История
Различные книги в жанре ИсторияThe East/West Quartet
* First volume of a three volume series documenting the work of Ping Chong * Ping Chong and Co. at New York's La Mama produces new work each year
Culture Clash in AmeriCCa
"These guys are funny daredevils of performance, totally fearless as they skewer convention and lazy thinking. Cool."—Eric Bogosian"Important social satire for these urgent times."—Dolores Huerta, Vice President, United Farm Workers Union"Keep kicking them in the cojones."—George CarlinThe newest work by the ever-outrageous comic trio, Culture Clash (Richard Montoya, Ric Salinas, and Herbert Siguenza) collects their four most recent investigations into contemporary American culture as viewed in four very distinct American cities. Each piece was commissioned by a local theatre company who invited our three lads into their communities and unlocked the doors. This volume includes:• «Bordertown» examinines the twin border cities of San Diego and Tijuana with special guest appearances by Charleton Heston, Shamu the Killer Whale, and Sidewinder Sam. • «Nuyorican Stories» brings the Clash to the Big Apple as they delve into the personal histories of the early Puerto Rican political activists in New York. • «Mission Magic Mystery Tour» is Culture Clash’s return to their home turf of San Francisco’s Mission District as the locals withstand an all-out invasion by the dot-com generation. •"Dreaming of Lincoln" brings the fearless troupe to our nation’s capital for a unique look at the land of the free.Culture Clash formed in 1984 to fill a unique role in American arts. Their nominal mission is to show cultures in opposition and, by opposing them, bring them closer together. But their talents are too expansive to be restricted to just «political theatre.» Culture Clash have managed to gerrymander theatre’s traditional map, erasing the borders between any and all districts they choose to explore. They have a style all their own with a foundation that harkens back to the best vaudevillians of the U.S. and Latin America. Comedy and satire is what they feed on, in the tradition of Lenny Bruce, the Marx Brothers, Charlie Chaplin, and Catinflas.
Crumbs from the Table of Joy and Other Plays
This collection includes Lynn Nottage’s best known work, Crumbs from the Table of Joy, which has been produced widely since its premiere in May 1995 and which the Chicago Tribune hailed as «a complex and thought provoking new play.» Also included are Mud, River, Stone, Poof, Por’Knockers and her latest work, Las Meninas, inspired by the playwright’s research into the African presence in 17th century Europe.Lynn Nottage lives in Brooklyn, New York. Her plays have been produced in many theatres across the U.S. including Second Stage (NY), South Coast Rep (Costa Mesa), Yale Repertory Theatre (New Haven), Alliance Theatre (Atlanta) and Steppenwolf (Chicago). She has won the Heideman and the White Bird awards and was a runner-up for the Susan Blackburn award.
Culture Clash
Culture Clash performs nationally throughout the year, including numerous university appearances. L.A.-based, they are currently performing for a month in San Francisco after 3 weeks in Dallas.
The Gospel at Colonus
A founding member of the acclaimed New York-based company Mabou Mines, Breuer's gifts as a writer and director have have made him a mainstay of the theatrical avant-garde.
Color of Desire/Hurricane
"The words of Nilo Cruz waft from the stage like a scented breeze. They sparkle and prickle and swirl, enveloping those who listen in both specific place and time . . . and in timeless passions that touch us all."—The Miami Herald One of the United States' most-produced Cuban American writers, Nilo Cruz employs his signature poetic imagery and vivid language to tender and humorous effect in this pair of his newest works. The Color of Desire, set in 1960 Havana, revolves around a passionate romance between an American businessman and an out-of-work Cuban actress. As the relationship becomes a metaphor for their countries' ruptured love affair, Cruz artfully weds magical realism to a familial story that is touching, harrowing, and funny. In Hurricane, a damaged family—a fire-and-brimstone missionary; his wife, who he saved in more than the spiritual sense; and their adopted son, who seems to have materialized from the ocean—face a shocking crisis when a hurricane ravages their Caribbean town. A celebration of humility, generosity, and kindness, Cruz's play explores the nature of identity, faith, and the redemptive power of love. Nilo Cruz is the author of the Pulitzer Prize–winning Anna in the Tropics, as well as A Park in Our House, A Bicycle Country, Dancing on Her Knees, Night Train to Bolina, Two Sisters and a Piano, and other works.
OH, WILD WEST!
“Midway through Water & Power comes a scene so perfectly written, so chilling and yet so hilarious [it] encapsulates all the anger and social criticism fueling [the play], beginning with the agonizing realization (also central to Culture Clash’s smash Chavez Ravine) that the fates of the L.A. many are held in the hands of the often capricious and heartless few.”— Variety For Zorro in Hell : “The funniest show the Bay Area comedy troupe has ever written. Culture Clash uses the story [of Zorro] as a starting point for a devastatingly hilarious satire of just about everything Californians hold dear.”— Contra Costa Times In this trio of plays, Culture Clash rewrites California’s past in the performance troupe’s own irreverent comic style, interweaving pop culture with their home state’s local history. In Chavez Ravine , called “a hell-raising home run” by Variety , they cover the land grab that uprooted an entire community and built Dodger Stadium. In Water & Power , the topic is the assimilation of Latinos and their rise to political influence. And in Zorro in Hell , Culture Clash re-imagines early California through the eyes of the original masked man. Culture Clash is Richard Montoya, Ric Salinas, and Herbert Siguenza. Founded in San Francisco’s Mission District on Cinco de Mayo in 1984, they have become the most prominent Chicano/Latino performance troupe in the United States. Their work ranges from sketch comedy to full-length plays and adaptations of Greek classics, and has been produced at universities and theaters throughout the country.
Songs of the Dragons Flying to Heaven and Other Plays
“Bold, unguarded work . . . that resists pat definition. [Young Jean] Lee has penned profane lampoons of motivational bromides ( Pullman, WA ) and the Romantic poets ( The Appeal ). Now she piles her deconstructive scorn upon ethnic stereotypes in Songs of the Dragons Flying to Heaven , a sweet-and-sour parade of Asian minstrelsy.”— Time Out New York “A perverse, provocative, and very funny festival of racism . . . Songs offers not only chauvinistic monologues and ass-slapping Korean dances, but also a rigorous exploration of art-making and its associated terrors.”— The Village Voice “Have you ever noticed how most Asian Americans are slightly brain-damaged from having grown up with Asian parents?” begins the Korean American protagonist of Songs of the Dragons Flying to Heaven , the singular work of Young Jean Lee, whose plays are like nothing you have ever seen or read. This is the first collection by the downtown writer-director, whose explorations of stereotypes of race, gender, and religion are unflinching—and seat-squirming funny. Also includes Groundwork of the Metaphysic of Morals ; The Appeal ; Pullman, WA ; Church ; and Yaggoo . Young Jean Lee was born in Korea and moved to the United States at age two. She grew up in Pullman, Washington, and attended college at the University of California, Berkeley, where she also studied Shakespeare in the English PhD program before moving to New York. She is the founder of the Young Jean Lee’s Theater Company, where she directs her own work, and has toured internationally in Vienna, Hanover, Berlin, Switzerland, Brussels, Norway, France, and Rotterdam; and across the United States in Portland, Seattle, Pittsburgh, and Minneapolis. She is the recipient of a 2007 Emerging Playwright OBIE Award.
Havana is Waiting and Other Plays
“The existential pain of exile, the confusions of sexual identity and the complex legacies of the Cuban revolution are predominant [in] Mr. Machado’s writing,” –The New York Times Eduardo Machado explores his lifelong themes with humor and passion in Havana Is Waiting (a writer returns to Cuba after thirty years), Kissing Fidel (a comedy set in Miami funeral parlor), The Cook (chronicling Cuban history), and Crocodile Eyes (inspired by Federico García Lorca). Eduardo Machado is the author of more than forty plays. Born in Cuba, his plays have been widely performed. He is artistic director of INTAR Theatre and head of playwriting at New York University.
Driving Miss Daisy
Racial tensions are delicately explored when a warm friendship evolves between an elderly Jewish woman and her black chauffeur. Winner of a 1988 Pulitzer Prize, and Academy Awards for Best Picture and Best Adapted Screenplay.