Myths and Myth-Makers. Fiske John

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       John Fiske

      Myths and Myth-Makers

      Old Tales and Superstitions Interpreted by Comparative Mythology

      Published by Good Press, 2019

       [email protected]

      EAN 4057664630926

Table of Contents

       PREFACE.

       MYTHS AND MYTH-MAKERS.

       I. THE ORIGINS OF FOLK-LORE.

       II. THE DESCENT OF FIRE.

       III. WEREWOLVES AND SWAN-MAIDENS.

       IV. LIGHT AND DARKNESS.

       V. MYTHS OF THE BARBARIC WORLD.

       VI. JUVENTUS MUNDI. 150

       VII. THE PRIMEVAL GHOST-WORLD.

       NOTE.

PREFACE.

       Table of Contents

      IN publishing this somewhat rambling and unsystematic series of papers, in which I have endeavoured to touch briefly upon a great many of the most important points in the study of mythology, I think it right to observe that, in order to avoid confusing the reader with intricate discussions, I have sometimes cut the matter short, expressing myself with dogmatic definiteness where a sceptical vagueness might perhaps have seemed more becoming. In treating of popular legends and superstitions, the paths of inquiry are circuitous enough, and seldom can we reach a satisfactory conclusion until we have travelled all the way around Robin Hood's barn and back again. I am sure that the reader would not have thanked me for obstructing these crooked lanes with the thorns and brambles of philological and antiquarian discussion, to such an extent as perhaps to make him despair of ever reaching the high road. I have not attempted to review, otherwise than incidentally, the works of Grimm, Muller, Kuhn, Breal, Dasent, and Tylor; nor can I pretend to have added anything of consequence, save now and then some bit of explanatory comment, to the results obtained by the labour of these scholars; but it has rather been my aim to present these results in such a way as to awaken general interest in them. And accordingly, in dealing with a subject which depends upon philology almost as much as astronomy depends upon mathematics, I have omitted philological considerations wherever it has been possible to do so. Nevertheless, I believe that nothing has been advanced as established which is not now generally admitted by scholars, and that nothing has been advanced as probable for which due evidence cannot be produced. Yet among many points which are proved, and many others which are probable, there must always remain many other facts of which we cannot feel sure that our own explanation is the true one; and the student who endeavours to fathom the primitive thoughts of mankind, as enshrined in mythology, will do well to bear in mind the modest words of Jacob Grimm—himself the greatest scholar and thinker who has ever dealt with this class of subjects—"I shall indeed interpret all that I can, but I cannot interpret all that I should like."

      PETERSHAM, September 6, 1872.

MYTHS AND MYTH-MAKERS.

       Table of Contents

I. THE ORIGINS OF FOLK-LORE.

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      FEW mediaeval heroes are so widely known as William Tell. His exploits have been celebrated by one of the greatest poets and one of the most popular musicians of modern times. They are doubtless familiar to many who have never heard of Stauffacher or Winkelried, who are quite ignorant of the prowess of Roland, and to whom Arthur and Lancelot, nay, even Charlemagne, are but empty names.

      Nevertheless, in spite of his vast reputation, it is very likely that no such person as William Tell ever existed, and it is certain that the story of his shooting the apple from his son's head has no historical value whatever. In spite of the wrath of unlearned but patriotic Swiss, especially of those of the cicerone class, this conclusion is forced upon us as soon as we begin to study the legend in accordance with the canons of modern historical criticism. It is useless to point to Tell's lime-tree, standing to-day in the centre of the market-place at Altdorf, or to quote for our confusion his crossbow preserved in the arsenal at Zurich, as unimpeachable witnesses to the truth of the story. It is in vain that we are told, "The bricks are alive to this day to testify to it; therefore, deny it not." These proofs are not more valid than the handkerchief of St. Veronica, or the fragments of the true cross. For if relics are to be received as evidence, we must needs admit the truth of every miracle narrated by the Bollandists.

      The earliest work which makes any allusion to the adventures of William Tell is the chronicle of the younger Melchior Russ, written in 1482. As the shooting of the apple was supposed to have taken place in 1296, this leaves an interval of one hundred and eighty-six years, during which neither a Tell, nor a William, nor the apple, nor the cruelty of Gessler, received any mention. It may also be observed, parenthetically, that the charters of Kussenach, when examined, show that no man by the name of Gessler ever ruled there. The chroniclers of the fifteenth century, Faber and Hammerlin, who minutely describe the tyrannical acts by which the Duke of Austria goaded the Swiss to rebellion, do not once mention Tell's name, or betray the slightest acquaintance with his exploits or with his existence. In the Zurich chronicle of 1479 he is not alluded to. But we have still better negative evidence. John of Winterthur, one of the best chroniclers of the Middle Ages, was living at the time of the battle of Morgarten (1315), at which his father was present. He tells us how, on the evening of that dreadful day, he saw Duke Leopold himself in his flight from the fatal field, half dead with fear. He describes, with the loving minuteness of a contemporary, all the incidents of the Swiss revolution, but nowhere does he say a word about William Tell. This is sufficiently conclusive. These mediaeval chroniclers, who never failed to go out of their way after a bit of the epigrammatic and marvellous, who thought far more of a pointed story than of historical credibility, would never have kept silent about the adventures of Tell, if they had known anything about them.

      After this, it is not surprising to find that no two authors who describe the deeds of William Tell agree in the details of topography and chronology. Such discrepancies never fail to confront us when we leave the solid ground of history and begin to deal with floating legends. Yet, if the story be not historical, what could have been its origin? To answer this question we must considerably expand the discussion.

      The first author of any celebrity who doubted the story of William Tell was Guillimann,