Название | The Son of Clemenceau |
---|---|
Автор произведения | Александр Дюма-сын |
Жанр | Языкознание |
Серия | |
Издательство | Языкознание |
Год выпуска | 0 |
isbn | 4064066399320 |
Alexandre Dumas fils
The Son of Clemenceau
Historical Novel
e-artnow, 2020
Contact: [email protected]
EAN: 4064066399320
Table of Contents
Chapter I. Student and Soldier.
Chapter II. Soldier's Sword and Wander-staff.
Chapter III. "The Jingle-jangle."
Chapter IV. The Star is Dead Long Live the Star!
Chapter VII. One Good Turn Deserves—A Bad One.
Chapter VIII. A Second Defeat.
Chapter X. The Fox in the Fold.
Chapter XI. A Sprat and the Whale.
Chapter XII. When the Cat's Away.
Chapter XIII. The Revolution in Artillery.
Chapter XV. The Man of Many Masks.
Chapter XVI. Strike Not Woman, Even with Roses.
Chapter XVII. Demon and Arch-Demon.
Chapter XVIII. A Bitter Parting.
CHAPTER I.
STUDENT AND SOLDIER.
The sunset-gun had been fired from the ramparts of the fortifications of Munich and the shadows were thickly descending on the famous old city of Southern Germany. The evening breeze in this truly March weather came chill over the plain of stones where Isar flowed darkly, and at the first puff of it, forcing him to wind his cloak round him, a lonely wanderer in the low quarter recognized why "the City of Monks" was also called "the Realm of Rheumatism."
The new town, which he had not yet seen, might justify yet another of its nicknames, "the German Athens," but here were, in this southern and unfashionable suburb, only a few modern structures, and most of the quaint and rather picturesque dwellings, overhanging the stores, dated anterior to the filling up of the town moat in 1791.
The stranger was clearly fond of antiquarian spectacles, for his eye, though too youthful to belong to a Dryasdust professor, and unshaded by the almost universal colored spectacles of the learned classes, gloated on the mansions, once inhabited by the wealthy burghers. They were irregular in plan and period of erection; the windows had ornamental frames of great depth, but some were blocked up, which gave the facades a sinister aspect; the walls had not only ornamental tablets in stucco, but, in a better light, would have shown rude fresco paintings not unworthy mediæval Italian dwellings. Many of the fronts resembled the high poops of the castellated ships of three hundred years ago, and they cast a shadow on the muddy pavement. As they resembled ships, the slimy footway seemed the strand where they had been beached by the running out of the tide.
As the darkness increased, the amateur of architecture became more solitary in the streets where the peasants in long black coats, their holiday wear, were hurrying to leave by the gates, and the storekeepers had renounced any hope of taking more money, in this ward, gloomy, neglected and remote from the mode, no display of goods was made after dark. But the man, finding novel effects in the obscurity, continued to gaze on the rickety houses and bestowed only a transient portion of his curiosity on the few wayfarers who stolidly trudged past him to cross a bridge of no importance a little beyond his post.
One or two of the passengers, rather those of the gentler sex than the rude one, had, however, given attention to the figure which the flowing cloak did not wholly muffle. With his dark complexion and slender form, not much in keeping with the thickset and heavy-footed natives, and his glistening black eyes, he made the corner where he ensconced himself appear the nook where an Italian or Spanish gallant was waylaying a rival in love.
Presently there was a change in the lighting of the scene, the gloom had become trying to his sight. Not only were two lamps lit on the small bridge, one at each end in the ornate iron scroll work, which Quintin Matsys would not have disavowed, but, overhead, the sky was reddened by the reflection of the thousands of gas jets in the north and west; the gay and spendthrift city was awakening to life and mirth while the working town was going to bed. This glimmer gave a fresh attraction to the architectural features, and still longer detained the spectator.
"Superb!" he muttered, in excellent German, without local peculiarity, as if he had learned it from professors, but there was a slight trace of an accent not native. "It has even now the effect which Gustavus Adolphus termed: 'a gilded saddle on a lean jade!'" Then, shivering again, he added, struck as well by the now completely deserted state of the ways as by the cold wind: "How bleak and desolate! One could implore these carved wooden statues to come down and people the odd, interesting streets!"
He was about to leave the spot, when, as though his wish was gratified, a strange sound was audible in the narrow and devious passages, between tottering houses, and those even more squalid in the rear, a commingling of shuffling and stamping feet, the smiting of heavy sticks on uneven stones and the dragging of wet rags.
Struck with surprise, if not with apprehension, he shrank back into the over-jutting porch of an old residence, with sculptured armorial bearings of some family long ago abased in its pride. Here he peered, not without anxiety.
By the exact programme carried out in cities by the divisions of its population, a new contingent were coming from their resting-places to substitute themselves for the honest toilers on the