Argentine Women and Technology: An Analysis of Gendered Genre Evolution analyzes the link between gender and technology to explain the mechanisms underlying the association of specific genders with literary genres. Kelly Suero argues that as the democratic effect of the internet affords one the potential to obtain a space of adequate representation, Latin American women—in particular, Argentine women—have come to use technology as a medium through which to obtain a voice through the genres of cyberliterature and cyberculture. Increasing numbers of Argentine women are making an impact on both the literary and virtual spheres as they take technology to new, unexplored areas, such as the flogger youth movement led by Agustina Vivero, and the Abuelas de Plaza de Mayo’s discovery of the ability of DNA mitochondrial analysis to help find missing grandchildren from Argentina’s last dictatorship. As technology continues to influence a free Argentine society, Argentinian women will keep utilizing the medium to become innovative voices in fields previously unavailable to them. Scholars of Latin American studies, media studies, gender and women’s studies, and cultural studies will find this book particularly useful.
What history, pop culture, and diaspora can teach us about North and South Korea today.Korea is one of the last divided countries in the world. Twins born of the Cold War, one is vilified as an isolated, impoverished, time-warped state with an abysmal human rights record and a reclusive leader who perennially threatens global security with his clandestine nuclear weapons program. The other is lauded as a thriving democratic and capitalist state with the thirteenth largest economy in the world and a model for developing countries to emulate. In The Koreas, Theodore Jun Yoo provides a compelling gateway to understanding the divergent developments of contemporary North and South Korea. In contrast to standard histories, Yoo examines the unique qualities of the Korean diaspora experience, challenging the master narratives of national culture, homogeneity, belongingness, and identity. This book draws from the latest research to present a decidedly demythologized history, with chapters focusing on feature stories that capture the key issues of the day as they affect popular culture and everyday life. The Koreas will be indispensable to any historian, armchair or otherwise, in need of a discerning and reliable guide to the region.  
Earth Almanac presents the greatest hits of North American nature! Structured around phenology, which is the study of seasonal patterns in nature, the day-by-day descriptions offer insight into activities and connections throughout the natural world. Beginning with the Winter Solstice in December, Earth Almanac highlights a wide range of natural history, including mammals, birds, fish, reptiles, insects, intertidal and marine life, trees, plants, fungi, weather phenomenon, geology, astronomy, notable environmental activists, and more, and reveals the ebb and flow of nature across the planet. Each season features more than 90 entries, and sidebars throughout provide calls to environmental action, citizen science opportunities, and details on special dates or holidays. The book can be enjoyed one day, month, or season at a time–dip in and out as you observe the world around you.
Longlisted for the Scotiabank Giller Prize Spanning three continents, Butter Honey Pig Bread tells the interconnected stories of three Nigerian women: Kambirinachi and her twin daughters, Kehinde and Taiye. Kambirinachi believes that she is an Ogbanje, or an Abiku, a non-human spirit that plagues a family with misfortune by being born and then dying in childhood to cause a human mother misery. She has made the unnatural choice of staying alive to love her human family but lives in fear of the consequences of her decision. Kambirinachi and her two daughters become estranged from one another because of a trauma that Kehinde experiences in childhood, which leads her to move away and cut off all contact. She ultimately finds her path as an artist and seeks to raise a family of her own, despite her fear that she won’t be a good mother. Meanwhile, Taiye is plagued by guilt for what her sister suffered and also runs away, attempting to fill the void of that lost relationship with casual flings with women. She eventually discovers a way out of her stifling loneliness through a passion for food and cooking. But now, after more than a decade of living apart, Taiye and Kehinde have returned home to Lagos. It is here that the three women must face each other and address the wounds of the past if they are to reconcile and move forward. For readers of African diasporic authors such as Teju Cole and Chimamanda Ngozi Adichie, Butter Honey Pig Bread is a story of choices and their consequences, of motherhood, of the malleable line between the spirit and the mind, of finding new homes and mending old ones, of voracious appetites, of queer love, of friendship, faith, and above all, family.
Inquisitive and expansive, <i>Like a Boy but Not a Boy<i> explores author andrea bennett’s experiences with gender expectations, being a non-binary parent, and the sometimes funny and sometimes difficult task of living in a body. The book's fourteen essays also delve incisively into the interconnected themes of mental illness, mortality, creative work, class, and bike mechanics (apparently you can learn a lot about yourself through truing a wheel). <br><br> In “Tomboy,” andrea articulates what it means to live in a gender in-between space, and why one might be necessary; “37 Jobs 21 Houses” interrogates the notion that the key to a better life is working hard and moving house. And interspersed throughout the book is “Everyone Is Sober and No One Can Drive,” sixteen stories about queer millennials who grew up and came of age in small communities.<br><br> With the same poignant spirit as Ivan Coyote’s <i>Tomboy Survival Guide</i>, <i>Like a Boy but Not a Boy</i> addresses the struggle to find acceptance, and to accept oneself; and how one can find one’s place while learning to make space for others. The book also wonders it means to be an atheist and search for faith that everything will be okay; what it means to learn how to love life even as you obsess over its brevity; and how to give birth, to bring new life, at what feels like the end of the world. <br> <br> With thoughtfulness and acute observation, andrea bennett reveal intimate truths about the human experience, whether one is outside the gender binary or not.
This exciting and groundbreaking fiction anthology showcases a number of new and emerging 2SQ (Two-Spirit and queer Indigenous) writers from across Turtle Island. These visionary authors show how queer Indigenous communities can bloom and thrive through utopian narratives that detail the vivacity and strength of 2SQness throughout its plight in the maw of settler colonialism’s histories. <br><br>Here, readers will discover bio-engineered AI rats, transplanted trees in space, the rise of a 2SQ resistance camp, a primer on how to survive Indigiqueerly, virtual reality applications, motherships at sea, and the very bending of space-time continuums queered through NDN time. <i>Love after the End</i> demonstrates the imaginatively queer Two-Spirit futurisms we have all been dreaming of since 1492. <br><br> Contributors include Darcie Little Badger, Mari Kurisato, Kai Minosh Pyle, David Alexander Robertson, and jaye simpson.
In a rusted unnamed city full of five-dollar hotels and flea markets, a young homeless girl named Eggs is trying to make her way in the world. She’s shy and bold at the same time, and wary of strangers, but she is convinced beyond all reason that she can fly.<br><br> And fly she does, from rooftop to rooftop, from chimneys to phone wires; she scurries up the sides of buildings, and sneaks into secret lairs. Eggs is a loner but she makes two friends: Grack, who sells 100 different kinds of hot dogs from his bicycle cart, and Splendid Wren, a punk rocker whose open window Eggs came crashing through one night. Both Grack and Splendid Wren try their best to protect her, but Eggs meets her match when on a cold night she swoops onto a rooftop and steals a warm jacket belonging to Robin, a neighbourhood baddie with anger management issues. Can Eggs elude his wrathful revenge?<br><br> Beguiling and otherworldly, <i>The Girl Who Was Convinced Beyond All Reason That She Could Fly</i> is a fevered dream about a young girl’s flights of fancy in order to survive, and to thrive.<br><br> Ages 14 and up.<br>
In a near-future world ravaged by climate change, who will win in the struggle between humanity and nature? A thick fog rolls in over Shivering Heights. The river overflows, the sky is streaked with toxic green, parasites proliferate in torrential rains and once safely classified species – humans included – are evolving and behaving in unprecedented ways. Against this poetically hostile backdrop, a biologist, Laura, fights to understand the nature and scope of the changes transforming her own body and the world around her. Ten lush and bracing linked climate fictions depict a world gorgeous and terrifying in its likeness to our own. Fauna , Christiane Vadnais’s first work of fiction, won the Horizons Imaginaires speculative fiction award, the City of Quebec book award, and was named one of 2018’s best books by Radio-Canada.
Honoré de Balzac's 1830 <I>Treatise on Elegant Living</I> was a keystone text on dandyism, preceding Jules Barbey d'Aurevilly's <I>Anatomy of Dandyism</I> (1845) and Charles Baudelaire's “The Dandy” (in <I>The Painter of Modern Life</I>, 1863), and marking an important shift from the early dandyism of the British Regency to the intellectual and artistic dandyism of nineteenth-century France. The <I>Treatise</I> is the first true philosophical expression of dandyism, and is full of well-crafted aphorisms: “Elegant living is, in the broad acceptance of the term, the art of animating repose,” runs one classic definition of dandyism, and “One must have studied at least as far as rhetoric to lead an elegant life” asserts the importance of verbal pirouette and dexterous quipping to the dandy. Further embellished with anecdotes and historical and personal illustrations, Balzac's <I>Treatise</I> even features a fictitious encounter with the original dandy himself, Beau Brummell. Never before translated into English, this witty tract makes for an illuminating cornerstone to Balzac's <I>Human Comedy</I> (which was originally to have included a never-completed four-part philosophical “Pathology of Social Life”). Above all, it represents a decisive moment in the history of dandyism, and an entertaining exposition on the profundities of what lies deepest within all of us: our appearance.