История
Различные книги в жанре ИсторияAll the Women in My Family Sing
All the Women in My Family Sing is an anthology documenting the experiences of women of color at the dawn of the twenty-first century. It is a vital collection of prose and poetry whose topics range from the pressures of being the vice-president of a Fortune 500 Company, to escaping the killing fields of Cambodia, to the struggles inside immigration, identity, romance, and self-worth. These brief, trenchant essays capture the aspirations and wisdom of women of color as they exercise autonomy, creativity, and dignity and build bridges to heal the brokenness in today’s turbulent world. Sixty-nine authors – African American, Asian American, Chicana, Native American, Cameroonian, South African, Korean, LGBTQI – lend their voices to broaden cross-cultural understanding and to build bridges to each other’s histories and daily experiences of life. America Ferrera’s essay is from her powerful speech at the Women’s March in Washington D.C.; Natalie Baszile writes about her travels to Louisiana to research Queen Sugar and finding the “painful truths” her father experienced in the “belly of segregation;” Porochista Khakpour tells us what it is like to fly across America under the Muslim travel ban; Lalita Tademy writes about her transition from top executive at Sun Microsystems to NY Times bestselling author. This anthology is monumental and timely as human rights and justice are being challenged around the world. It is a watershed title, not only written, but produced entirely by women of color, including the publishing, editing, process management, book cover design, and promotions. Our vision is to empower underrepresented voices and to impact the world of publishing in America – particularly important in a time when 80% of people who work in publishing self-identify as white (as found recently in a study by Lee & Low Books, and reported on NPR).
Life With Hubble
The Hubble Space Telescope is one of the most important scientific and engineering endeavors of our time. It has given humankind the first truly clear view of the heavens and has revolutionized almost every area of modern astronomy. The author this text, David Leckrone, worked as a project scientist on Hubble for 33 years. From 1992–2009 he was the Senior Project Scientist for Hubble at NASA’s Goddard Space Flight Center. In that role he had an insider’s view of the trials and triumphs of the Hubble mission, including its extraordinary scientific discoveries and the personal journeys of the astronomers who made them, the adventure of five successful shuttle-based servicing missions, and the quiet heroism of the many scientists, engineers and managers who rose to the occasion when Hubble was in trouble. This book is loosely a personal memoir but can more accurately be called a “Hubble family memoir” for which Leckrone serves as narrator. Based on numerous interviews and personal observations, Life With Hubble tells the human stories and describes the professional achievements of scores of talented and dedicated individuals who made major contributions to the Hubble legacy. It spans the years from 1990, when Hubble was launched and when the affliction of spherical aberration was discovered in its optics, through the final servicing mission in 2009 and up to the present day. There are also numerous flashbacks from earlier years. This book is aimed at an informed, non-professional audience, including those who have followed the saga of Hubble throughout its lifetime. Key Features Gives an informed, behind the scenes narrative, telling an interesting and historically important story Aimed at both a general audience, and interested members of the astronomical community Gives cogent, understandable scientific explanations Well illustrated with historically relevant photos and Hubble imagery Based on extensive recorded interviews with key scientists and engineers
Irish Drama
Since the late 1970s there has been a marked internationalization of Irish drama, with individual plays, playwrights, and theatrical companies establishing newly global reputations. This book reflects upon these developments, drawing together leading scholars and playwrights to consider the consequences that arise when Irish theatre travels abroad. Essays discuss some of Ireland’s major theatre companies – Druid, the Abbey Theatre, Rough Magic, Blue Raincoat, Field Day and others – while also exploring the presence of Irish drama in the UK, the USA, Germany, and throughout Ireland. The volume also presents the views of key playwrights, featuring essays by Elizabeth Kuti and Ursula Rani Sarma, and including a new interview with Enda Walsh.
Darogan
Political prophecy was a common mode of literature in the British Isles and much of Europe from the Middle Ages to at least as late as the Renaissance. At times of political instability especially, the manuscript record bristles with prophetic works that promise knowledge of dynastic futures. In Welsh, the later development of this mode is best known through the figure of the mab darogan, the 'son of prophecy', who – variously named as Arthur, Owain or a number of other heroes – will return to re-establish sovereignty. Such a returning hero is also a potent figure in English, Scottish and wider European traditions. This book explores the large body of prophetic poetry and prose contained in the earliest Welsh-language manuscripts, exploring the complexity of an essentially multilingual, multi-ethnic and multinational literary tradition, and with reference to this wider tradition critical and theoretical questions are raised of genre, signification and significance.
Beware the Evil Eye Volume 2
In the present volume, Elliott addresses the most extensive sources of Evil Eye belief in antiquity–the cultures of Greece and Rome. In this period, features of the belief found in Mesopotamian and Egyptian sources are expanded to the point where an «Evil Eye belief complex» becomes apparent. This complex of features associated with the Evil Eye–human eye as key organ of information, eye as active not passive, eye as channel of emotion and dispositions, especially envy, arising in the heart, possessors, victims, defensive strategies, and amulets–is essential to an understanding of the literary references to the Evil Eye. This volume, along with chapter 2 of volume 1, sets and illuminates the context for examining Evil Eye belief and practice in the Bible and the biblical communities (the focus of volume 3).
Octavia's Brood
Whenever we envision a world without war, without prisons, without capitalism, we are producing speculative fiction. Organizers and activists envision, and try to create, such worlds all the time. Walidah Imarisha and adrienne maree brown have brought twenty of them together in the first anthology of short stories to explore the connections between radical speculative fiction and movements for social change. The visionary tales of Octavia’s Brood span genres—sci-fi, fantasy, horror, magical realism—but all are united by an attempt to inject a healthy dose of imagination and innovation into our political practice and to try on new ways of understanding ourselves, the world around us, and all the selves and worlds that could be. The collection is rounded off with essays by Tananarive Due and Mumia Abu-Jamal, and a preface by Sheree Renée Thomas. PRAISE FOR OCTAVIA'S BROOD: "Those concerned with justice and liberation must always persuade the mass of people that a better world is possible. Our job begins with speculative fictions that fire society's imagination and its desire for change. In adrienne maree brown and Walidah Imarisha's visionary conception, and by its activist-artists' often stunning acts of creative inception, Octavia's Brood makes for great thinking and damn good reading. The rest will be up to us." —Jeff Chang, author of Who We Be: The Colorization of America “Conventional exclamatory phrases don’t come close to capturing the essence of what we have here in Octavia’s Brood. One part sacred text, one part social movement manual, one part diary of our future selves telling us, ‘It’s going to be okay, keep working, keep loving.’ Our radical imaginations are under siege and this text is the rescue mission. It is the new cornerstone of every class I teach on inequality, justice, and social change....This is the text we’ve been waiting for.” —Ruha Benjamin, professor of African American Studies at Princeton University and author of People’s Science: Bodies and Rights on the Stem Cell Frontier "Octavia once told me that two things worried her about the future of humanity: The tendency to think hierarchically, and the tendency to place ourselves higher on the hierarchy than others. I think she would be humbled beyond words that the fine, thoughtful writers in this volume have honored her with their hearts and minds. And that in calling for us to consider that hierarchical structure, they are not walking in her shadow, nor standing on her shoulders, but marching at her side." —Steven Barnes, author of Lion’s Blood “Never has one book so thoroughly realized the dream of its namesake. Octavia's Brood is the progeny of two lovers of Octavia Butler and their belief in her dream that science fiction is for everybody.... Butler could not wish for better evidence of her touch changing our literary and living landscapes. Play with these children, read these works, and find the children in you waiting to take root under the stars!” —Moya Bailey and Ayana Jamieson, Octavia E. Butler Legacy “Like [Octavia] Butler's fiction, this collection is cartography, a map to freedom.” —dream hampton, filmmaker and Visiting Artist at Stanford University’s Institute for Diversity in the Arts Walidah Imarisha is a writer, organizer, educator, and spoken word artist. She is the author of the poetry collectionScars/Stars and facilitates writing workshops at schools, community centers, youth detention facilities, and women's prisons. adrienne maree brown is a 2013 Kresge Literary Arts Fellow writing science fiction in Detroit, Michigan. She received a 2013 Detroit Knight Arts Challenge Award to run a series of Octavia Butler–based writing workshops.
Incantations
This book of poems and stark, vivid illustrations is rooted in the female soul of indigenous Mexico. The Tzotzil women of the Chiapas Highlands are the poets and the artists. Ambar Past, who collected the poems and drawings, includes a moving essay about their poetics, beliefs, and history. In the 1970s, living among the Maya, Past watched the people endure as an epidemic swept through a village. No help came. Many children died. One mother offered her dead child a last sip of Coca-Cola and uttered a prayer: Take this sweet dew from the earth, take this honey. It will help you on your way. It will give you strength on your path. Incantations like this—poems about birth, love, hate, sex, despair, and death—coupled with primitive illustrations, provide a compelling insight into the psychology of these Mayan women poets. The Cinco Puntos edition of Incantations is a facsimile of the original handmade edition produced by the Taller Leñateros. It was reviewed in The New York Times. At the age of twenty-three, Ambar Past left the United States for Mexico. She lived among the Mayan people, teaching the techniques of native dyes and learning to speak Tzotzil. She is the creator of the graphic arts collective Taller Leñateros in Chiapas and was a founding member of Sna Jolobil, a weaving cooperative for Mayan artisans.
The Late Byzantine Army
The late Byzantine period was a time characterized by both civil strife and foreign invasion, framed by two cataclysmic events: the fall of Constantinople to the western Europeans in 1204 and again to the Ottoman Turks in 1453. Mark C. Bartusis here opens an extraordinary window on the Byzantine Empire during its last centuries by providing the first comprehensive treatment of the dying empire's military. Although the Byzantine army was highly visible, it was increasingly ineffective in preventing the incursion of western European crusaders into the Aegean, the advance of the Ottoman Turks into Europe, and the slow decline and eventual fall of the thousand-year Byzantine Empire. Using all the available Greek, western European, Slavic, and Turkish sources, Bartusis describes the evolution of the army both as an institution and as an instrument of imperial policy. He considers the army's size, organization, administration, and the varieties of soldiers, and he examines Byzantine feudalism and the army's impact on society and the economy. In its extensive use of soldier companies composed of foreign mercenaries, the Byzantine army had many parallels with those of western Europe; in the final analysis, Bartusis contends, the death of Byzantium was attributable more to a shrinking fiscal base than to any lack of creative military thinking on the part of its leaders.
Before the Normans
Histories of medieval Europe have typically ignored southern Italy, looking south only in the Norman period. Yet Southern Italy in the ninth and tenth centuries was a complex and vibrant world that deserves to be better understood. In Before the Normans , Barbara M. Kreutz writes the first modern study in English of the land, political structures, and cultures of southern Italy in the two centuries before the Norman conquests. This was a pan-Meditteranean society, where the Roman past and Lombard-Germanic culture met Byzantine and Islamic civilization, creating a rich and unusual mix.
Black Metaphors
In the late Middle Ages, Christian conversion could wash a black person's skin white—or at least that is what happens when a black sultan converts to Christianity in the English romance King of Tars . In Black Metaphors , Cord J. Whitaker examines the rhetorical and theological moves through which blackness and whiteness became metaphors for sin and purity in the English and European Middle Ages—metaphors that guided the development of notions of race in the centuries that followed. From a modern perspective, moments like the sultan's transformation present blackness and whiteness as opposites in which each condition is forever marked as a negative or positive attribute; medieval readers were instead encouraged to remember that things that are ostensibly and strikingly different are not so separate after all, but mutually construct one another. Indeed, Whitaker observes, for medieval scholars and writers, blackness and whiteness, and the sin and salvation they represent, were held in tension, forming a unified whole. Whitaker asks not so much whether race mattered to the Middle Ages as how the Middle Ages matters to the study of race in our fraught times. Looking to the treatment of color and difference in works of rhetoric such as John of Garland's Synonyma , as well as in a range of vernacular theological and imaginative texts, including Robert Manning's Handlyng Synne , and such lesser known romances as The Turke and Sir Gawain , he illuminates the process by which one interpretation among many became established as the truth, and demonstrates how modern movements—from Black Lives Matter to the alt-right—are animated by the medieval origins of the black-white divide.