История
Различные книги в жанре ИсторияGreat Speeches by African Americans
Tracing the struggle for freedom and civil rights across two centuries, this anthology comprises speeches by Frederick Douglass, Sojourner Truth, W. E. B. Du Bois, Martin Luther King, Jr., and other influential figures in the history of African-American culture and politics.The collection begins with Henry Highland Garnet's 1843 «An Address to the Slaves of the United States of America,» followed by Jermain Wesley Loguen's «I Am a Fugitive Slave,» the famous «Ain't I a Woman?» speech by Sojourner Truth, and Frederick Douglass's immortal «What, to the Slave, Is the Fourth of July?» Subsequent orators include John Sweat Rock, John M. Langston, James T. Rapier, Alexander Crummell, Booker T. Washington, Mary Church Terrell, Ida B. Wells-Barnett, Francis J. Grimké, Marcus Garvey, and Mary McLeod Bethune. Martin Luther King, Jr.,'s «I Have a Dream» speech appears here, along with Malcolm X's «The Ballot or The Bullet,» Shirley Chisholm's «The Black Woman in Contemporary America,» «The Constitution: A Living Document» by Thurgood Marshall, and Barack Obama's «Knox College Commencement Address.»
Greek and Roman Lives
Written early in the second century, Plutarch's Lives offers richly detailed and anecdotal biographies of some of the ancient world's mightiest and most influential figures. Plutarch sought to explore the characters and personalities of great men, to see how individual natures led ultimately to tragedy or victory. This selection from Plutarch's massive work profiles five Greeks and five Romans. The translation used here is by an unknown writer, but was associated with John Dryden's name because it was originally published in 1683-1686, in conjunction with a life of Plutarch by Dryden. In 1864, it was revised by the poet and scholar Arthur Hugh Clough, whose introduction and notes are also featured. The great men profiled here include Solon, the lawmaker of Athens, who fostered the growth of the city's democratic institutions; Pericles, whose legendary eloquence was epitomized by his well-known funeral oration; and Alexander the Great, whose incredible eleven-year journey of conquest extended from his native Macedonia to Egypt and India. Among the Romans are the warrior-statesman Marius, who opposed the ruling aristocracy and opened the army to commoners; Cicero, the famous orator; and Julius Caesar, whose extensive character sketch provided Shakespeare with the material for one of his greatest plays.
Darkwater
The distinguished American civil rights leader, W. E. B. Du Bois first published these fiery essays, sketches, and poems individually nearly 80 years ago in the Atlantic, the Journal of Race Development, and other periodicals. Reflecting the author's ideas as a politician, historian, and artist, this volume has long moved and inspired readers with its militant cry for social, political, and economic reforms for black Americans. Essential reading for students of African-American history
African-American Poetry
In the 19th century, abolitionist and African-American periodicals printed thousands of poems by black men and women on such topics as bondage and freedom, hatred and discrimination, racial identity and racial solidarity, along with dialect verse that mythologized the Southern past. Early in the 20th century, black poets celebrated race consciousness in propagandistic and protest poetry, while World War I helped engender the outpouring of African-American creativity known as the «Harlem Renaissance.»The present volume spans this wealth of material, ranging from the religious and moral verse of Phillis Wheatley Peters (ca. 1753–1784) to the 20th-century sensibilities of Langston Hughes and Countee Cullen. Also here are works by George Moses Horton, Frances Ellen Watkins Harper, Alberry Alston Whitman, Henrietta Cordelia Ray, Daniel Webster Davis, Mary Weston Fordham, James Weldon Johnson, Paul Laurence Dunbar, and many more.Attractive and inexpensive, this carefully chosen collection offers unparalleled insight into the hearts and minds of African-Americans. It will be welcomed by students of the black experience in America and any lover of fine poetry.
The Autobiography of an Ex-Colored Man
One of the most prominent African-Americans of his time, James Weldon Johnson (1871–1938) was a successful lawyer, educator, social reformer, songwriter, and critic. But it was as a poet and novelist that he achieved lasting fame. Among his most famous works, The Autobiography of an Ex-Colored Man in many ways parallels Johnson's own remarkable life. First published in 1912, the novel relates, through an anonymous narrator, events in the life of an American of mixed ethnicity whose exceptional abilities and ambiguous appearance allow him unusual social mobility — from the rural South to the urban North and eventually to Europe. A radical departure from earlier books by black authors, this pioneering work not only probes the psychological aspects of «passing for white» but also examines the American caste and class system. The human drama is powerful and revealing — from the narrator's persistent battles with personal demons to his firsthand observations of a Southern lynching and the mingling of races in New York's bohemian atmosphere at the turn of the century. Revolutionary for its time, the Autobiography remains both an unrivaled example of black expression and a major contribution to American literature.
Early Christianity
Designed as an undergraduate textbook, and shaped by needs of both Muslim and Christian students across Africa, this resource provides a thorough introduction to the history, theology and teaching of early Christianity.
Professors Helleman and Gaiya follow Christianity from its inception in Jerusalem through to the decline of the Roman Empire in the Mediterranean and the development of Orthodox churches in the East and in Africa before the arrival of Islam. The book provides an overview of critical historical events, controversies, teaching, and important individuals and movements providing foundational understanding of early developments in Christianity and the general history of antiquity. Students and lecturers will also appreciate the attention given to the role of North African leaders in early Christianity and the impact of major issues on the North African church, such as Gnosticism, Donatism and Arianism.
Additional Features: • Introduction to online tools & resources •Survey of the study of early Christianity • Introduction to key historians • Evaluation of recent literature & early Christianity
Slavery and the Post-Black Imagination
From Kara Walker’s hellscape antebellum silhouettes to Paul Beatty’s bizarre twist on slavery in The Sellout and from Colson Whitehead’s literal Underground Railroad to Jordan Peele’s body-snatching Get Out , this volume offers commentary on contemporary artistic works that present, like musical deep cuts, some challenging “alternate takes” on American slavery. These artists deliberately confront and negotiate the psychic and representational legacies of slavery to imagine possibilities and change. The essays in this volume explore the conceptions of freedom and blackness that undergird these narratives, critically examining how artists growing up in the post–Civil Rights era have nuanced slavery in a way that is distinctly different from the first wave of neo-slave narratives that emerged from the Civil Rights and Black Power Movements. Slavery and the Post-Black Imagination positions post-blackness as a productive category of analysis that brings into sharp focus recent developments in black cultural productions across various media. These ten essays investigate how millennial black cultural productions trouble long-held notions of blackness by challenging limiting scripts. They interrogate political as well as formal interventions into established discourses to demonstrate how explorations of black identities frequently go hand in hand with the purposeful refiguring of slavery’s prevailing tropes, narratives, and images.A V Ethel Willis White Book
Shifting Grounds
A distinctly Indigenous form of landscape representation is emerging in the creations of contemporary Indigenous artists from North America. For centuries, landscape painting in European art typically used representational strategies such as single-point perspective to lure viewers—and settlers—into the territories of the old and new worlds. In the twentieth century, abstract expressionism transformed painting to encompass something beyond the visual world, and later, minimalism and the Land Art movement broadened the genre of landscape art to include sculptural forms and site-specific installations.In Shifting Grounds , art historian Kate Morris argues that Indigenous artists are expanding, reconceptualizing, and remaking the forms of the genre still further, expressing Indigenous attitudes toward land and belonging even as they draw upon mainstream art practices. The resulting works are rarely if ever primarily visual representations, but instead evoke all five senses: from the overt sensuality of Kay WalkingStick’s tactile paintings to the eerie soundscapes of Alan Michelson’s videos and Postcommodity’s installations to the immersive environments of Kent Monkman’s dioramas, this landscape art resonates with a fully embodied and embedded subjectivity.In the works of these and many other Native artists, Shifting Grounds explores themes of presence and absence, connection and dislocation, survival and vulnerability, memory and commemoration, and power and resistance, illuminating the artists’ sustained engagement not only with land and landscape but also with the history of representation itself.
Transnational Testimonios
The activist storytelling practice of testimonio, long associated with Latin American struggles for justice, forges coalitions across social differences for the purpose of social change. Beyond Central and South America, Patricia DeRochery examines testimonios from a wide range of geopolitical sites, including Argentina, Egypt, Haiti, India, Jamaica, and Trinidad, as well as the United States, and suggests that feminist testimonios offer a model for cross-border feminist alliance building. Transnational Testimonios focuses on the questions of translation, knowledge, and power that characterize the creation and reception of these life writings. DeRocher demonstrates how these stories can mobilize social activism and intervene in epistemological impasses between the Global North and South, offering vital tools for reimagining transnational feminist politics.
Asian American Feminisms and Women of Color Politics
Asian American Feminisms and Women of Color Politics brings together groundbreaking essays that speak to the relationship between Asian American feminisms, feminist of color work, and transnational feminist scholarship. This collection, featuring work by both senior and rising scholars, considers topics including the politics of visibility, histories of Asian American participation in women of color political formations, accountability for Asian American �settler complicities� and cross-racial solidarities, and Asian American community-based strategies against state violence as shaped by and tied to women of color feminisms. Asian American Feminisms and Women of Color Politics provides a deep conceptual intervention into the theoretical underpinnings of Asian American studies; ethnic studies; women�s, gender, and sexual studies; as well as cultural studies in general.