The Cows: The bold, brilliant and hilarious Sunday Times Top Ten bestseller. Dawn O’Porter

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Название The Cows: The bold, brilliant and hilarious Sunday Times Top Ten bestseller
Автор произведения Dawn O’Porter
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isbn 9780008126049



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to absorb the way I look, not in a vain way, more in a scientific way. I’ve stared at myself naked many times, because it’s my body and I should know it better than anyone else. I’ve squatted over mirrors to see what men see, and inspected my face with a magnifying mirror and counted my wrinkles. I know myself really well, because I’ve taken the time to do so. At thirty-six years old, I’m happy with who I am.

       I suspect some people will read this and be angry with me for being positive about my own image, because we’re not supposed to do that, are we? We live in a world that celebrates being thin, or having big boobs or a nicely toned arse. Society encourages us all to get, and feel, beautiful. But the minute someone admits to enjoying their own appearance, we think they’ve taken it all a bit too far. But don’t be angry with me for saying I like the way I look. I’m not saying I think I’m perfect, better than anyone else or desirable to all mankind, I’m just saying that body image isn’t something that gets me down. I’ve got plenty of issues, but the way I look isn’t one of them.

       I can’t be the only one who feels this way. So come on, what do you see when you look in the mirror?

       Cam x

       Stella

      What do I see when I look in the mirror? I think to myself, as I eat the last mouthful of an all-butter croissant and finish reading Camilla Stacey’s blog. I love Cam; Alice and I used to quote her best bits to each other. It’s like she’s always thinking what we haven’t thought of yet. What do I see in the mirror, Cam? Well, my description of myself wouldn’t be as positive as yours, that’s for sure. It isn’t that I don’t think I’m attractive; I have no issue with what I actually look like. It’s just that looking in the mirror makes me either sad for my past or scared of my future. If all I could see was the way that I look, I probably wouldn’t hate doing it so much. Instead I see the ghosts of my mum and sister staring back at me.

      I scroll down my Facebook feed. As expected, it’s flooded with messages.

       Thinking of you x x

       Hope you manage to smile today, I know that wherever she is Alice will be having a few glasses of Champagne x

       Can’t imagine how today must feel for you. I always remember the two of you and your wild birthday parties. Miss her so much. Lots of love x

       Still doesn’t feel real. Hope today isn’t too painful. I’ll be wearing my pink ribbon with pride x x

      There must be twenty-five messages, saying anything but the words ‘Happy Birthday’. I haven’t seen most of these people since Alice’s funeral five years ago but they still, every year, write these vacant messages all over my page. They probably wouldn’t even remember if Facebook didn’t remind them.

      Looking through my feed, there are countless status updates about Alice, people claiming their relationships with her, outpouring their sadness. Hoping for sympathy and attention by writing pained messages about how much they miss her. It’s all so transparent. I’ve never even mentioned her on here; I hate attention-seeking posts. The ones where people write boldly or cryptically about the bad things in their lives, all with the hope their ‘friends’ post sympathetic messages. One, written by Melissa Tucker, a girl who went to school with us and who played netball with Alice, says,

       Today is the birthday of one of the best friends I ever had. She was fun, and beautiful, and kind and generous. I’ve never known anyone else like her. RIP Alice Davies, the world is a darker place without you in it.

      ‘Never known anyone else like her?’ She was my identical twin sister. I don’t know if Melissa is cruel or stupid, but I have to fight with myself not to write abusive words all over her page. Who says that?

      I look at the little green dot to the bottom left of the screen, ‘Alice Davies – online’, and imagine her lying on her bed in our flat, posting silly things on her Facebook page like she used to.

      I told everyone I shut her page down when she died, but I didn’t. Instead I unfriended everyone and set her account to private. I am her only ‘friend’. To everyone else it isn’t there, but I can look whenever I like, and read all of her old posts. Like the one where she said she couldn’t cook the sausage dish she wanted to do because the local Sainsbury’s had run out of cherry tomatoes. It’s the really mundane day-to-day ones that I love the most. Just her, plodding along, living life.

      Every morning when I arrive at work, I log in to her account on my phone, so that when I am at my computer it says she is online. The little green dot makes me feel like she’s right there, sitting on her bed, able to say hi at any moment.

      ‘Hi,’ says Jason, coming out of his office and making me jump. ‘Sorry, didn’t mean to startle you.’

      I quickly shut down my Facebook page and open the company website, even though it would be weird if I was just sitting here looking at that. Jason probably won’t look anyway, he’s not that kind of boss.

      I have to go. Dreading this!’ he says, standing in front of me with his arms crossed. This is Jason’s default position; it’s not defensive, or rude. It’s just how his hands fall when he isn’t holding his camera.

      ‘Don’t dread it. She just wants to hear how you’re doing, right? You don’t have to show her anything?’ I say, reassuringly.

      ‘Well I was supposed to hand the first draft in last week, so I’m going to have to explain why I didn’t.’

      ‘Just tell her it’s coming along fine, and you’re all set to meet your deadline. Can I make a suggestion? You need to go on shutdown – no TV or Internet until you’ve finished.’

      ‘That sounds hideous. But maybe,’ he says, uncrossing one of his arms to rub his face. He looks harassed, but it suits him. Jason is rugged, he never looks like he slept well, even if he says he did. He wears loose-fitting shirts with jeans as standard. He’s tall and slim with an energy that means he finds it hard to sit still. His brain jumps from thought to thought, not giving him time to worry about what he says, so he often speaks out of turn – but the sparkle in his eye means he gets away with it. Part of his charm is how open and easy to be around he is. It’s why he is so good at his job. Well, the photography part anyway; he’s proving to be useless at writing books.

      ‘I found an app that’s basically a massive child lock for your computer, you won’t be able to do anything until you’ve written a certain amount of words, wanna give it a go? I can also delete your social apps and create blocks for your phone?’ I say, thinking it might be his only hope.

      Jason takes his computer out of his bag and puts it in front of me.

      ‘Go for it. I need to do something dramatic. Leave my laptop on my desk, I’ll come in tomorrow to work. You can do my phone on Monday?’

      ‘No problem.’

      He stands for a moment too long looking at me. I raise my head, as if to urge him on.

      ‘You’re lucky you know, Stella. That your life doesn’t grind to a halt if you can’t think of anything to say, or write or take a picture of. You just come to work, then go home to your boyfriend in the house that you own, and tomorrow you know that everything will be the same, it will all be perfect. I envy you.’

      Jason envies me? What? I have to stop myself standing up and screaming with such force that he’d fall backwards and hit the floor. He’s jealous of my life? Has he any idea what it’s really like? No, he doesn’t. I’ve never told Jason anything about me. Not about Mum, Alice, my health. He just knows the basics – I live in London, in a flat I own, with my boyfriend Phil. That’s all my boss has ever needed to know. But it’s odd, I think, that we come to this studio five days a week, eight hours at a time, talk almost constantly