Название | Donovan's Child |
---|---|
Автор произведения | Christine Rimmer |
Жанр | Контркультура |
Серия | Mills & Boon Cherish |
Издательство | Контркультура |
Год выпуска | 0 |
isbn | 9781408970454 |
Abilene leaned close to him. “Don’t you wish you’d done this sooner?” Her hair swung forward. He could smell her fresh, tart scent. He wanted to touch her hair. He wanted it bad.
And he had a thousand reasons why he shouldn’t have what he wanted.
To hell with all those reasons.
He lifted his hand from the table and caught a thick lock between his fingers.
He wanted to kiss her, to feel the give, the texture, the heat of her mouth.
She said his name “Donovan,” on a whisper of sound. And he thought that no one, ever, had said his name the way she did. With tenderness. And complete understanding.
With acceptance. And the sweet heat of honest desire.
There was nothing else, at that moment. Just Abilene.
So close to him, leaning closer …
Dear Reader,
Once, Donovan McRae was arguably the finest architect in America. He loved his work and he also enjoyed a reputation as a skilled and daring extreme sports enthusiast—a world-class ice climber. But in the past year, the formerly gregarious genius has completely shut himself off from the world. And no one knows why.
He hasn’t been out of the gorgeous house he designed in the middle of the West Texas high desert a hundred miles from El Paso in months. He’s turned away friends and associates, refusing to see anyone—including Abilene Bravo, who had won the special fellowship he offered before he turned his back on his own life. She’s been waiting a year for the important collaboration with him to begin.
No way can he put her off forever. Eventually, he has to let Abilene in.
And when he does, he’s going to get more than he bargained for. The honest, forthright and optimistic Abilene is not about to let him hide from the world forever. Whether he likes it or not, she’s determined to throw open some windows and doors and let the light in.
Sparks will fly. Guaranteed.
Happy reading everyone,
Christine Rimmer
About the Author
CHRISTINE RIMMER came to her profession the long way around. Before settling down to write about the magic of romance, she’d been everything from an actress to a salesclerk to a waitress. Now that she’s finally found work that suits her perfectly, she insists she never had a problem keeping a job—she was merely gaining “life experience” for her future as a novelist. Christine is grateful not only for the joy she finds in writing, but for what waits when the day’s work is through: a man she loves, who loves her right back, and the privilege of watching their children grow and change day to day. She lives with her family in Oklahoma. Visit Christine at www.christinerimmer.com.
Donovan’s Child
Christine Rimmer
MILLS & BOON
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To all of you wonderful readers at eHarlequin
who encouraged me to write this book.
Thank you.
Chapter One
“Impress me,” Donovan McRae commanded from behind a matched pair of enormous computer screens.
The screens sat on a desktop that consisted of a giant slab of ash-colored wood. The slab of wood was mounted on a base hewn from what appeared to be volcanic rock. The desk, the screens and the man were way down at the far end of a long, slant-roofed, skylit space, a space that served as Donovan’s studio and drafting room in his sprawling, half-subterranean retreat in the West Texas high desert.
Impress me?
Abilene Bravo could not believe he’d just said that.
After all, she’d been imagining this moment for over a year now. At first with anticipation, then with apprehension and finally, as the months dragged by, with growing fury. She’d waited so long for this day—and the first words out of the “great man’s” mouth were Impress me?
Hadn’t she already done that? Wasn’t that how she’d won this prize fellowship in the first place?
And would it have killed him to emerge from behind that fortress of screens, to rise from that volcano of a desk, to gesture her nearer, maybe even to go so far as to offer a handshake?
Or, hey. Just, you know, to say hello?
Abilene gritted her teeth and tamped her anger down. She reminded herself that she was not letting her big mouth—or her temper—get the better of her.
She did have something to show him, a preliminary design she’d been tinkering with, tweaking to perfection, for months as she waited for this all-important collaboration to begin. Donovan’s assistant had led her to a workstation, complete with old-school drafting table and a desk, on which sat a computer loaded up with the necessary computer-assisted design software.
“Well?” Donovan barked at her, when she didn’t respond fast enough. “Do you have something to show me or not?”
Abilene saw red, and again ordered her heart to stop racing, her blood not to boil. She said, in a voice that somehow stayed level, “I do, yes,” as she shoved her memory stick into an empty port.
A few clicks of the mouse and her full-color introductory drawing materialized in front of her. On his two screens, Donovan would be seeing it, too.
“My rendering of the front elevation,” she said.
“Self-evident,” he grumbled.
By then, her hand was shaking as she operated the mouse. But beyond that slight tremor, she kept herself well under control as she began to show him the various views—the expanded renderings of classrooms, the central cluster of rooms for administration, the negative spaces that made up the hallways, the welcome area, the main entrance and vestibule.
She intended to cover it all, every square inch of the facility, which she had lovingly, painstakingly worked out—the playgrounds, the pool area, even the parking lot and some general landscaping suggestions. From there, she would go into her rough estimate on the cost of the project.
But she didn’t get far. Ninety seconds into her presentation, he started in on her.
“Depressing,” he declared darkly from behind his wall of monitors. “Institutional in the worst sense of the word. It’s a center for underprivileged children, not a prison.”
It was too much—all the months of waiting, the wondering and worrying if the fellowship was even going to happen. Then, out of nowhere, at last—the call.
That