История
Различные книги в жанре ИсторияCoyote Was Going There
The vivid imagination, robust humor, and profound sense of place of the Indians of Oregon are revealed in this anthology, which gathers together hitherto scattered and often inaccessible legends originally transcribed and translated by scholars such as Archie Phinney, Melville Jacobs, and Franz Boas.
Mine Okubo
�To me life and art are one and the same, for the key lies in one's knowledge of people and life. In art one is trying to express it in the simplest imaginative way, as in the art of past civilizations, for beauty and truth are the only two things which live timeless and ageless.� – Min� OkuboThis is the first book-length critical examination of the life and work of Min� Okubo (1912-2001), a pioneering Nisei artist, writer, and social activist who repeatedly defied conventional role expectations for women and for Japanese Americans over her seventy-year career. Okubo's landmark Citizen 13660 (first published in 1946) is the first and arguably best-known autobiographical narrative of the wartime Japanese American relocation and confinement experience.Born in Riverside, California, Okubo was incarcerated by the U.S. government during World War II, first at the Tanforan Assembly Center in California and later at the Topaz War Relocation Center in Utah. There she taught art and directed the production of a literary and art magazine. While in camp, Okubo documented her confinement experience by making hundreds of paintings and pen-and-ink sketches. These provided the material for Citizen 13660. Word of her talent spread to Fortune magazine, which hired her as an illustrator. Under the magazine's auspices, she was able to leave the camp and relocate to New York City, where she pursued her art over the next half century.This lovely and inviting book, lavishly illustrated with both color and halftone images, many of which have never before been reproduced, introduces readers to Okubo's oeuvre through a selection of her paintings, drawings, illustrations, and writings from different periods of her life. In addition, it contains tributes and essays on Okubo's career and legacy by specialists in the fields of art history, education, women's studies, literature, American political history, and ethnic studies, essays that illuminate the importance of her contributions to American arts and letters.Min� Okubo expands the sparse critical literature on Asian American women, as well as that on the Asian American experience in the eastern United States. It also serves as an excellent companion to Citizen 13660, providing critical tools and background to place Okubo's work in its historical and literary contexts.
Agayuliyararput/Our Way of Making Prayer
Drawing on the remembrances of elders who were born in the early 1900s and saw the last masked Yup�ik dances before missionary efforts forced their decline, Agayuliyararput is a collection of first-person accounts of the rich culture surrounding Yup�ik masks. Stories by thirty-three elders from all over southwestern Alaska, presented in parallel Yup�ik and English texts, include a wealth of information about the creation and function of masks and the environment in which they flourished. The full-length, unannotated stories are complete with features of oral storytelling such as repetition and digression; the language of the English translation follows the Yup�ik idiom as closely as possible.Reminiscences about the cultural setting of masked dancing are grouped into chapters on the traditional Yup�ik ceremonial cycle, the use of masks, life in the qasgiq (communal men�s house), the supression and revival of masked dancing, maskmaking, and dance and song. Stories are grouped geographically, representing the Yukon, Kuskokwim, and coastal areas. The subjects of the stories and the masks made to accompany them are the Arctic animals, beings, and natural forces on which humans depended.This book will be treasured by the Yup�ik residents of southwestern Alaska and an international audience of linguists, folklorists, anthropologists, and art historians.
Breaking Ground
In 2003, a backhoe operator hired by the state of Washington to work on the Port Angeles waterfront discovered what a larger world would soon learn. The place chosen to dig a massive dry dock was atop one of the largest and oldest Indian village sites ever found in the region. Yet the state continued its project, disturbing hundreds of burials and unearthing more than 10,000 artifacts at Tse-whit-zen village, the heart of the long-buried homeland of the Klallam people.Excitement at the archaeological find of a generation gave way to anguish as tribal members working alongside state construction workers encountered more and more human remains, including many intact burials. Finally, tribal members said the words that stopped the project: «Enough is enough.»Soon after, Lower Elwha Klallam Tribe chairwoman Frances Charles asked the state to walk away from more than $70 million in public money already spent on the project and find a new site. The state, in an unprecedented and controversial decision that reverberated around the nation, agreed.In search of the story behind the story, Seattle Times reporter Lynda V. Mapes spent more than a year interviewing tribal members, archaeologists, historians, city and state officials, and local residents and business leaders. Her account begins with the history of Tse-whit-zen village, and the nineteenth- and twentieth-century impacts of contact, forced assimilation, and industrialization. She then engages all the voices involved in the dry dock controversy to explore how the site was chosen, and how the decisions were made first to proceed and then to abandon the project, as well as the aftermath and implications of those controversial choices.This beautifully crafted and compassionate account, illustrated with nearly 100 photographs, illuminates the collective amnesia that led to the choice of the Port Angeles construction site. «You have to know your past in order to build your future,» Charles says, recounting the words of tribal elders. Breaking Ground takes that teaching to heart, demonstrating that the lessons of Tse-whit-zen are teachings from which we all may benefit.
Plains Indian Rock Art
The Plains region that stretches from northern Colorado to southern Alberta and from the Rockies to the western Dakotas is the land of the Cheyenne and the Blackfeet, the Crow and the Sioux. Its rolling grasslands and river valleys have nurtured human cultures for thousands of years. On cave walls, glacial boulders, and riverside cliffs, native people recorded their ceremonies, vision quests, battles, and daily activities in the petroglyphs and pictographs they incised, pecked, or painted onto the stone surfaces.In this vast landscape, some rock art sites were clearly intended for communal use; others just as clearly mark the occurrence of a private spiritual encounter. Elders often used rock art, such as complex depictions of hunting, to teach traditional knowledge and skills to the young. Other sites document the medicine powers and brave deeds of famous warriors. Some Plains rock art goes back more than 5,000 years; some forms were made continuously over many centuries.Archaeologists James Keyser and Michael Klassen show us the origins, diversity, and beauty of Plains rock art. The seemingly endless variety of images include humans, animals of all kinds, weapons, masks, mazes, handprints, finger lines, geometric and abstract forms, tally marks, hoofprints, and the wavy lines and starbursts that humans universally associate with trancelike states. Plains Indian Rock Art is the ultimate guide to the art form. It covers the natural and archaeological history of the northwestern Plains; explains rock art forms, techniques, styles, terminology, and dating; and offers interpretations of images and compositions.
Spirits of our Whaling Ancestors
Following the removal of the gray whale from the Endangered Species list in 1994, the Makah tribe of northwest Washington State announced that they would revive their whale hunts; their relatives, the Nuu-chah-nulth Nation of British Columbia, shortly followed suit. Neither tribe had exercised their right to whale – in the case of the Makah, a right affirmed in their 1855 treaty with the federal government – since the gray whale had been hunted nearly to extinction by commercial whalers in the 1920s. The Makah whale hunt of 1999 was an event of international significance, connected to the worldwide struggle for aboriginal sovereignty and to the broader discourses of environmental sustainability, treaty rights, human rights, and animal rights. It was met with enthusiastic support and vehement opposition.As a member of the Nuu-chah-nulth Nation, Charlotte Cote offers a valuable perspective on the issues surrounding indigenous whaling, past and present. Whaling served important social, economic, and ritual functions that have been at the core of Makah and Nuu-chahnulth societies throughout their histories. Even as Native societies faced disease epidemics and federal policies that undermined their cultures, they remained connected to their traditions. The revival of whaling has implications for the physical, mental, and spiritual health of these Native communities today, Cote asserts. Whaling, she says, �defines who we are as a people.�Her analysis includes major Native studies and contemporary Native rights issues, and addresses environmentalism, animal rights activism, anti-treaty conservatism, and the public�s expectations about what it means to be �Indian.� These thoughtful critiques are intertwined with the author�s personal reflections, family stories, and information from indigenous, anthropological, and historical sources to provide a bridge between cultures.
Autism Causes, Prevention & Treatment
Autism researcher John Cannell, MD, provides the most comprehensive and compelling explanation to date regarding autism causes, prevention, and treatment.
Essential Essays for the Study of the Military in First-Century Palestine
Though the Roman Empire has been a hot topic within New Testament studies in the twenty-first century, its military aspect has–strangely–been almost entirely neglected. This volume will fill that lacuna by reprinting pivotal, but difficult to access, essays on the topic from the past forty years. The book will help bring scholars up to speed on what Roman military experts have been saying on the matter and give a sense for key developments within the field over the last forty years. The contents of this book include a variety of pivotal essays, though most are difficult to find without access to a major research library.
Four Overarching Patterns of Culture
Justice has been the dominant cultural framework of people in the West for two centuries, ever since the rise of constitutional democracies. Consciously or not, most people in the West have a strong awareness of right and wrong. Their sense of morality is generally rooted in an obligation to the rule of law. In democratic societies, the rule of law ultimately relies on constitutional documents ratified by a widely-accepted process of development and implementation. For millennia, honor has been the dominant cultural framework of most people in the East and Middle East. Here, people know that speech and behavior display respect or disrespect. While pervasive in all relationships, honor and shame are most important in the family, extended family, and local community. In the East, honor is not necessarily an internal feeling, as it is in a justice culture. Honor is more often an external attribution bestowed by others rather than claimed by oneself. Harmony is prevalent globally in indigenous cultures. Many indigenous peoples do not distinguish between the supernatural and natural worlds. All aspects of life are connected. Interactions with spirit beings are the key to maintaining harmony in order to be secure. Reciprocity is a common cultural framework in the Global South. Here, one learns to develop connections with the right people in given circumstances for needed resources. These connections may or may not be characterized as «friendships» and provide not so much close friendships as reciprocal exchange. In some places, reciprocity is the means whereby one survives.
Envisioning God in the Humanities
The humanities offer insights into the highest (and lowest) capabilities of our own natures and, at their best, they function as prophetic champions of human dignity and as inspired celebrants of beauty. Envisioning God in the Humanities pays tribute to the career of Melissa Harl Sellew, a scholar and teacher who embodies the ideals of these academic disciplines. The collaboration of these essays attests to the potentialities for transcendence that emerge from rigorous and collective reflection on the texts, images, and ideas produced in ancient societies. Taking its cue from Professor Sellew's own distinguished scholarship, this collection of studies begins with analyses of the New Testament Gospels, then moves more broadly toward the religious life of the ancient world as attested both in literature and materiality, among Jews and Christians, Greeks and Romans. Just as Sellew has done throughout her career, so this volume invites us into to the joy of exploring distant societies and, in so doing, into the fuller discovery of one's own self.