Euripides
Список книг автора EuripidesIphigenia in Tauris
"The Iphigenia in Tauris is not in the modern sense a tragedy; it is a romantic play, beginning in a tragic atmosphere and moving through perils and escapes to a happy end. To the archaeologist the cause of this lies in the ritual on which the play is based. All Greek tragedies that we know have as their nucleus something which the Greeks called an Aition-a cause or origin. They all explain some ritual or observance or commemorate some great event." So begins the preface to «Iphigenia in Tauris» by Euripides as translated and prefaced by Gilbert Murray.
Iphigenia at Aulis
Euripides turned to playwriting at a young age, achieving his first victory in the dramatic competitions of the Athenian City Dionysia in 441 b.c.e. He would be awarded this honor three more times in his life, and once more posthumously. Together with Aeschylus and Sophocles, Euripides would provide the canon of Greek tragedy and thereby lay the foundation of Western theatre. Eighteen of Euripides' ninety-two works remain today, making his the largest extant collection of work by an ancient playwright. «Iphigenia at Aulis» is part of a trilogy which is the last remaining work of Euripides. It was produced a year after his death by his son or nephew, and received first place at the Athenian City Dionysia. The story takes place before and during the Trojan War, when Agamemnon must decide whether or not to sacrifice his daughter, Iphigenia, for the sake of Troy's honor. It explores timeless themes of honor, sacrifice, hypocrisy and courage.
The Bacchae
Euripides turned to playwriting at a young age, achieving his first victory in the dramatic competitions of the Athenian City Dionysia in 441 b.c.e. He would be awarded this honor three more times in his life, and once more posthumously. His plays are often ironic, pessimistic, and display radical rejection of classical decorum and rules. In 408 b.c.e., Euripides left worn-torn Athens for Macedonia, upon the invitation of King Archelaus, and there he spent his last years as a confidant of the king. In his final years, he produced «The Bacchae» – one of the most produced ancient plays of the twentieth century. The play, based on the mythological story of King Pentheus of Thebes and his mother Agauë, and their punishment by the god Dionysus for refusing to worship him, was awarded first prize at the Athens City Dionysia after Euripides' death. Its popularity through the centuries is a testament to Euripides' great talent as a Greek dramatist.
Medea
Euripides's «Medea» is one of the great dramatic tragedies from classical antiquity. It is the story of its title character, Medea, the wife of Jason of the Argonauts, who seeks revenge upon her unfaithful husband when he abandons her for a new younger bride. «Medea» broke many of the dramatic conventions of the time when it debuted and it is for this reason that it stands as one of the greatest of all works from the classical age of drama.
Medea
The <I>Medea </I>of Euripides is one of the greatest of all Greek tragedies and arguably the one with the most significance today. A barbarian woman brought to Corinth and there abandoned by her Greek husband, Medea seeks vengeance on Jason and is willing to strike out against his new wife and family—even slaughtering the sons she has born him. At its center is Medea herself, a character who refuses definition: Is she a hero, a witch, a psychopath, a goddess? All that can be said for certain is that she is a woman who has loved, has suffered, and will stop at nothing for vengeance.<BR />  <BR /> In this stunning translation, poet Charles Martin captures the rhythms of Euripides’ original text through contemporary rhyme and meter that speak directly to modern readers. An introduction by classicist and poet A.E. Stallings examines the complex and multifaceted Medea in patriarchal ancient Greece. Perfect in and out of the classroom as well as for theatrical performance, this faithful translation succeeds like no other.<BR />  
Orestes
Euripides was one of the three great tragedians of classical Athens, the other two being Aeschylus and Sophocles. Some ancient scholars attributed ninety-five plays to him, of these, eighteen or nineteen have survived complete. Euripides is identified with theatrical innovations that have profoundly influenced drama down to modern times, especially in the representation of traditional, mythical heroes as ordinary people in extraordinary circumstances. This new approach led him to pioneer developments that later writers adapted to comedy, some of which are characteristic of romance.
The Phœnician Virgins (Phoenician Virgins)
Euripides was one of the three great tragedians of classical Athens, the other two being Aeschylus and Sophocles. Some ancient scholars attributed ninety-five plays to him, of these, eighteen or nineteen have survived complete. Euripides is identified with theatrical innovations that have profoundly influenced drama down to modern times, especially in the representation of traditional, mythical heroes as ordinary people in extraordinary circumstances. This new approach led him to pioneer developments that later writers adapted to comedy, some of which are characteristic of romance.
Medea
'Medea' is an ancient Greek tragedy written by Euripides, based upon the myth of Jason and Medea, and first produced in 431 BC. The plot centers on the barbarian protagonist as she finds her position in the Greek world threatened, and the revenge she takes against her husband Jason who has betrayed her for another woman.
The Bacchae
Euripides was one of the three great tragedians of classical Athens, the other two being Aeschylus and Sophocles. Some ancient scholars attributed ninety-five plays to him, of these, eighteen or nineteen have survived complete. Euripides is identified with theatrical innovations that have profoundly influenced drama down to modern times, especially in the representation of traditional, mythical heroes as ordinary people in extraordinary circumstances. This new approach led him to pioneer developments that later writers adapted to comedy, some of which are characteristic of romance.
The Heracleidæ (Heracleidae)
Euripides was one of the three great tragedians of classical Athens, the other two being Aeschylus and Sophocles. Some ancient scholars attributed ninety-five plays to him, of these, eighteen or nineteen have survived complete. Euripides is identified with theatrical innovations that have profoundly influenced drama down to modern times, especially in the representation of traditional, mythical heroes as ordinary people in extraordinary circumstances. This new approach led him to pioneer developments that later writers adapted to comedy, some of which are characteristic of romance.