Ingram
Все книги издательства IngramConnecticut Architecture
Connecticut boasts some of the oldest and most distinctive architecture in New England, from Colonial churches and Modernist houses to refurbished nineteenth-century factories. The state’s history includes landscapes of small farmsteads, country churches, urban streets, tobacco sheds, quiet maritime villages, and town greens, as well as more recent suburbs and corporate headquarters. In his guide to this rich and diverse architectural heritage, Christopher Wigren introduces readers to 100 places across the state. Written for travelers and residents alike, the book features buildings visible from the road. <br><br>Featuring more than 200 illustrations, the book is organized thematically. Sections include concise entries that treat notable buildings, neighborhoods, and communities, emphasizing the importance of the built environment and its impact on our sense of place. The text highlights key architectural features and trends and relates buildings to the local and regional histories they represent. There are suggestions for further reading and a helpful glossary of architectural terms<br><br>A project of the Connecticut Trust for Historic Preservation, the book reflects more than 30 years of fieldwork and research in statewide architectural survey and National Register of Historic Places programs.
Eight Lectures on Experimental Music
<P>In this brilliant collection, path-breaking figures of American experimental music discuss the meaning of their work at the turn of the twenty-first century. Presented between 1989 and 2002 at Wesleyan University, these captivating lectures provide rare insights by composers whose work has shaped our understanding of what it means to be experimental: Maryanne Amacher, Robert Ashley, Philip Glass, Meredith Monk, Steve Reich, James Tenney, Christian Wolff, and La Monte Young. Collected here for the first time, together these lectures tell the story of twentieth-century American experimental music, covering such topics as repetition, phase, drone, duration, collaboration, and technological innovation. Containing introductory comments by Lucier and the original question and answer sessions between the students and the composers, this book makes the theory and practice of experimental music available and accessible to a new generation of students, artists, and scholars.</P>
Magic City Nights
<P>This exploration of rock 'n' roll music and culture in Birmingham, Alabama, is based on the oral histories of musicians, their fans and professionals in the popular music industry. Collected over a twenty-year period, their stories describe the coming of rock 'n' roll in the 1950s, the rise of the garage bands in the 1960s, of southern rock in the 1970s, and of alternative music in the 1980s and 1990s. Told in the words of the musicians themselves, Magic City Nights provides an insider's view of the dramatic changes in the business and status of popular music from the era of the vacuum tube to twenty-first-century digital technology. These collective memories offer a unique perspective on the impact of a subversive and racially integrated music culture in one of the most conservative and racially divided cities in the country.</P>
Eleven More American Women Poets in the 21st Century
<P>Eleven More American Women Poets in the 21st Century is an exciting sequel to its predecessors in the American Poets in the 21st Century series. Like the earlier anthologies, this volume includes generous selections of poetry by some of the best poets of our time as well as illuminating poetics statements and incisive essays on their work. This unique organization makes these books invaluable teaching tools. Broadening the lens through which we look at contemporary poetry, this new volume extends its geographical net by including Caribbean and Canadian poets. Representing three generations of women writers, among the insightful pieces included in this volume are essays by Karla Kelsey on Mary Jo Bang's modes of artifice, Christine Hume on Carla Harryman's kinds of listening, Dawn Lundy Martin on M. NourbeSe Phillip (for whom «english / is a foreign anguish»), and Sina Queyras on Lisa Robertson's confoundingly beautiful surfaces. A companion web site will present audio of each poet's work.</P>
The Time Ship
<P>H. G. Wells wasn't the only nineteenth-century writer to dream of a time machine. The Spanish playwright Enrique Gaspar published El anacron&#243;pete—"He who flies against time"—eight years before Wells's influential work appeared. The novel begins at the 1878 Paris Exposition, where Dr. Don Sindulfo unveils his new invention—which looks like a giant sailing vessel. Soon the doctor embarks on a voyage back in time, accompanied by a motley crew of French prostitutes and Spanish soldiers. The purpose of his expedition is to track down the imprisoned wife of a third-century Chinese emperor, believed to possess the secret to immortality. A classic tale of obsession, high adventure, and star-crossed love, The Time Ship includes intricately drawn illustrations from the original 1887 edition, and a critical introduction that argues persuasively for The Time Ship's historical importance to science fiction and world literature.</P>
Gervase Wheeler
<P>Gervase Wheeler was an English-born architect who designed such important American works as the Henry Boody House in Brunswick, Maine; the Patrick Barry House in Rochester, New York; and the chapels at Bowdoin and Williams colleges. But he was perhaps best known as the author of two influential architecture books, Rural Homes (1851) and Homes for the People (1855). Yet Wheeler has remained a little known, enigmatic figure. Ren&#233;e Tribert and James F. O'Gorman's study sheds new light on the course of Wheeler's career in the states, and brings crucial issues to the fore—the international movement of ideas, the development of the American architectural profession, the influence of architectural publications on popular taste, and social history as expressed in the changing nature of the American house. Wheeler's career is traced chronologically and geographically and the book is lavishly illustrated with over fifty images, including building plans and historical photographs.</P>
On Joanna Russ
<P>Joanna Russ, a feminist writer best known for The Female Man (1975), has produced a fierce, intense body of fiction and essays whose influence has been wide-ranging and complex. Her many publications include How to Suppress Women's Writing (1983), and she has won both of science fiction's most prestigious awards, the Nebula and the Hugo. The essays in this volume examine every aspect of Russ's body of work and provide a critical assessment that is long overdue. The first part of the book, «Criticism and Community,» gives readers a context for and overview of Russ's works, and includes discussions of Russ's role in the creation of a feminist science fiction tradition. The second part, «Fiction,» offers detailed analyses of some of Russ's writing. </P><P>Contributors include: Andrew M. Butler, Brian Charles Clark, Samuel R. Delany, Edward James, Sandra Lindow, Keridwen Luis, Paul March-Russell, Helen Merrick, Dianne Newell, Graham Sleight, Jen&#233;a Tallentire, Jason Vest, Sherryl Vint, Pat Wheeler, Tess Williams, Gary K. Wolfe, and Lisa Yaszek.</P>
Letters from Amherst
<P>Five substantial letters written from 1989 to 1991 bring readers into conversation with Hugo and Nebula Award winning-author Samuel Delany. With engaging prose, Delany shares details about his work, his relationships, and the thoughts he had while living in Amherst and teaching as a professor at the UMASS campus just outside of town, in contrast to the more chaotic life of New York City. Along with commentary on his own work and the work of other writers, he ponders the state of America, discusses friends who are facing AIDS and other ailments, and comments on the politics of working in academia. Two of the letters, which tell the story of his meeting his life partner Dennis, became the basis of his 1995 graphic novel, Bread & Wine. Another letter describes the funeral of his uncle Hubert T. Delany, former judge and well-known civil rights activist, and leads to reflections on his family's life in 1950s Harlem. Another details a visit from science fiction writer and critic Judith Merril, and in another he gives a portrait of his one-time student Octavia E. Butler, who by then has become his colleague. In addition, an appendix shares ten letters Delany sent to his daughter while she attended summer camp between 1984 and 1988. These letters describe Delany's daily life, including visitors to his upper-west-side apartment, his travels for work and pleasure, lectures attended, movies viewed, and exhibits seen.</P>
How to Dress a Fish
<P>In How to Dress a Fish, poet Abigail Chabitnoy, of Aleut descent, addresses the lives disrupted by US Indian boarding school policy. She pays particular attention to the life story of her great grandfather, Michael, who was taken from the Baptist Orphanage, Wood Island, Alaska, and sent to Carlisle Indian Industrial School in Pennsylvania. Incorporating extracts from Michael's boarding school records and early Russian ethnologies—while engaging Alutiiq language, storytelling motifs, and traditional practices—the poems form an act of witness and reclamation. In uncovering her own family records, Chabitnoy works against the attempted erasure, finding that while legislation such as the Alaska Native Claims Settlement Act reconnects her to community, through blood and paper, it could not restore the personal relationships that had already been severed.</P>
Frog Hollow
<P>Frog Hollow: Stories from an American Neighborhood is a collection of colorful historical vignettes of an ethnically diverse neighborhood just west of the Connecticut State Capitol in Hartford. Its 1850s row houses have been home to a wide variety of immigrants. During the Revolutionary War, Frog Hollow was a progressive hub, and later, in the mid-late 19th century, it was a hotbed of industry. Reporter Susan Campbell tells the true stories of Frog Hollow with a primary focus on the nineteenth and early twentieth centuries: the inventors, entrepreneurs and workers, as well as the impact of African American migration to Hartford, the impact of the Civil Rights movement and the continuing fight for housing. Frog Hollow was also one of the first neighborhoods in the country to experiment with successful urban planning models, including public parks and free education. From European colonists to Irish and Haitian immigrants to Puerto Ricans, these stories of Frog Hollow show the multiple realities that make up a dynamic urban neighborhood. At the same time, they reflect the changing faces of American cities. Features 38 photos.</P>