Зов Ктулху / The Call of Cthulhu. Уровень 2. Говард Филлипс Лавкрафт

inside the earth and under the sea. Their dead bodies told their secrets in dreams to the first men, who formed a cult which never died. This was that cult. It always existed and will always exist. It is hidden in distant and dark places all over the world. The time will come when the great priest Cthulhu, from his dark house in the mighty city of R’lyeh under the waters will rise and rule the earth. Some day, when the stars are ready, he will call. The secret cult will always wait to liberate him.

      They refused to tell more. There was a secret and it was impossible to extract it. Mankind was not absolutely alone among the conscious things of earth. Some shapes came out of the dark to visit the faithful few[42]. But these were not the Great Old Ones. No man saw the Old Ones. The carven idol was great Cthulhu, but nobody can say how the others look like. No one was able to read the old writing now. The things were told by word of mouth. The chanted ritual was not the secret. The chant meant only this:

      “In his house at R’lyeh dead Cthulhu waits dreaming.[43]”

      Only two of the prisoners were found sane enough to hang them. The rest were taken to various hospitals. All denied ritual murders, and said that the killing was done by Black Winged Ones[44] which came to them from their immemorial meeting-place in the haunted wood. But nobody wanted to talk about these mysterious allies. What the police learned, came mainly from the very old mestizo named Castro[45]. Castro sailed to different ports and talked with undying leaders of the cult in the mountains of China.

      Old Castro remembered bits of hideous legend that made man and the world seem recent and transient indeed. There were ages when other Creatures ruled on the earth and They had great cities. The deathless Chinamen told him that remains of Them can still be found as Cyclopean stones on islands in the Pacific[46]. They all died long ago before men came. But it is possible to revive Them when the stars came round again to the right positions in the cycle of eternity. They came themselves from the stars, and brought Their images with Them.

      These Great Old Ones, Castro continued, were not composed altogether of flesh and blood. They had shape but that shape was not made of matter. When the stars were right[47], They could travel from world to world through the sky. When the stars were wrong, They did not live.

      But although They no longer lived, They never really died.

      They all lie in stone houses in Their great city of R’lyeh, preserved by the spells of mighty Cthulhu for a glorious resurrection when the stars and the earth once again are ready for Them. But at that time some force from outside must serve to liberate Their bodies. The spells prevent Them from an initial move. They can only lie awake in the dark and think while millions of years pass by. They know all that is occurring in the universe. Their mode of speech is transmitted thought. Even now They talked in Their tombs. When, after infinities of chaos, the first men came, the Great Old Ones spoke to the sensitive among them forming their dreams. Only thus could Their language reach the fleshly minds.

      Then, whispered Castro, those first men formed the cult around tall idols which the Great Ones showed them. Idols were brought in dim eras from dark stars. That cult will never die till the stars come right again. The secret priests will take great Cthulhu from His tomb to revive His servants and resume His rule of earth. It will be easy to know this time has come. Mankind will become as the Great Old Ones; free and wild and beyond good and evil. The people will throw aside laws and morals. And all men will shout and kill and revel in joy. Then the liberated Old Ones will teach them new ways to shout and kill and revel and enjoy themselves. All the earth will flame with a great fire of ecstasy and freedom. Meanwhile the cult, by appropriate rites, must keep alive the memory of those ancient ways and tell about their return.

      In the elder time chosen men talked with the entombed Old Ones in dreams. Then something happened. The great stone city R’lyeh, with its monoliths and sepulchres, sank beneath the waves. The deep waters, full of the primal mystery, cut off the communication. No thought can pass through them. But memory never died. The high-priests say that the city will rise again when the stars are right. Then the black spirits of earth will come out of the earth, mouldy and shadowy, and full of dim rumours. But old Castro dared not speak much of them.

      He became silent hurriedly and said nothing more. He curiously declined to mention the size of the Old Ones, too. Of the cult, he said that he thought the centre lay amid the pathless desert of Arabia, where Irem, the City of Pillars[48], dreams hidden and untouched. It was not connected to the European witch-cult, and was virtually unknown beyond its members. No book ever mentioned it. Only in the Necronomicon of the mad Arab Abdul Alhazred, as the deathless Chinamen said were double meanings, which the initiated can read, especially the this couplet:

      That is not dead which can eternal lie [49],

      And with strange ages even death may die.

      Legrasse was deeply impressed. He inquired about the historic affiliations of the cult. Castro, apparently, told the truth when he said that it was wholly secret. The authorities at Tulane University said nothing about either cult or image. So the detective came to the highest authorities in the country now and met only with the Greenland tale of Professor Webb.

      The great interest aroused at the meeting by Legrasse’s tale. It echoed in the correspondence of those who attended; although was not mentioned in the formal publications of the society. Caution is the first care of scientists who often face charlatanry and imposture. Legrasse lent the image to Professor Webb. When Professor died, it was returned to him. I saw it not long ago. It is truly a terrible thing, and very similar to the dream-sculpture of young Wilcox.

      It is no surprise that my uncle was excited by the tale of the sculptor. The fact that sensitive young man saw in his dreams these figure and hieroglyphics was very interesting. Professor Angell started an investigation immediately. Privately I suspected young Wilcox of a trickery. He could invent a series of dreams to heighten and continue the mystery. My rationalism made me think this way. So, after thoroughly studying the manuscript again and correlating the theosophical and anthropological notes with the cult narrative of Legrasse, I made a trip to Providence. I wanted to see the sculptor and accuse him of deceiving a learned and aged man.

      Wilcox still lived alone in the Fleur-de-Lys Building in Thomas Street, a hideous Victorian imitation of seventeenth century Breton Architecture[50]. I found him at work in his rooms. I understood at once that his genius was indeed profound and authentic. I believe, one day he will be well-known as one of the great decadents. He has crystallized in clay and one day will repeat in marble nightmares and phantasies. Like those which Arthur Machen[51] evokes in prose, and Clark Ashton Smith[52] makes visible in verse and in painting.

      He was dark and frail, a little bit unkempt. He asked me about my business without rising. When I told him who I was, he displayed some interest. My uncle excited his curiosity because he was studying his strange dreams, yet never explained the reason for the study. In a short time I became convinced of his absolute sincerity. He spoke of the dreams honestly. They influenced his art profoundly. He showed me a morbid statue whose contours almost shook me. He hasn’t seen the original of this thing except in his own dream bas-relief. The outlines formed themselves insensibly under his hands. It was, no doubt, the giant shape that he saw in delirium. But he really knew nothing of the hidden cult.

      He talked of his dreams in a strangely poetic fashion. It made me imagine the damp Cyclopean city of slimy green stone – whose geometry, he said, was all wrong. He heard with frightened expectancy the ceaseless, half-mental calling from underground: “Cthulhu fhtagn”, “Cthulhu fhtagn.”

      These words formed part of that dread

42

to visit the faithful few – чтобы посетить немногих верных

43

In his house at R’lyeh dead Cthulhu waits dreaming – Мёртвый Ктулху в своём доме в Р’льехе ожидает во сне

44

Black Winged Ones – Чернокрылые

45

mestizo named Castro – метис по имени Кастро

46

on islands in the Pacific – на островах Тихого океана

47

When the stars were right – когда звезды были в правильном положении

48

Irem, the City of Pillars – Ирем, град колонн

49

That is not dead which can eternal lie. – Не мёртво то, что может вечно покоиться.

50

hideous Victorian imitation of seventeenth century Breton Architecture – безобразной викторианской стилизации бретонской архитектуры семнадцатого века

51

Arthur Machen – Артур Мэкен (1863–1947) английский (валлийский) писатель, автор фантасмогорических историй, существенно повлиявших на Г.Ф. Лавкрафта.

52

Clark Ashton Smith – Кларк Эштон Смит (1893–1961) американский поэт и писатель, художник, скульптор; писал рассказы в жанре фантастики, фэнтези и ужасов.