Divine by Mistake. P.C. Cast

I couldn’t make out the artist’s name, but the title painted on the bottom of the print read, Stamp Out Forest Fires.

      “I have to have this one.” I was still chuckling.

      “Well, it’s kinda strange.” The Garage Sale Queen’s nasally twang interrupted my smile.

      “Yep. But I like to think of it as not normal, versus simply strange.” She gave me one of those sheepy, duh looks and started over to the household items section. I sighed and opened my little notebook to write, “Lot #12—dragon print.” A closer look at the frame made me wonder if I had a chance of affording it, but maybe everyone would think it was “kinda strange” and I would be the only bidder.

      Many of the other paintings were interesting, but I had already decided to focus my financial energy on a single print, and maybe a small vase or sculpture or some such “strange” knickknack. Behind the paintings were the lots filled with artsy stuff. Tables held individual pieces, along with boxes of variously grouped odds and ends. Again, there seemed to be a theme. Sculptures were miniature reproductions of stuff that looked very Greek or Roman, and, well, very naked.

      This would be fun.

      Three male statuettes were placed on one table. They each stood about two feet high. I paused and gave each the respectful, proper attention they seemed to deserve, while trying not to ogle as I read the identification and lot tags: Lot #17 Statuette of Zeus, Thunderbolt at the Ready (very nude—actually naked, and he looked very, um, ready).

      “Sorry, sweetie. Can’t take you home—too kinky.” I tweaked his thunderbolt.

      Lot #18, Statuette of Hellenistic Ruler, possibly Demetrios I of Syria. Demetrios was a large, muscular, naked man. Very large.

      “Oh, baby, wish you were Galatea and I was your enamored sculptor.” I patted his cheeks and giggled, while I looked around to make sure I wasn’t causing a stir.

      Lot #19, Statuette of Etruscan Warrior. Too skinny for my tastes—only two things stuck out about the statuette: his weapon, and, um, his weapon.

      “Bye-bye, boys. It’s just so…well…hard to leave you.” I chortled at my own pun and moved to the next table, which was filled with about half a dozen large vases. My gaze drifted over the elegant urns…

      And the world stopped. Suddenly, and totally, the day stood still. The breeze died. Sounds ceased. I didn’t feel the heat. My breath stopped. My vision tunneled until my awareness was completely filled by the vase.

      “Oops, sorry. Didn’t mean to bump ya.” Breath rushed into my lungs and the world started again as a kind man grabbed my elbow to steady me.

      “That’s okay.” I sucked air and attempted a smile.

      “Guess I wasn’t looking where I was going. Almost ran ya over.”

      “I’m fine now. No harm done.”

      He looked at me like he wasn’t sure, but nodded and went on his way.

      I brushed a trembling hand through my hair. What was going on? What happened? I was looking at the vases and…

      My attention turned back to the pottery table, and my eyes were immediately drawn to the last of the vases. My feet were moving toward it before I told them to go. My trembling hand reached out to touch the lot identification tag. It read: Lot #25, Reproduction—Celtic vase, original stood over graves in Scottish cemetery—Scene in color represents supplications being made to the High Priestess of Epona, Celtic Horse Goddess.

      My vision was blurred and my eyes felt strangely hot as I looked back at the vase. Blinking my vision clear, I studied it, attempting to ignore how strange I was feeling.

      The vase was a couple of feet tall and shaped like the base of a lamp. A curved handle balanced off one side. The top was open with a gracefully ridged circumference. But it wasn’t the shape or size that drew me; it was the scene painted into the pottery, stretching from one side all the way around. The background color was black, which made the scene seem to jump out with the other colors all highlighted in golds and creams.

      A woman reclined on some type of cushioned lounge chair. Her back was to the viewer, so all that could be seen of her was the curve of her waist, one outstretched arm with which she motioned regally to the supplicants on their knees before her and the cascade of her hair.

      “It’s like my hair.” I didn’t realize I had spoken aloud until I heard the words. But her hair was like mine, only longer. The same red-gold, the same wavy semi-curls that never wanted to stay put. My finger crept forward of its own accord and I found myself touching the vase, transfixed.

      “Oh!” It felt hot! I yanked my finger back where it belonged.

      “I didn’t know you were interested in pottery.” Mr. Receding Hairline squinted up at me. “I am actually quite knowledgeable about several categories of Early American pottery.” He licked his lips.

      “Well, I’m not really interested in Early American pottery.” Hairline’s reappearance into my Personal Space had served to dash cold water on whatever weird feelings I had been experiencing. “It’s way too Southwest for me. I’m more of a Greek/Roman-esque kind of girl.”

      “Oh, I see. What a fascinating little piece you were admiring.” He reached his sweaty hands out, and in a jumpy, cockroach-like movement he lifted the vase, turning it upside down to peer at the bottom. I observed him for any signs of weirdness, but he just kept on being his normal, nerdy self.

      “Um, you don’t notice anything, well, odd about that vase, do you?”

      “No. It’s a rather well-made reproduction, but I don’t detect anything odd about Epona or the urn. What do you mean?” He put the vase down and dabbed at his upper lip with a damp handkerchief.

      “Well, it seemed to feel a little, I don’t know, hot, when I touched it.” I stared into his eyes, wondering if my neurotic breakdown was obvious.

      “Might I suggest—” he leaned even farther into my Personal Space, practically resting his pointy nose on my cleavage “—that the warmth may have been generated by your own generous body heat?”

      He was almost salivating. Ugh.

      “You know, you might be right,” I purred. He stopped breathing and licked his lips again. I whispered, “I think I have been running a low-grade fever. Just can’t seem to get rid of this nasty yeast infection. And it sure is sticky in this heat.” I smiled and squirmed a little.

      “Goodness. Well, my goodness.” Hairline quickly receded from my Personal Space. I smiled and followed. He continued backing up. “I feel that I had better go back to my Depression Era glass lots, I certainly want to be there to open the bidding. Good luck to you.” He turned and scuttled away.

      Guys are such a pain in the ass. But really easy to get rid of, just call into play the dreaded Female Problem card and watch them freak out. I like to think it’s just one small way God lets us get even. I mean, we do have to give birth.

      “Now what’s up with this damn vase?” It was just too Dark Shadows for words. Blurred vision—loss of breath—hot pottery—same hair. Oh, please, I was probably just having a premature hot flash (twenty years early—okay, fifteen years early, at least). So, I decided I’d simply confront the source. The Dreaded Mystery Vase/Urn/Friggin Pot.

      It sat innocently enough just where Receding had left it, vaguely moist spots glistening where his sweaty little fingers had smudged the glossy surface. I took a breath. A deep breath. It certainly was an intriguing-looking pot. I squinted and bent to get a closer look, careful not to touch it. The Priestess did have hair that looked like mine, only longer. Her right arm was draped in a creamy, gauzy white cloth, and there was a definite grace and beauty about the way it was stretched, palm held up and forward, slightly tilted. She seemed gracious in her acceptance of the offered gifts from the kneeling supplicants. A rich-looking gold armlet snaked around her bicep, and golden bracelets adorned her wrist.