Название | A Romany of the Snows, Complete |
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Автор произведения | Gilbert Parker |
Жанр | Языкознание |
Серия | |
Издательство | Языкознание |
Год выпуска | 0 |
isbn | 4064066230517 |
Gilbert Parker
A Romany of the Snows, Complete
Being a Continuation of the Personal Histories of "Pierre and His People" and the Last Existing Records of Pretty Pierre
Published by Good Press, 2019
EAN 4064066230517
Table of Contents
“Why don’t she come back, father?”
THE HOUSE WITH THE BROKEN SHUTTER
“Fingall! Fingall!—Oh, Fingall!”
THREE COMMANDMENTS IN THE VULGAR TONGUE
“John York, John York, where art thou gone, John York?”
THE CRUISE OF THE “NINETY-NINE”
INTRODUCTION
It can hardly be said that there were two series of Pierre stories. There never was but one series, in fact. Pierre moved through all the thirty-nine stories of Pierre and His People and A Romany of the Snows without any thought on my part of putting him out of existence in one series and bringing him to life again in another. The publication of the stories was continuous, and at the time that Pierre and His People appeared several of those which came between the covers of A Romany of the Snows were passing through the pages of magazines in England and America. All of the thirty-nine stories might have appeared in one volume under the title of Pierre and His People, but they were published in two volumes with different titles in England, and in three volumes in America, simply because there was enough material for the two and the three volumes. In America The Adventurer of the North was broken up into two volumes at the urgent request of my then publishers, Messrs. Stone & Kimball, who had the gift of producing beautiful books, but perhaps had not the same gift of business. These two American volumes succeeding Pierre were published under the title of An Adventurer of the North and A Romany of the Snows respectively. Now, the latter title, A Romany of the Snows, was that which I originally chose for the volume published in England as An Adventurer of the North. I was persuaded to reject the title, A Romany of the Snows, by my English publisher, and I have never forgiven myself since for being so weak. If a publisher had the infallible instinct for these things he would not be a publisher—he would be an author; and though an author may make mistakes like everybody else, the average of his hits will be far higher than the average of his misses in such things. The title, An Adventurer of the North, is to my mind cumbrous and rough, and difficult in the mouth. Compare it with some of the stories within the volume itself: for instance, The Going of the White Swan, A Lovely Bully, At Bamber’s Boom, At Point o’ Bugles, The Pilot of Belle Amour, The Spoil of the Puma, A Romany of the Snows, and The Finding of Fingall. There it was, however; I made the mistake and it sticks; but the book now will be published in this subscription edition under the title first chosen by me, A Romany of the Snows. It really does express what Pierre was.
Perhaps some of the stories in A Romany of the Snows have not the sentimental simplicity of some of the earlier stories in Pierre and His People, which take hold where a deeper and better work might not seize the general public; but, reading these later stories after twenty years, I feel that I was moving on steadily to a larger, firmer command of my material, and was getting at closer grips with intimate human things. There is some proof of what I say in the fact that one of the stories in A Romany of the Snows, called The Going of the White Swan, appropriately enough published originally in Scribner’s Magazine, has had an extraordinary popularity. It has been included in the programmes of reciters from the Murrumbidgee to the Vaal, from John O’Groat’s to Land’s End, and is now being published as a separate volume in England and America. It has been dramatised several times, and is more alive to-day than it was when it was published nearly twenty years ago. Almost the same may be said of The Three Commandments in the Vulgar Tongue.
It has been said that, apart from the colour, form, and setting, the incidents of these Pierre stories might have occurred anywhere. That is true beyond a doubt, and it exactly represents my attitude of mind. Every human passion, every incident springing