The Last Concerto. Sara Alexander

never been in a room with so many quiet Sardinians. Even in church or at funerals words couldn’t fail to escape, a titbit of gossip, a grievance about the lack of flowers or the ostentatious abundance of them, the age of the priest or lack thereof. Now the dozen or more neighbours crammed into their room made Alba feel like the charred aubergines her mother would squeeze into jars throughout the summer.

      On the small square of screen in the corner, above a chest of drawers topped with a lace doily, was her father’s brother Benito. The angle of the camera pointed up towards him; beyond, the familiar outline of the Ozieri valley in silver tones. He seemed relaxed, even though Alba was sure the words he spoke were some of the hardest he’d ever have to say. ‘I speak on behalf of all my family,’ he began. ‘The bandits have picked on the wrong man. Our family is not rich. We don’t have the money they are asking. We will not pay the ransom to release my brother Bruno.’

      The lump in Alba’s throat became a stone. A murmur rippled across the room.

      Then the scene snapped to men signing a form at the police station. The neighbours took it in turns to shout at the screen as they recognized their husbands, brothers, sons. The clipped voice of the Rai Uno journalist began to describe a town in revolt. The scenes flipped between the main square with men huddled in groups, back to the police station where the men were being described as signing onto a counter-army to uncover the whereabouts of Bruno Fresu. Their firearms were being registered. Shepherds from the surrounding hills had come to town to aid the search efforts, citing the fact that they knew their Sardinian hills better than any bandit. All this was happening for her father. The rescue efforts were coupled with a revolutionary protest about to take place, the journalist said.

      The noise inside the stone room began to rise, the voices ricocheted over their heads to an unbearable volume. Someone called out from the street and the room began to herd out of the small door onto the cobbles. People lined the road outside her house. A cry pelted down from further up the vicolo just before Alba saw the first of the banners. A sea of schoolchildren from the upper years snaked around the corner, wooden signs above their heads. They were chanting and so were their teachers. There were decrees against the bandits. Someone shouted they had gone too far this time. Another screamed that the Fresus were one of the people, not rich folk. Even Alba’s teacher, the most prim woman she knew, waved a sign high above her head, yelling like she’d never heard her do before. The sea of students and teachers paraded past their house; there were shouts to not give up, to not give in, that Ozieri would stand against the criminal disease eating their island, that the bandits must not be bullied into taking one of their own by mainlanders. Alba should have been with her father when the men jumped out of a vehicle in the twilight. She should have been huddled with him in that damp cave, not Marcellino. A swell of guilt. Her father was the man who made her town revolt. No one marched when the rich landowners were kidnapped a few months back. There was little more than hand-wringing when the fancy American heir was kidnapped on the north-east coast the year before. There were even some hushed whispers that the rich had it coming to them, that their bandits maintained a warped equilibrium in society; the wealthy had no right to run their island as they pleased.

      This time, however, they had gone too far. Her father was a hard worker; his father, Nonno Fresu, had accumulated huge debts to gain the first Fiat dealership in town. For this they were captured, for a ransom that none of them had. Bruno and his three brothers worked around the clock at the dealership. There was not wealth to speak of yet; it was swallowed by the bank. That’s why Giovanna cleaned villas in the periphery, took on extra washing, fed the babies whose mother’s milk had dried up, all to keep her own family fed.

      Alba’s father was now a celebrity. He had started a revolution. Was it wrong to feel proud? Alba shook off the sharp twist of guilt, because thinking of her father in this way was the only way to stop herself picturing him shot through the head with his blood seeping out onto the fennel-scented dirt beneath him.

      Alba woke to find her school grembiulino hanging on the door of the wardrobe she shared with her brother. This apron she wore over her own clothes looked like a relic from a distant past; one in which Alba played in the street, fought with her brothers, and recited poems by memory under the glare of her teacher. Life after Marcellino’s release and her father’s continued captivity was disorientating. Each time it seemed to tease reality, Giovanna would yell at her daughter for picking a fight with poor Marcellino as if his recovery rested on Alba’s behaviour alone. He was served his favourite breakfast every morning. Neighbours would stop their whisperings as he entered the room. It was like living with a celebrity recluse, and Alba suspected that her brother’s ability to mine the situation for all that it was worth, with more than a little performance thrown in, was apparent to no one but his younger sister. Thank God it wasn’t the girl, women would lament over the never-ending pots of coffee bubbled to calm the nerves of the tormented wife, but their voices were a constant reminder that she was not guiltless in all of this. If she’d been home in time, they might have got to the vignia earlier, missed the bandits perhaps. The life Alba once knew was nowhere to be found.

      That morning the familiar dread of school awaited. Her black apron with the scalloped white collar a promise of normality. Giovanna took extra time saying goodbye to Marcellino. He walked beside her and Salvatore, only running ahead as usual when his friends caught up with him and enveloped him with their bombardment of questions. By the time they’d reached school Alba was sure that he had embellished his story from how it had begun in half sentences back at the house on that first day, when he’d arrived a scruff, mute in silent shock. Alba stepped through the tall gates of the elementary school, lit by the promise of life easing back to recognizable order. She took her place at the third desk from the front.

      That’s when all her classmates stared. Unhurried Sardinian glares. Dozens of dark eyes pierced her. Her own darted across the once-familiar faces, but they seemed waxen, the disembodied type that haunted her dreams, people she thought she once knew who might spin off their axis on their own accord, or shape-shift into monsters.

      Somewhere in the distance there was an echo of a familiar voice. Her gaze swiped to the front of the class. Her teacher peered at her over the glasses perched on the tip of her nose.

      ‘Well, Alba? What do you say to that?’

      ‘To what, Signora Maestra?’ she replied, trying to ignore the wave of dizziness.

      ‘Our class wishes your brother well. It’s polite to say grazie.’

      Alba sipped a breath. Her whispered thank-you felt like it was warbling out from under water.

      When the bell rang for morning break at long last, Alba shot out of the room to her usual spot in the concrete playground. The sun beat down. The noise was deafening; she’d never noticed how much her school friends shrieked. A hand tapped her shoulder. She twisted round. Mario Dettori stood before her, not a soul she despised more, his familiar sideways smile plastered over his face. ‘There she is, boys! The bandit girl!’

      Alba pinned him with her hardest stare. He laughed.

      ‘What? Your brother spends a few nights in the woods and you’ve forgotten to speak too?’

      He turned to the pack of snotty boys gaggled around him, cackling.

      ‘What do you say, boys? I think she looks wilder too now. Surprised you managed to remember how to get dressed. My uncle said they hung Marcellino naked in there!’

      A snip-spark of something flamed in Alba’s chest. She didn’t remember throwing him to the ground, or swinging at his face, or breaking the skin, or the wild cries of the other children as they crowded around her.

      Giovanna sat beside Alba. Her feet tapped nervously. Her bottom spread over the edges of the wooden child-sized seat. Alba stared down at her bruised knuckles. One of the cuts seeped a little blood as she bent it into a fist. Giovanna slapped them flat. Alba winced.

      ‘Thank you for coming, Signora Fresu,’ her teacher began, slicing through the room and perching on her desk. ‘Today has been difficult. For everyone. You and your family are under a lot of pressure, I know, but that is no excuse for the violence she instigated.’

      Alba