In this Ottawa writer's first volume of verse, there are trees, of course—catalpas on stained-glass transoms, an ever-present crabappel, nameless species in whose bare branches the winter solstice lurks. There is music, too—a whorehouse tango, a string quartet enthralling a favourite cat, the silky caress of a clarinet along the remembered flesh of adolescence. And visual art, from the Middle Ages through Matisse, is reenacted in vignettes of desire or dereliction.
Of one of Mark Frutkin's previous books of verse, Poetry Canada Review said it provided «a supernatural fusion of the earthbound with the heavenly to forge the lightning of poetry.» Divided into two sections, one inspired by ancient Chinese art, the other limning the ambiguities and incongruities of the contemporary human condition, Frutkin's new volume of poetry, Iron Mountain, often presents human beings wandering in the wilderness between two abysses while still appreciating the smell of pines, the softness of the rain, the brilliance of the stars, the hum of the computer, and the jostle of the crowd on the bus. These are poems of translucent delicacy harbouring hard truths where «A Taoist priest gulps the elixir/of immortality and blows away/in the dust,/a young Chinese girl/bumps me in the crowd/prompting a shiver/like a startled phoenix/dressed in my skin.» In Frutkin's vision the entire world is a written landscape that speaks to us of time, of change, of immutability, of radiant emptiness.
In her new volume of verse, Bowering continues her rigorous, ambitious path and delivers poems that blend a variety of personalities, times, and places that add up to an overall substance she sees as happiness. Like an alchemist of old, she transmutes experiences, perceptions, and perspectives into something richer and rarer despite the passage of years and the loss and death they have brought.
Winner of the 2004 International Gallery of Superb Printing Bronze Award for Superb Craftsmanship in Production, and the Ontario Printing and Imaging Association Excellence in Print Awards, commended for the 2004 Honourable Mention for Superb Craftsmanship in Production From rumble seats and running broads to power tops and tailfins, 60 Years Behind the Wheel captures the thrill of motoring in Canada from the dawn of the twentieth century to 1960. There are intriguing stories of cars with no steering wheels, and fascinating photographs of historic vehicles from across the country. From the Studebaker to the Lincoln-Zephyr, from the showroom to the scrapyard, here are over 150 vehicles owned and driven by Canadians.
Watch out! Here comes another mammoth book to thrill you and chill you and to frighten you to within an inch of your life! It comes bumping out of the night … from John Robert Colombo, the master of the macabre! This new compendium delivers excitement and delight to everyone who finds the unknown and the inexplicable fascinating, baffling, and frightening. The Big Book of Canadian Hauntings offers readers true, first-person accounts of the appearances (and the disappearances!) of ghosts and spirits as well as considerations and discussions of their effects on observers. Some told-as-true tales are reprinted from newspapers and periodicals of the past, but the majority of the stories, which come from every region in Canada, are based on eyewitness reports of the present that are appearing here for the first time and are based on the compiler’s ongoing research. So whether you believe in ghosts, spirits, spooks, spectres, or poltergeists, or not, after reading these narratives contributed by Canadians from all walks of life, you definitely won’t be indifferent to them.
When the War of 1812 breaks out between the British in Canada and the United States, eighteen-year-old Billy Green is an expert woodsman with romantic ideas of combat. Struggling with his father's ideals and with his attraction to Sarah, the daughterof an American sympathizer, Billy soon finds himself faced with a series of fateful decisions. Then on June 5, 1813, he spots the massive American forces camped in the tiny hamlet of Stoney Creek. Against all odds, the young man rides three hours in the middle of the night to Burlington Heights to warn the British. The Americans have already captured Fort George and destroyed Fort York. Burlington Heights is the only bastion of British forces remaining in the area, and if the Americans seize it, all of Upper Canada could fall under U.S. control. Can Billy Green help save the day? The ensuing historic battle will forever change the face of a nation and present Billy with challenges that will shake him to his very core.
A vandalized burial in an abandoned pioneer cemetery brings 12-year-old Peggy Henderson and her elderly archaeologist friend Eddy to Golden, British Columbia, to excavate. The town dates back to the 1880s when most of the citizens were tough and rowdy miners and railway workers who rarely died of old age. Since the wooden burial markers disintegrated long ago, Peggy and Eddy have no way of knowing the dead mans identity. But when Eddy discovers the vertebrae at the base of the skull are crushed, a sure sign the cause of death was hanging, they have their first clue. Peggy’s tendency to make quick judgments about others leads her to the conclusion that only bad people are hanged, so the man in the burial must have gotten what he deserved. Hoping to learn more about him that proves her beliefs, she is soon digging through dusty old newspapers at the small-town museum. It’s there that Peggy learns that sometimes good people do bad things.
Ex-boxer Joe Grundy is embroiled in the intrigues of his own boss, millionaire Leo Alexander, the owner of Vancouver's Lord Douglas Hotel. Somebody has murdered Leo's live-in servant and not-so-secret lover, and Grundy has to get to the bottom of the incident in order to clear the man he's forged a bond with since first coming to work for him as security for the hotel. But Leo's past serves up more surprises than Grundy bargained for. It seems Leo has had a life full of death, jilted mistresses, spurned spouses, sharp business deals, and explosive relationships with estranged children. Another corpse pops up, Leo is arrested and jailed, and Grundy takes more hits to his body and psyche than perhaps even he can handle. Thoughts of real and imagined death are stalking the corridors of the Lord Douglas, and Joe Grundy has to keep swinging to stay alive and remain sane.
First published in 1958, Centenary at Jalna brings us to 1953 when the Whiteoaks gather to mark the 100th anniversary of their estate. It has now been a century since Captain Philip and Adeline Whiteoak arrived in Canada and built their legacy. While this should be a time of festivity for the clan, tension and discontent surround the forthcoming marriage of a new generations Adeline and Philip, grandchildren of the originals. To make matters worse, young Dennis risks tragedy and Wakefield finds himself in a doomed relationship. As the celebrations loom closer, the question remains: Will the Whiteoaks be able to overcome their difficulties one last time? This is book 16 of 16 in The Whiteoak Chronicles .
Commended for the 2007 Canadian Children’s Book Centre, short-listed for the 2008 Red Maple Award "You know how it is when you get a feeling that something big is going to happen? Well, it wasn’t like that for me. In fact, that Thursday started out like any other day." With these words, Sarah Gilmore begins the remarkable story of what happened when she and her mother, Maggie, suddenly found themselves recipients of an unusual inheritance. A home of their own sounds too good to be true to the Gilmores, who have been struggling to manage on Maggie’s income as a waitress – but the conditions that come with the house are strange indeed. Then Sarah receives a message that she should look for a mysterious bequest in an old chest and her imagination runs to thoughts of jewels and wealth. She is disappointed when the chest seems to yield nothing of value – until she learns the truth about her legacy.