The Collected Works of R. Austin Freeman (Illustrated Edition). R. Austin Freeman

him while I was searching for the tracks. As we went, he plied me with questions as to what I had seen on the night in the lane, and I made no scruple of telling him all that I had told the police, seeing that they, on their side, had made no secret of the matter.

      Of course, it was idle, after this long period—for it was now more than seven weeks since I had seen the body—to attempt anything in the nature of a search. It certainly did look as if the man who had stolen into that wood that night had been bound for the solitary lake. The punt, I had noticed, was only secured with a rope, so that the murderer—for such I assumed he must have been—could easily have carried his dreadful burden out into the middle, and there sunk it with weights, and so hidden it for ever. It was a quick, simple and easy method of hiding the traces of his crime, and, if the police had not thought it worth while to search the water with drags, there was no reason why the buried secret should not remain buried for all time.

      After we had walked for some time about the pleasant, shady wood, less shady now that the yellowing leaves were beginning to fall with the passing of autumn, the keeper conducted me to the exit by which I had left on the previous occasion.

      As I was passing out of the wicket, my eye fell once more on the cottage which I had then noticed, and, recalling the remark that my fair acquaintance had let fall concerning the artist to whom the derelict knife was supposed to belong, I said: "You mentioned, I think, that that house was let to an artist."

      "It was," he replied; "but it's empty now, the artist has gone away."

      "It must be a pleasant little house to live in," I said, "at any rate, in summer."

      "Yes," he replied, "a country house within an hour's walk of the Bank of England. Would you like to have a look at it, sir? I've got the keys."

      Now I certainly had no intention of offering myself as a tenant, but, yet, to an idle man, there is a certain attractiveness in an empty house of an eligible kind, a certain interest in roaming through the rooms and letting one's fancy furnish them with one's own household goods. I accepted the man's invitation, and, opening the wide gate that admitted to the garden from a byroad, we walked up to the door of the house. "It's quite a nice little place," the keeper remarked. "There isn't much garden, you see, but then, you've got the Heath all around; and there's a small stable and coachhouse if you should be wanting to go into town."

      "Did the last tenant keep any kind of carriage?" I asked.

      "I don't think so," said the keeper, "but I fancy he used to hire a little cart sometimes when he had things to bring in from town; but I don't know very much about him or his habits."

      We walked through the empty rooms together, looking out of the windows and commenting on the pleasant prospects that all of them commanded, and talking about the man who had last lived in the house. "He was a queer sort of fellow," said the keeper. "He and his wife seem to have lived here all alone without any servant, and they seem often to have left the house to itself for a day or two at a time; but he could paint. I have stopped and had a look when he has been at work, and it was wonderful to see how he knocked off those pictures. He didn't seem to use brushes, but he had a lot of knives, like little trowels, and he used to shovel the paint on with them, and he always wore gloves when he was painting; didn't like to get the paint on his hands, I suppose."

      "It sounds as if it would be very awkward," I said.

      "Just what I should have thought," the keeper agreed. "But he didn't seem to find it so. This seems to be the place that he worked in."

      Apparently the keeper was right. The room, which we had now entered, was evidently the late studio, and did not appear to have been cleaned up since the tenant left. The floor was littered with scraps of paper on which a palette-knife had been cleaned, with empty paint-tubes and one or two broken and worn-out brushes, and, in a packing-case, which seemed to have served as a receptacle for rubbish, were one or two canvasses that had been torn from their stretchers and thrown away. I picked them out and glanced at them with some interest, remembering what my fair friend had said. For the most part, they were mere experiments or failures, deliberately defaced with strokes or daubs of paint, but one of them was a quite spirited and attractive sketch, rough and unfinished, but skilfully executed and undefaced. I stretched out the crumpled canvas and looked at it with considerable interest, for it represented Millfield Lane, and showed the large elms and the posts and the high fence under which I had sheltered in the rain. In fact, it appeared to have been taken from the exact spot on which the body had been lying, and from which I had made my own drawing; not that there was anything in the latter coincidence, for it was the only sketchable spot in the lane. "It's really quite a nice sketch," I said; "it seems a pity to leave it here among the rubbish."

      "It does, sir," the keeper agreed. "If you like it, you had better roll it up and put it in your pocket. You won't be robbing anyone."

      As it seemed that I was but rescuing it from a rubbish-heap, I ventured to follow the keeper's advice, and, rolling the canvas up, carefully stowed it in my pocket. And shortly after as I had now seen all that there was to see, which was mighty little, we left the house, and, at the gate, the keeper took leave of me with a touch of his hat.

      I made my way slowly back towards my lodgings by way of the Spaniard's Road and Hampstead Lane, turning over in my mind as I went, the speculation suggested by my visit to the wood. Of the existence of the lake I had not been previously aware. Now that I had seen it, I felt very little doubt that it was known to the mysterious murderer—for such I felt convinced he was—who must have been lurking in the lane that night when I was sheltering under the lee of the fence. The route that he had then taken appeared to be the direct route to the lake. That he was carrying the body, I had no doubt whatever; and, seeing that he had carried it so far, it appeared probable that he had some definite hiding-place in view. And what hiding-place could be so suitable as this remote piece of still water? No digging, no troublesome and dangerous preparation would be necessary. There was the punt in readiness to bear him to the deep water in the middle; a silent, easily-handled conveyance. A few stones, or some heavy object from the boat-house, would be all that was needful; and in a moment he would be rid for ever of the dreadful witness of his crime.

      Thus reflecting—not without dissatisfaction at the passive part that I had played in this sinister affair—I passed through the turnstile, or "kissing-gate," at the entrance to Millfield Lane. Almost certainly, the murderer or the victim or both, had passed through that very gate on the night of the tragedy. The thought came to me with added solemnity with the recollection of the silent wood and the dark, still water fresh in my mind, and caused me unconsciously to tread more softly and walk more sedately than usual.

      The lane was little frequented at any time and now, at mid-day, was almost as deserted as at midnight. Very remote it seemed, too, and very quiet, with a silence that recalled the hush of the wood. And yet the silence was not quite unbroken. From somewhere ahead, from one of the many windings of the tortuous lane, came the sound of hurried footsteps. I stopped to listen. There were two persons, one treading lightly, the other more heavily, apparently a man and a woman. And both were running—running fast.

      There was nothing remarkable in this, perhaps; but yet the sound smote on my ear with a certain note of alarm that made me quicken my pace and listen yet more intently. And suddenly there came another sound; a muffled, whimpering cry like that of a frightened woman. Instantly I gave an answering shout and sprang forward at a swift run.

      I had turned one of the numerous corners and was racing down a straight stretch of the lane when a woman darted round the corner ahead, and ran towards me, holding out her hands. I recognised her at a glance, though now she was dishevelled, pale, wild-eyed, breathless and nearly frantic with terror, and rage against her assailant spurred me on to greater speed. But when I would have passed her to give chase to the wretch, she clutched my arm frantically with both hands and detained me. "Let me go and catch the scoundrel!" I exclaimed; but she only clung the tighter.

      "No," she panted, "don't leave me! I am terrified! Don't go away!"

      I ground my teeth. Even as we stood, I could hear the ruffian's footsteps receding as rapidly as they had advanced. In a few moments he would be beyond pursuit. "Do let me go and stop that villain!" I implored.