Wolf Hall and Bring Up The Bodies. Hilary Mantel

multitude,’ Cavendish says, ‘is always desirous of a change. They never see a great man set up but they must pull him down – for the novelty of the thing.’

      ‘Fifteen years Chancellor. Twenty in his service. His father’s before that. Never spared myself … rising early, watching late …’

      ‘There, you see,’ Cavendish says, ‘what it is to serve a prince! We should be wary of their vacillations of temper.’

      ‘Princes are not obliged to consistency,’ he says. He thinks, I may forget myself, lean across and push you overboard.

      The cardinal has not forgotten himself, far from it; he is looking back, back twenty years to the young king’s accession. ‘Put him to work, said some. But I said, no, he is a young man. Let him hunt, joust, and fly his hawks and falcons …’

      ‘Play instruments,’ Cavendish says. ‘Always plucking at something or other. And singing.’

      ‘You make him sound like Nero.’

      ‘Nero?’ Cavendish jumps. ‘I never said so.’

      ‘The gentlest, wisest prince in Christendom,’ says the cardinal. ‘I will not hear a word against him from any man.’

      ‘Nor shall you,’ he says.

      ‘But what I would do for him! Cross the Channel as lightly as a man might step across a stream of piss in the street.’ The cardinal shakes his head. ‘Waking and sleeping, on horseback or at my beads … twenty years …’

      ‘Is it something to do with the English?’ Cavendish asks earnestly. He’s still thinking of the uproar back there when they embarked; and even now, people are running along the banks, making obscene signs and whistling. ‘Tell us, Master Cromwell, you’ve been abroad. Are they particularly an ungrateful nation? It seems to me that they like change for the sake of it.’

      ‘I don’t think it’s the English. I think it’s just people. They always hope there may be something better.’

      ‘But what do they get by the change?’ Cavendish persists. ‘One dog sated with meat is replaced by a hungrier dog who bites nearer the bone. Out goes the man grown fat with honour, and in comes a hungry and a lean man.’

      He closes his eyes. The river shifts beneath them, dim figures in an allegory of Fortune. Decayed Magnificence sits in the centre. Cavendish, leaning at his right like a Virtuous Councillor, mutters words of superfluous and belated advice, to which the sorry magnate inclines his head; he, like a Tempter, is seated on the left, and the cardinal’s great hand, with its knuckles of garnet and tourmaline, grips his own hand painfully. George would certainly go in the river, except that what he’s saying, despite the platitudes, makes a bleak sense. And why? Stephen Gardiner, he thinks. It may not be proper to call the cardinal a dog grown fat, but Stephen is definitely hungry and lean, and has been promoted by the king to a place as his own private secretary. It is not unusual for the cardinal’s staff to transfer in this way, after careful nurture in the Wolsey school of craft and diligence; but still, this places Stephen as the man who – if he manages his duties properly – may be closer than anyone to the king, except perhaps for the gentleman who attends him at his close-stool and hands him a diaper cloth. I wouldn’t so much mind, he thinks, if Stephen got that job.

      The cardinal closes his eyes. Tears are seeping from beneath his lids. ‘For it is a truth,’ says Cavendish, ‘that fortune is inconstant, fickle and mutable …’

      All he has to do is to make a strangling motion, quickly, while the cardinal has his eyes shut. Cavendish, putting a hand to his throat, takes the point. And then they look at each other, sheepish. One of them has said too much; one of them has felt too much. It is not easy to know where the balance rests. His eyes scan the banks of the Thames. Still, the cardinal weeps and grips his hand.

      As they move upriver, the littoral ceases to alarm. It is not because, in Putney, Englishmen are less fickle. It’s just that they haven’t heard yet.

      The horses are waiting. The cardinal, in his capacity as a churchman, has always ridden a large strong mule; though, since he has hunted with kings for twenty years, his stable is the envy of every nobleman. Here the beast stands, twitching long ears, in its usual scarlet trappings, and by him Master Sexton, the cardinal’s fool.

      ‘What in God’s name is he doing here?’ he asks Cavendish.

      Sexton comes forward and says something in the cardinal’s ear; the cardinal laughs. ‘Very good, Patch. Now, help me mount, there’s a good fellow.’

      But Patch – Master Sexton – is not up to the job. The cardinal seems weakened; he seems to feel the weight of his flesh hanging on his bones. He, Cromwell, slides from his saddle, nods to three of the stouter servants. ‘Master Patch, hold Christopher’s head.’ When Patch pretends not to know that Christopher is the mule, and puts a headlock on the man next to him, he says, oh for Jesus’ sake, Sexton, get out of the way, or I’ll stuff you in a sack and drown you.

      The man who’s nearly had his head pulled off stands up, rubs his neck; says, thanks Master Cromwell, and hobbles forward to hold the bridle. He, Cromwell, with two others, hauls the cardinal into the saddle. The cardinal looks shamefaced. ‘Thank you, Tom.’ He laughs shakily. ‘That’s you told, Patch.’

      They are ready to ride. Cavendish looks up. ‘Saints protect us!’ A single horseman is heading downhill at a gallop. ‘An arrest!’

      ‘By one man?’

      ‘An outrider,’ says Cavendish, and he says, Putney’s rough but you don’t have to send out scouts. Then someone shouts, ‘It’s Harry Norris.’ Harry throws himself from his mount. Whatever he’s come to do, he’s in a lather about it. Harry Norris is one of the king’s closest friends; he is, to be exact, the Groom of the Stool, the man who hands the diaper cloth.

      Wolsey sees, immediately, that the king wouldn’t send Norris to take him into custody. ‘Now, Sir Henry, get your breath back. What can be so urgent?’

      Norris says, beg pardon, my lord, my lord cardinal, sweeps off his feathered cap, wipes his face with his arm, smiles in his most engaging fashion. He speaks to the cardinal gracefully: the king has commanded him to ride after His Grace and overtake him, and speak words of comfort to him and give him this ring, which he knows well – a ring which he holds out, in the palm of his glove.

      The cardinal scrambles from his mule and falls to the ground. He takes the ring and presses it to his lips. He’s praying. Praying, thanking Norris, calling for blessings on his sovereign. ‘I have nothing to send him. Nothing of value to send to the king.’ He looks around him, as if his eye might light on something he can send; a tree? Norris tries to get him on his feet, ends up kneeling beside him, kneeling – this neat and charming man – in the Putney mud. The message he’s giving the cardinal, it seems, is that the king only appears displeased, but is not really displeased; that he knows the cardinal has enemies; that he himself, Henricus Rex, is not one of them; that this show of force is only to satisfy those enemies; that he is able to recompense the cardinal with twice as much as has been taken from him.

      The cardinal begins to cry. It’s starting to rain, and the wind blows the rain across their faces. The cardinal speaks to Norris fast, in a low voice, and then he takes a chain from around his neck and tries to hang it around Norris’s neck, and it gets tangled up in the fastenings of his riding cape and several people rush forward to help and fail, and Norris gets up and begins to brush himself down with one glove while clutching the chain in the other. ‘Wear it,’ the cardinal begs him, ‘and when you look at it think of me, and commend me to the king.’

      Cavendish jolts up, riding knee-to-knee. ‘His reliquary!’ George is upset, astonished. ‘To part with it like this! It is a piece of the true Cross!’

      ‘We’ll get him another. I know a man in Pisa makes them ten for five florins and a round dozen for cash up front. And you get a certificate with St Peter’s thumbprint, to say they’re genuine.’

      ‘For