleasing dread thrilled her bosom, and filled all her soul. Tears started into her eyes: – she wished yet feared to go on; – she hung upon the arm of La Motte, and looked at him with a sort of hesitating interrogation.
He opened the door of the great hall, and they entered: its extent was lost in gloom. – Let us stay here, said Madame de La Motte, I will go no further. La Motte pointed to the broken roof, and was proceeding, when he was interrupted by an uncommon noise, which passed along the hall. They were all silent – it was the silence of terror. Madame La Motte spoke first. Let us quit this spot, said she, any evil is preferable to the feeling which now oppresses me. Let us retire instantly. The stillness had for some time remained undisturbed, and La Motte, ashamed of the fear he had involuntarily betrayed, now thought it necessary to affect a boldness which he did not feel. He therefore opposed ridicule to the terror of Madame, and insisted upon proceeding. Thus compelled to acquiesce, she traversed the hall with trembling steps. They came to a narrow passage, and Peter's sticks being nearly exhausted, they awaited here, while he went in search of more.
The almost expiring light flashed faintly upon the walls of the passage, showing the recess more horrible. Across the hall, the greater part of which was concealed in shadow, the feeble ray spread a tremulous gleam, exhibiting the chasm in the roof, while many nameless objects were seen imperfectly through the dusk. Adeline with a smile inquired of La Motte if he believed in spirits. The question was ill-timed; for the present scene impressed its terrors upon La Motte, and, in spite of endeavour, he felt a superstitious dread stealing upon him. He was now, perhaps, standing over the ashes of the dead. If spirits