Half a century of UK gerontology research, theory, policy and practice are under the spotlight in this landmark critical review of the subject that places the country’s achievements in an international context. Drawing on the archives of the British Society of Gerontology and interviews with dozens of the most influential figures in the field, it provides a comprehensive picture of key developments and issues and looks to the future to plot new directions in thinking. This is the story of the remarkable progress of gerontology, told through the eyes of those who have led it.
At long last the secrets of Alexander Weygers are revealed in LIFT: Seven Lessons for Innovators from an Otherworldly Thinker. LEARN MORE: www.weygers.com www.discopter.com www.weygersfoundation.org
Nilo Cruz is the most produced Cuban American playwright in the United States and was the first dramatist of Hispanic descent to receive the Pulitzer Prize. In his plays, Cruz almost always journeys back to Cuba, even when the play is not set there. Cruz is a sensualist, a conjurer of mysterious voyages and luxuriant landscapes. He is a poetic chronicler, a documentarian of the presence of Latin people in American life. He conveys the strength and persistence of the Cuban spirit through a wholly dramatic imagination. This volume also includes the one-act play, Capriccio . Two Sisters and a Piano “Cruz’s tightly constructed study of incarcerated sisters provides the spine for an authentic study of oppression that bends but never breaks the human spirit.”— Variety Beauty of the Father “He is that rare American scribe who embraces the role of stage poet and the legacy of Tennessee Williams.”— The Seattle Times Hortensia and the Museum of Dreams “Cruz explores all kinds of loss . . . lost childhood, lost freedom, lost innocence. Yet he infused Hortensia with joy, with desire, with humor and hope and healing.”— The Miami Herald Lorca in a Green Dress “Like Lorca, Cruz is a lyrical writer in whom the surreal is grounded in the musical world of the senses . . . it is fresh, wonderful and dazzling.”— Mail Tribune (Oregon) Nilo Cruz is the author of many plays, including A Park in Our House , A Bicycle Country , Dancing on Her Knees , Night Train to Bolina and other works. He is a recipient of numerous awards, including the Pulitzer Prize for Drama, the Alton Jones Award and the Kesselring Prize. Mr. Cruz is a professor at the Yale School of Drama. He resides in New York City and is a New Dramatists alumnus.
“In Beauty of the Father one of the American theater’s most promising voices rings true and strong.”—Lynn Jacobson, Variety “Cruz conducts arias with his pen. He is a writer of ideas, who fills the stage with a kind of lush dramatic literature . . . Beauty of the Father brings to mind the playwright Maria Irene Fornes. Like his artistic forebear, Cruz recognizes the magic in the everyday. And he has found an astonishing language with which to describe it.”—Hilton Als, The New Yorker In his latest play, Nilo Cruz asks: What will we sacrifice in the name of love? A young woman named Marina reunites with her father Emiliano in his artistic home, populated by his worldly wise female companion Paquita and the irresistible young Moroccan Karim, whom father and daughter both fall for. Set in the south of Spain, Beauty of the Father invokes the ghost of Federico García Lorca, both with its lyrical language and as a character in a white linen suit who appears to Emiliano as he paints. The play’s rhythms are infused with the spirit of the Andalusians—a people who sing their sorrows in the cante jondo—as Cruz once again creates poetry to the tune of unrequited love. Nilo Cruz won the 2003 Pulitzer Prize for Drama for his play Anna in the Tropics. Other works include Two Sisters and a Piano, Lorca in a Green Dress, Night Train to Bolina, A Bicycle Country, and Dancing on Her Knees. He is one of this country’s most produced Cuban American writers.
"The greatest active playwright in the English-speaking world."— Time "If there is a more urgent and indispensable playwright in world theater than South Africa's Athol Fugard, I don't know who it could be."— Newsweek "Athol Fugard can say more with a single line than most playwrights convey in an entire script."— Variety Legendary theatre artist Athol Fugard returns to the stage for the first time in fifteen years in this, his latest work. The Shadow of the Hummingbird tells the story of an ailing man in his eighties and the afternoon spent with his ten year-old grandson. In a charming meditation on the beauty and transience of the world around us, Fugard continues to mine the depths of the human spirit with profound empathy and heart. The text of the play includes an introductory Prelude by Paula Fourie with extracts from Fugard’s unpublished notebooks. Athol Fugard has been working in the theater as a playwright, director, and actor for more than fifty years. In 2011, he received a Special Tony Award for Lifetime Achievement in the Theatre, and he was the inaugural Humanitas Visiting Professor of Drama at Oxford University. His plays include Blood Knot , Boesman and Lena , Statements After an Arrest Under the Immorality Act , Sizwe Banzi Is Dead , 'Master Harold' . . . and the Boys , The Road to Mecca , My Children! My Africa! and The Blue Iris .
Includes The Modern Ladies of Guanabacoa, Fabiola, In the Eye of the Hurricane and Broken Eggs.
"Elliot, A Soldier's Fugue is that rare and rewarding thing: a theatre work that succeeds on every level while creating something new. The playwright combines a lyrical ear with a sophisticated sense of structure to trace the legacy of war through three generations of a Puerto Rican family. Without ever invoking politics, Elliot, a Soldier's Fugue manages to be a deeply poetic, touching and often funny indictment of the war in Iraq."—The New York Times From Quiara Alegría Hudes, the Pulitzer Prize-winning author of Water by the Spoonful, comes this companion play, itself a Pulitzer finalist. In a crumbling urban lot that has been converted into a verdant sanctuary, a young Marine comes to terms with his father's service in Vietnam as he decides whether to leave for a second tour of duty in Iraq. Melding a poetic dreamscape with a stream-of-consciousness narrative, Elliot, A Soldier's Fugue takes us on an unforgettable journey across time and generations, lyrically tracing the legacy of war on a single Puerto Rican family. Elliot, A Soldier's Fugue, a finalist for the 2007 Pulitzer Prize, is the first installment in a trilogy of plays that follow Elliot's return from Iraq. The second play, Water by the Spoonful, received the 2012 Pulitzer Prize and will be published by Theatre Communications Group concurrently with Elliot, A Soldier's Fugue. The trilogy's final play, The Happiest Song Plays Last, premiered in April 2012 at Chicago's renowned The Goodman Theatre.
Praise for José Rivera: "Even if you've never seen Puerto Rico or grown old, you sit there ruminating on love, sacrifice, and betrayal."—Chicago Tribune, on Boleros for the Disenchanted "Teasingly engrossing. . . . Vividly written. . . . An intriguing and evocative drama."—The San Francisco Chronicle, on Brainpeople "Mr. Rivera's intimate play . . . uses historical fact as a frame to pose intriguing questions about what might have happened."—The New York Times, on School of the Americas Three new works from José Rivera, a writer known for his lush language, open heart, and stylistic flirting with the surreal. Boleros for the Disenchanted is the moving story of the playwrights own parents: their sweet courtship in 1950s Puerto Rico, and then forty years later in more difficult times in America. With Brainpeople, Rivera explores the troubled minds of three women in a post-apocalyptic setting who feast on a freshly slaughtered tiger. In School of the Americas, he imagines Che Guevara's encounter—more passionate than political—with a young schoolteacher in Bolivia. Also included is his one-act penned in protest of California's Proposition 8, Pablo and Andrew at the Altar of Words. José Rivera's works include the plays References to Salvador Dali Make Me Hot, Marisol, Cloud Tectonics, and Sueno (an adaptation of Life Is a Dream), as well as the Oscar-nominated screenplay to The Motorcycle Diaries.
"In the Blood is an extraordinary new play…It is truly harrowing…we cannot turn away, and we do not want to. The play strikes us as Hawthorne claimed his first glimpse of the scarlet letter struck him, with «a sensation not altogether physical yet almost so, as of a burning heat, as if the letter were not of red cloth but of red-hot iron.’»—Margo Jefferson, The New York TimesThe playwright who «has burst through every known convention to invent a new theatrical language, like a jive Samuel Beckett, while exploding American cultural myths and stereotypes along the way [John Heilpern, New York Observer and Vogue],» has written two haunting riffs on Hawthorne’s The Scarlett Letter: In the Blood and Fucking A.Hester La Negrita of In the Blood is an unapologetic mother of five illegitimate children—"my treasures, my five joys"—who practices writing the alphabet to help herself "one day get a leg up. The letter A is as far as she gets. Hester Smith of Fucking A works the only job available—abortionist to the lower class, in order to save for a reunion picnic with her imprisoned son. Her branded A bleeds afresh every time a patient comes to see her.These are two mature, beautifully crafted, inventive and poetic plays by one of the most unique voices writing for the stage today.Suzan Lori-Parks is also the author of The America Play and Other Works and Venus, both published by TCG. She lives in Brooklyn, New York.
previously published: The America Play and Other Works (TCG, 1995, 1-55936-092-5 sold 2000) • premiered at Yale Repertory and the Public Theatre in New York under the direction of Richard Foreman.