–Long unavailable, this reissue of author's highly regarded first novel was originally published in hardcover by Viking Penguin in 1986. -Author receives wide support from gay, lesbian, feminist, and mainstream readers and media. -Sales reps should reference Brown as author of Gifts of the Body–likely her best-seller.
" City of God is an unsparing account of devastation and empowerment in the age of AIDS. From the body’s first mysterious eroticism to its final humiliation and pain, Gil Cuadros gives voice to both the beauty and sorrow of our common fate. His writing cuts like a double-edged sword—at times artful and sharp, at times unfiltered and raw. This is an awesome and haunting book.”—David Trinidad “The sensual, the expressive, the daring, the transformed become the matryrs of every era, every family. Their memoirs, heroics are our most devastating works of art. Gil Cuadros’s story ‘Unprotected’ is a classic of AIDS fiction and deserves a place of honor in the mosaic of American writing.”—Sarah Schulman “In a voice poised between plainspokenness and urgency, Gil Cuadros writes about the remnants of love in a devastated world. The poems and stories in City of God are as dire as they are beautiful, and sharp as a blow to the body.”—Bernard Cooper “I accuse Gil Cuadros of literary seduction in the nth degree … He makes me read on when I want to cry … I do not want to look at his words, and yet I cannot take my eyes away. His images sooth, burn, inspire. I accuse Gil Cuadros of language abuse—his stroke of silk, his pen a bludgeon. I accuse him of heart-bashing.”—Wanda Coleman
A searing story about memory and betrayal from the acclaimed and bestselling Russell Banks In his late seventies and dying of cancer, famed Canadian-American documentary filmmaker Leonard Fife, one of sixty thousand draft evaders who fled to Canada to avoid Vietnam, has agreed to one final interview, determined to bare all his secrets and demythologize his mythologized life. But the story that unspools in front of the camera and an intimate chorus of observers, including Fife’s wife, his nurse, and his acolyte and former star student Malcolm Macleod, is confoundingly unexpected, the dark and affecting account of a man entirely unknown to all. A searing novel about memory, betrayal, love, and the faint grace note of redemption, Russell Banks’s Foregone is a daring and resonant work about the scope of one man’s mysterious life, revealed through the fragments of his recovered past.
The context is Summer 2017, Vancouver, British Columbia, where economic imperatives are making space less and less accessible to lower-income individuals. The rental crisis is intensifying, ravenous real estate development is thriving and there is a province-wide forest fire emergency, which blankets the city in smoke. The protagonist, Dylan Levett, is a recent university graduate being “renovicted” from his rent-controlled apartment, the central point of view of the story. Notice is a Kafkaesque story about a man caught in the gears of a bureaucracy, a spiral-down, bad-to-worse kind of story. Socially relevant, this is a funhouse mirror held up to Vancouver, a working-class story that stands apart with its composite of literary techniques. Overall, Notice focuses on displacement and petty frustration, applying a documentary sensibility to an original and topical scenario.
Fake it so Real takes on the fallout from a punk-rock lifestyle—the future of “no future”—and its effect on the subsequent generations of one family. In June of 1983, Gwen, a gnarly Nancy Spungen lookalike, meets Damian, the enigmatic leader of a punk band. Seven years and two unplanned pregnancies later, Damian abandons Gwen, leaving her to raise their two daughters, Sara and Meg, on her own. The fourteen chapters that make up this book usher Gwen and her daughters through five decades, haunted by Damian’s ghost. Fuelled by vodka and scrappy determination, Gwen balances a responsibility to her daughters with her narcissistic, self-destructive tendencies. Sara and Meg scramble through adolescence and enter adulthood walking the line between selfishness and self-sacrifice, attempting to avoid their parents’ mistakes, all the while making a whole new set of mistakes of their own. In the voices of Gwen, Damian, Sara, Meg, Damian’s bandmate and Gwen’s true love, the novel weave a raw and honest tapestry of family life as told from the underbelly, focused on the grey area between right and wrong, the idea that we are all equally culpable and justified in our actions, and the pain and ecstasy that accompany a life lived authentically.
How does a librarian from New Jersey end up in a convenience store on Vancouver Island in the middle of the night, playing Bible Scrabble with a Korean physicist and a drunk priest? She gets married to the wrong man for starters—she didn't know he was 'that kind of Catholic'—and ends up in St. Cloud, Minnesota. She gets a job in a New Age bookstore, wanders toward Buddhism without realizing it, and acquires a dog. Things get complicated after that. Pattianne Anthony is less a thinker than a dreamer, and she finds out the hard way that she doesn't want a husband, much less a baby, and that getting out of a marriage is a lot harder than getting into it, especially when the landscape of the west becomes the voice of reason. <i>A Small Crowd of Strangers,</i> Joanna Rose’s second novel, is part love story, part slightly sideways spiritual journey.
Parts per Million engages in environmental topics and the George W. Bush presidency in a way that can shed light on the current administration The novel mixes fast pacing with a thriller-like intrigue centered on an elite local university, sharing facts and lifestyle choices in a way that cranks the plot forward, unlike other fact-heavy environmental fiction Environmental fiction, and politically active fiction, are being featured regularly by the media and bloggers as readers react to the Trump presidency and seek new ways of understanding today’s political climate PEN/America silver seal will help draw patrons' attention to the fact that the novel was shortlisted for the PEN/Bellwether Prize for Socially Engaged Fiction
Since her astonishing debut at twenty-five with <i>Oranges Are Not the Only Fruit</i>, Jeanette Winterson has achieved worldwide critical and commercial success as “one of the most daring and inventive writers of our time” (<i>Elle</i>). Her new novel, <i>Frankissstein</i>, is an audacious love story that weaves together disparate lives into an exploration of transhumanism, artificial intelligence, and queer love.<BR><BR>Lake Geneva, 1816. Nineteen-year-old Mary Shelley is inspired to write a story about a scientist who creates a new life-form. In Brexit Britain, a young transgender doctor called Ry is falling in love with Victor Stein, a celebrated professor leading the public debate around AI and carrying out some experiments of his own in a vast underground network of tunnels. Meanwhile, Ron Lord, just divorced and living with his mom again, is set to make his fortune launching a new generation of sex dolls for lonely men everywhere. Across the Atlantic, in Phoenix, Arizona, a cryogenics facility houses dozens of bodies of men and women who are medically and legally dead… but waiting to return to life.<BR><BR>What will happen when <i>homo sapiens</i> is no longer the smartest being on the planet? In fiercely intelligent prose, Jeanette Winterson shows us how much closer we are to that future than we realize. Funny and furious, bold and clear-sighted, <i>Frankissstein</i> is a love story about life itself.