Название | Slightly Suburban |
---|---|
Автор произведения | Wendy Markham |
Жанр | Короткие любовные романы |
Серия | Mills & Boon Silhouette |
Издательство | Короткие любовные романы |
Год выпуска | 0 |
isbn | 9781472091116 |
Praise for
Wendy Markham’s
books
“[A]n undeniably fun journey for the reader.”
—Booklist on Slightly Single
“Markham successfully weaves together colorful characters…. Readers will delight in the main character’s triumphs, share in her pain and overall enjoy the ride.”
—Romantic Times BOOKreviews on Slightly Married
“Wendy Markham writes some of the funniest chick lit books out there…laugh out loud funny.”
—Bookloons on Slightly Engaged
“This is a delightfully humorous read, full of belly laughs and groans…It is almost scary how honest and true to life this book is.”
—The Best Reviews on Slightly Single
“The inventive premise of Markham’s winning novel involves a love triangle in both the past and the present. Markham’s latest is an appealing, wholly original yarn.”
—Booklist on Mike, Mike & Me
Slightly Suburban
Wendy Markham
MILLS & BOON
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For my slightly suburban friends,
Kyle Cadley, Kathy Kohler and Maureen Martin,
who know how to hug,
make birthdays special,
mix fun and fancy cocktails
and throw tiara parties fit for a queen!
Contents
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
1
It’s all about the timing.
And I keep getting it wrong.
Take tonight: Friday night. Well past nine o’clock.
I’m finally ready to leave my eighth-floor office (with a partial if-you-stand-on-the-sill-and-stretch view of the Empire State Building) at Blaire Barnett Advertising.
All day, I told anyone who would listen—which, as it turns out, was apparently only myself, Inner Tracey—that when six o’clock rolled around, I was outta here.
(Yes, six. Leaving at five is about as acceptable in the industry-that-never-sleeps as wearing tan nylon Leggs with reinforced toes.)
So when 5:55 rolled around, there I was, about to bolt from my just-cleaned-off desk.
But I decided to hold off a minute so that I could pull out a compact and put on some of the new lipstick I dashed into Sephora to buy en route from a Client meeting this morning.
Yes, Client meeting. As opposed to client meeting. At Blair Barnett, Client always starts with a capital C. Given that logic, my business cards should read tracey spadolini candell.
Anyway, my timing was off. I took too long with the lipstick. As I was loafing around putting it on and thinking happy TGIF thoughts, Crosby Courts—whose personal theme song should be “Tubular Bells”—stuck her sleek dark haircut into my doorway.
“Hot date?” she asked.
“Yup. With my husband.” Jack—who also works at Blaire Barnett, down in the Media Department—was taking me to see Black and White, that controversial indie drama that caused the big splash at Sundance in January.
Was being the key word here.
No, it didn’t happen.
Yes, we’d already bought the tickets at the big Regal Multiplex off Union Square and had managed to snag dinner reservations afterward at Mesob, the buzzy new Ethiopian place on Lafayette. We were planning to head over to Bleeker for drinks and music after that. Big night out on the town.
But here in the cutthroat world of New York City advertising, personal plans are insignificant. You can be getting married in five minutes and your boss will hang up from an urgent Client phone call, turn to you standing there all white lace and promises, and say, “I hate to tell you this, but…”
Which is exactly what Crosby, copywriter on the Abate Laxatives account and my supervisor since I became junior copywriter last year, said as she watched me slick on a gorgeous layer of raspberry-hued lusciousness. “I hate to tell you this, but…”
What I wouldn’t give to have a dollar for every time I’ve heard that exact phrase from her. If I’d had any idea that this coveted Creative Department position was going to be way more demanding and far less fun than the lowly one I left behind in the stuffy Account Management Department, I wouldn’t have lobbied so hard for a copywriting position in the first place.
So now, three-plus hours after I was supposed to meet Jack for our hot date, he’s presumably enjoying injera, tibs and wat at Mesob with his friend Mitch, who willingly ditched plans with his latest girlfriend to go in my place.
No surprise there. These days, Mitch is a fixture in our lives. Much ado about that later. For now, suffice to say that one of my favorite vintage SNL skits—“The Thing That Wouldn’t Leave”—is now playing itself out almost nightly in my living room, starring Mitch in the title role. And it’s not the least bit amusing in real life.
Anyway, when I spoke to Jack between the movie and the restaurant reservation, he told me to meet him and Mitch downtown for drinks whenever I finish resolving the Client crisis here. I don’t really feel like going now, though—especially with the perennial third wheel on board for the duration of the evening. I’d just as soon head home, take a long, hot shower and fall asleep in front of a good bad movie.
But Jack is counting on me so off I go, this time sans lipstick. The luscious raspberry wore off hours ago, along with that TGIF glow.
Before the elevator, I make a pit stop in the ladies’ room, where I find Lane Washburn, who works in the bullpen, emerging from a stall. She’s just changed out of her size zero business suit, and it drapes about the same from its wire hanger as the sparkly, clingy black size