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Все книги издательства IngramSol LeWitt
<P>Sol LeWitt (1928-2007), one of the most influential artists of the twentieth century, upended traditional practices of how art is made and marketed. A key figure in minimalism and conceptualism, he proclaimed that the work of the mind is much more important than that of the hand. For his site-specific work—wall drawings and sculpture in dozens of countries—he created the idea and basic plan and then hired young artists to install the pieces. Though typically enormous and intricate, the physical works held no value. The worth was in the pieces of paper that certified and described them. LeWitt championed and financially supported colleagues, including women artists brushed aside by the bullies of a male-dominated profession. Yet the man himself has remained an enigma, as he refused to participate in the culture of celebrity. Lary Bloom's book draws on personal recollections of LeWitt, whom he knew in the last years of the artist's life, as well as LeWitt's letters and papers and over one hundred original interviews with his friends and colleagues, including Chuck Close, Ingrid Sischy, Philip Glass, Adrian Piper, Jan Dibbets, and Carl Andre. This absorbing chronicle brings new information to our understanding of this important artist, linking the extraordinary arc of his life to his iconic work. Includes 28 illustrations.</P>
Trophic Cascade
<P><B>Winner of the Colorado Book Award in Poetry (2018)</B></P><P>In this fourth book in a series of award-winning survival narratives, Dungy writes positioned at a fulcrum, bringing a new life into the world even as her elders are passing on. In a time of massive environmental degradation, violence and abuse of power, a world in which we all must survive, these poems resonate within and beyond the scope of the human realms, delicately balancing between conflicting loci of attention. Dwelling between vibrancy and its opposite, Dungy writes in a single poem about a mother, a daughter, Smokin' Joe Frazier, brittle stars, giant boulders, and a dead blue whale. These poems are written in the face of despair to hold an impossible love and a commitment to hope. A readers companion will be availabe at wesleyan.edu/wespress/readerscompanions.</P>
In the Language of My Captor
<P><B>Winner of the Lannan Literary Award for Poetry (2017)</B></P><P>Acclaimed poet Shane McCrae's latest collection is a book about freedom told through stories of captivity. Historical persona poems and a prose memoir at the center of the book address the illusory freedom of both black and white Americans. In the book's three sequences, McCrae explores the role mass entertainment plays in oppression, he confronts the myth that freedom can be based upon the power to dominate others, and, in poems about the mixed-race child adopted by Jefferson Davis in the last year of the Civil War, he interrogates the infrequently examined connections between racism and love. A reader's companion is available at wesleyan.edu/wespress/readerscompanions.</P>
Citizen Azmari
<P>In the thirty years since their immigration from Ethiopia to the State of Israel, Ethiopian-Israelis have put music at the center of communal and public life, using it alternatingly as a mechanism of protest and as appeal for integration. Ethiopian music develops in quiet corners of urban Israel as the most prominent advocate for equality, and the Israeli-born generation is creating new musical styles that negotiate the terms of blackness outside of Africa. For the first time, this book examines in detail those new genres of Ethiopian-Israeli music, including Ethiopian-Israeli hip-hop, Ethio-soul performed across Europe, and eskesta dance projects at the center of national festivals. This book argues that in a climate where Ethiopian-Israelis fight for recognition of their contribution to society, musical style often takes the place of political speech, and musicians take on outsize roles as cultural critics. From their perch in Tel Aviv, Ethiopian-Israeli musicians use musical style to critique a social hierarchy that affects life for everyone in Israel/Palestine.</P>
Roots in Reverse
<P>Roots in Reverse explores how Latin music contributed to the formation of the n&#233;gritude movement in the 1930s. Taking Senegal and Cuba as its primary research areas, this work uses oral histories, participant observation, and archival research to examine the ways Afro-Cuban music has influenced Senegalese debates about cultural and political citizenship and modernity. Shain argues that the trajectory of Afro-Cuban music in twentieth century Senegal illuminates many dimensions of that nation's cultural history such as gender relations, generational competition and conflict, debates over cosmopolitanism and hybridity, the role of nostalgia in Senegalese national culture and diasporic identities. More than just a new form of musical enjoyment, Afro-Cuban music provided listeners with a tool for creating a public sphere free from European and North American cultural hegemony.</P>
Making Dances That Matter
<P>Anna Halprin, vanguard postmodern dancer turned community artist and healer, has created ground-breaking dances with communities all over the world. Here, she presents her philosophy and experience, as well as step-by-step processes for bringing people together to create dances that foster individual and group well-being. At the heart of this book are accounts of two dances: the Planetary Dance, which continues to be performed throughout the world, and Circle the Earth. The Circle the Earth workshop for people living with AIDS has generated dozens of «scores» for others to adapt. In addition, the book provides a concrete guide to Halprin's celebrated Planetary Dance. Now more than 35 years old, Planetary Dance promotes peace among people and peace with the Earth. Open to everyone, it has been performed in more than 50 countries. In 1995 more than 400 participants joined her in a Planetary Dance in Berlin commemorating the fiftieth anniversary of the signing of the Potsdam Agreements, at the end of World War II. More recently, she took the Planetary Dance to Israel, bringing together Israelis and Palestinians as well as other nationalities. Throughout this book Halprin shows how dance can be a powerful tool for healing, learning and mobilizing change, and she offers insight and advice on facilitating groups. If we are to survive, Halprin argues, we must learn, experientially, how our individual stories weave together and strengthen the fabric of our collective body. Generously illustrated with photographs, charts and scores, this book will be a boon to dance therapists, educators and community artists of all types.</P>
The Devil's Slave
At the end of <i>The King’s Witch</i>, the first book in Tracy Borman’s Stuart-era trilogy, Frances Gorges was pregnant with the child of her dead lover, Thomas Wintour, executed for his role as a conspirator in the Gunpowder Plot of 1605. Now, in <i>The Devil’s Slave</i>, Frances is compelled to return to the dissolute and dangerous court where she has been suspected of witchcraft.<p>Catholics have gone underground in the new Puritan regime of King James I, and yet whispers of conspiracies continue to echo behind closed doors and down the halls of the royal palaces. Against this perilous backdrop, accompanied by her son George and her husband Sir Thomas Tyringham—whom she married conveniently to mask the true identity of her son’s father—Frances reunites with her former mistress, the Princess Elizabeth, now of marriageable age, as well as other less friendly members of the court: Prince Henry, heir to the crown who emulates his father’s brutality without scruple; Lord Cecil, eager to persecute Frances as a witch even as his own health rapidly declines; and King James himself, ever more paranoid and cruel towards alleged heretics and traitors. Yet a surprising ally emerges in the person of Sir Walter Raleigh, himself a prisoner in the Tower of London. With more lives than merely her own on the line, Frances soon finds herself caught in a spider’s web of secrets, promises, and plots.<p>Tracy Borman brings to life vivid characters from history, recreating the ever-treacherous court of the first Stuart king, and a historical period that has fascinated readers for centuries.
Purgatory
Recovering from the severe mental and physical wounds inflicted from his recent past, former cop Jack Taylor has finally found a modicum of peace. He has managed to kick the myriad substances that have had a stranglehold over his painful life, however tenuously. Yet this fragile existence is threatened when a vigilante killer begins targeting the scum of Galway, signing mysterious notes with the moniker 'C 33'. The killer addresses these cryptic letters to Jack, trying to goad him into joining the murderous spree.While Jack tries to unravel the mystery and motives of this demented killer, he is also brought into the fold of an enigmatic tech billionaire who has been buying up massive amounts of property in Galway, seemingly in the hopes of offering this downtrodden city a better future. Yet if Jack has learned one thing living in Ireland, it's that people who outwardly claim to be on the side of righteousness are likely harboring far more nefarious motives beneath the surface.With the help of his friends, former drug dealer-turned-zen master Stewart and dogged police sergeant Ridge, Jack is determined to track down C 33, even if it jeopardizes his livelihood, his friends, and the remaining shreds of his sanity. C 33 is Bruen at his best: lyrical, brutal, and ceaselessly suspenseful.
Light My Fire
"Laugh-out-loud funny–I loved it!" – New York Times bestselling author Thea HarrisonThe trouble with humans is that they're far too sensitive. Forget you put a woman in the local jail for a few months–and she takes it so personally! And yet she is the one trying to assassinate the queen. And now I'm trapped with Elina Shestakova of the Black Bear Riders of the Midnight. . .gods! That endless name! But what am I to do? I am Celyn the Charming with direct orders from my queen to protect this unforgiving female. Even more shocking, this unforgiving female is completely unimpressed by me. How is that even possible? But I know what I want and, for the moment, I want her. And I'm sure that she, like all females, will learn to adore me. How could she not when I am just so damn charming? Praise for The Dragon Who Loved Me "A chest thumping, mead-hall rocking, enemy slaying brawl of a good book." –All Things Urban Fantasy «Aiken aces another one.» – RT Book Reviews , 4 Stars
Dragon Actually
It's not always easy being a female warrior with a nickname like Annwyl the Bloody. Men tend to either cower in fear–a lot–or else salute. It's true that Annwyl has a knack for decapitating legions of her ruthless brother's soldiers without pausing for breath. But just once it would be nice to be able to really talk to a man, the way she can talk to Fearghus the Destroyer.Too bad that Fearghus is a dragon, of the large, scaly, and deadly type. With him, Annwyl feels safe–a far cry from the feelings aroused by the hard-bodied, arrogant knight Fearghus has arranged to help train her for battle. With her days spent fighting a man who fills her with fierce, heady desire, and her nights spent in the company of a magical creature who could smite a village just by exhaling, Annwyl is sure life couldn't get any stranger.She's wrong. . .And just wait until you meet the rest of the family. . .