Социология
Различные книги в жанре СоциологияThe Psychology of Joss Whedon
First there was “Buffy the Vampire Slayer”; then its spin-off “Angel”; then the cult hit “Firefly”; and its follow-up film, “Serenity.” They all had two things in common: their creator, Joss Whedon … and their surprising psychological depth.Revisit the worlds of Joss Whedon … with trained psychologists at your side. What are the psychological effects of constantly fighting for your life? Why is neuroscience the Whedonverse’s most terrifying villain? How can watching Joss’s shows help you take on your own psychological issues?It’s all the best parts of Psych 101—without Professor Walsh.* Robert Kurzban explains how Mal’s morals are a form of evolutionary pornography, and why we like to watch* Thomas Flamson explores free will in the Whedonverse—with prophecies, sacred duties and the long arm of the Alliance, does anyone actually have any?* Carole Poole demonstrates how Buffy and Spike’s season six relationship could be considered metaphor for narcissistic personality disorder—and concludes that Buffy may have been better off continuing it* Bradley J. Daniels looks at River’s Alliance-altered brain, and the real effects of “stripping” the amygdala* Mikhail Lyubansky shows why, psychologically, death really is Buffy’s gift* And editor Joy Davidson takes on Angel’s mommy issues—how the course of his whole extraordinary existence can be traced back to the woman who made him a vampire
Serenity Found
A lot has happened since Finding Serenity. We learned River’s secret; Mal took on the Alliance. Our favorite crew became Big Damn Heroes. And the Browncoats proved that hard work, passion and a little fan coordination can do the impossible. Serenity Found takes the contents of Finding Serenity even further, exploring not just the show but the events of the film as well, to create an anthology that’s even more thought-provoking, fascinating and far-thinking than its predecessor.* Acclaimed science fiction author Orson Scott Card lauds “Serenity” as film sci-fi finally done right* Writer and comedian Natalie Haynes reveals the real feminist savvy of the “Firefly” universe: the girls get the guns and the gags* Pop culture critic Michael Marano connects damaged, ass-kicking River to the other weaponized women of the Whedonverse* Multiverse executive producer Corey Bridges explains why the world of “Firefly” is the perfect setting for an MMORPG* Mutant Enemy’s visual effects wizard Loni Peristere relates what he’s learned from Joss about telling stories, and tells a story of his own about Serenity’s design* Television Without Pity recapper Jacob Clifton frames “Serenity” as a parable about media: how it controls us, how we can control it and how to separate the signal from the noise* And Nathan Fillion, “Firefly” and “Serenity’s” Captain Malcolm Reynolds, shares his affinity for Mal and his love of Mal’s ship and crew.
From Silver Screen to Spanish Stage
This is the first book-length English-language study of a group of five artists closely linked with the Spanish avant-garde in the 1920s and 1930s, now known as the ‘Other’ Generation of 27. In the same way that their contemporaries of the celebrated Generation of 27 (which included Federico Garcia Lorca) attempted a revolution of the arts through poetry inspired by European modernism, the ‘Other’ Generation of 27 attempted to renovate Spanish humour, first in prose, and then in the theatre and cinema. This book demonstrates how these humorists drew on the humour of Chaplin, Keaton, Lubitsch and the Marx Brothers for their stage comedy, and how they stretched the limits of the stage at the time by incorporating cinematic techniques, such as flashback, voice-overs and montage, in their search for new dramatic forms.
The Addison Collection
The Addison Collection provides thoughts and observations designed to encourage us to think about philosophical, social, and political issues of interest. "It's a Buck" describes a teenage boy's thoughts and feeling while experiencing the initial frustrations and then unexpected rewards of being a first-time, successful deer hunter. «Retreats of Stones and Mosses» is a short story about a population of tiny minnows that find and experience a temporary utopia in their country stream. It illustrates how an absence of daily challenges, which are found in a mainstream environment, can lead to apathy and prolonged despair. «Space Visitors» involves aliens who arrive on Earth and provide insight on our perception of time and space travel. They state that the emphasis we place on an ideal life in the hereafter shouldn't cause us to overlook the importance and beauty of contemporary life. The treatise, «Our Model Nation,» suggests that the basic values and character of America serve as a forerunner to how the world of the future will be structured. It addresses issues specific to crime and punishment, threats of aggression, natural vs. institutional government, and social destiny. The reader should find this collection interesting, enjoyable, and thought-provoking.
The Social Philosophy of Gillian Rose
Gillian Rose was one of the most important social philosophers of the twentieth century. This is the first book to present her social philosophy as a systematic whole. Based on new archive research and examining the full range of Rose's sources, it explains her theory of modern society, her unique version of ideology critique, and her views on law and mutual recognition. Brower Latz relates Rose's work to numerous debates in sociology and philosophy, such as the relation of theory to metatheory, emergence, and the relationship of sociology and philosophy. This book makes clear not only Rose's difficult texts but the entire structure of her thought, making her complete social theory accessible for the first time.
Strangers to Spouses
Approximately 90 percent of the marriages in India today are reported to be arranged marriages. Parents and families make partner choices and marital decisions for their children, sometimes needing the children only to consent to the decisions of the elders. Given this reality, most men and women who enter into such marriages have very limited pre-marital contact with each other. Several studies have been done on these arranged marriages in India to see how these relationships are formed and what their state of affairs is. The results have been varied and sometimes discrepant. This book is a revised version of a mixed methods study that the author conducted on the quality of relationship in such marriages in India. Specifically, the study explored the levels of marital satisfaction, quality of alternatives, investment of resources, intimacy, passion, and commitment, and examined their association with relationship quality.
Africa Every Day
Africa Every Day presents an exuberant, thoughtful, and necessary counterpoint to the prevailing emphasis in introductory African studies classes on war, poverty, corruption, disease, and human rights violations on the continent. These challenges are real and deserve sustained attention, but this volume shows that adverse conditions do not prevent people from making music, falling in love, playing sports, participating in festivals, writing blogs, telling jokes, making videos, playing games, eating delicious food, and finding pleasure in their daily lives. Across seven sections—Celebrations and Rites of Passage; Socializing and Friendship; Love, Sex, and Marriage; Sports and Recreation; Performance, Language, and Creativity; Technology and Media; and Labor and Livelihoods—the accessible, multidisciplinary essays in Africa Every Day address these creative and dynamic elements of daily life, without romanticizing them. Ultimately, the book shows that forms of leisure and popular culture in Africa are best discussed in terms of indigenization, adaptation, and appropriation rather than the static binary of European/foreign/global and African. Most of all, it invites readers to reflect on the crucial similarities, rather than the differences, between their lives and those of their African counterparts. Contributors: Hadeer Aboelnagah, Issahaku Adam, Joseph Osuolale Ayodokun, Victoria Abiola Ayodokun, Omotoyosi Babalola, Martha Bannikov, Mokaya Bosire, Emily Callaci, Deborah Durham, Birgit Englert, Laura Fair, John Fenn, Lara Rosenoff Gauvin, Michael Gennaro, Lisa Gilman, Charlotte Grabli, Joshua Grace, Dorothy L. Hodgson, Akwasi Kumi-Kyereme, Prince F. M. Lamba, Cheikh Tidiane Lo, Bill McCoy, Nginjai Paul Moreto, Jacqueline-Bethel Tchouta Mougoué, James Nindi, Erin Nourse, Eric Debrah Otchere, Alex Perullo, Daniel Jordan Smith, Maya Smith, Steven Van Wolputte, and Scott M. Youngstedt.
Upcycling Sheltered Workshops
At a time when the traditional sheltered workshop model has fallen under rightful criticism, and a new paradigm for disability programming is not yet in place, Upcycling Sheltered Workshops offers a revolutionary alternative. As many push to dismantle sheltered workshops, Susan Dlouhy and Patty Mitchell present the Creative Abundance Model, a proven method that redirects sheltered workshops from routine to creativity, putting participants in the driver’s seat. The Creative Abundance Model does away with the repetitive tasks that characterize traditional workshops. Instead, it is a structured but more open program that incorporates art, music, and other creative pursuits, freeing participants to discover their individual skills and talents. The authors both advocate for the model and provide instructions for implementing it, outlining such steps as obtaining funding, gaining the support and participation of the surrounding community, and preparing studios. Case studies from around the nation and inspiring photographs illustrate Dlouhy and Mitchell’s methods and document the many ways in which participants in Creative Abundance thrive.
Hatred at Home
One day in 2002, three friends – a Somali immigrant, a Pakistan–born U.S. citizen, and a hometown African American – met in a Columbus, Ohio coffee shop and vented over civilian casualties in the war in Afghanistan. Their conversation triggered an investigation that would become one of the most unusual and far–reaching government probes into terrorism since the 9/11 attacks. Over several years, prosecutors charged each man with unrelated terrorist activities in cases that embodied the Bush administration’s approach to fighting terrorism at home. Government lawyers spoke of catastrophes averted; defense attorneys countered that none of the three had done anything but talk. The stories of these homegrown terrorists illustrate the paradox the government faces after September 11: how to fairly wage a war against alleged enemies living in our midst. Hatred at Home is a true crime drama that will spark debate from all political corners about safety, civil liberties, free speech, and the government’s war at home.
Blood and Capital
In Blood and Capital: The Paramilitarization of Colombia , Jasmin Hristov examines the complexities, dynamics, and contradictions of present-day armed conflict in Colombia. She conducts an in-depth inquiry into the restructuring of the state’s coercive apparatus and the phenomenon of paramilitarism by looking at its military, political, and legal dimensions. Hristov demonstrates how various interrelated forms of violence by state forces, paramilitary groups, and organized crime are instrumental to the process of capital accumulation by the local elite as well as the exercise of political power by foreign enterprises. She addresses, as well, issues of forced displacement, proletarianization of peasants, concentration of landownership, growth in urban and rural poverty, and human rights violations in relation to the use of legal means and extralegal armed force by local dominant groups and foreign companies. Hristov documents the penetration of major state institutions by right-wing armed groups and the persistence of human rights violations against social movements and sectors of the low-income population. Blood and Capita l raises crucial questions about the promised dismantling of paramilitarism in Colombia and the validity of the so-called demobilization of paramilitary groups, both of which have been widely considered by North American and some European governments as proof of Colombian president Álvaro Uribe’s advances in the wars on terror and drugs.