Название | A Foreign Country |
---|---|
Автор произведения | Charles Cumming |
Жанр | Шпионские детективы |
Серия | |
Издательство | Шпионские детективы |
Год выпуска | 0 |
isbn | 9780007346448 |
Reinforcements. It occurred to Kell that exactly twenty-four hours earlier he was drinking in a crowded bar on Dean Street, singing ‘Happy Birthday’ to a forty-year-old university friend whom he hadn’t seen for fifteen years.
‘London are concerned that there’s been no movement on Amelia’s credit cards,’ he said, ‘no response from her mobile.’
‘Do you think she’s … defected?’ Knight asked, and Kell suppressed a smile. Where to? Moscow? Beijing? Amelia would sooner live in Albania.
‘Unlikely,’ he said. ‘Chiefs of the Service are too high profile. The political repercussions would be seismic. But never say never.’
‘Never say never,’ Barbara muttered.
‘What about her room? Has anybody searched it?’
Knight looked at his shoes. Barbara adjusted her half-moon spectacles. Kell realized why they had never progressed beyond Ops Support in Nairobi.
‘We weren’t under instructions to conduct any kind of search,’ Knight replied.
‘And the people running the painting course? Have you talked to them?’
Knight shook his head, still staring at his shoes like a scolded schoolboy. Kell decided to put them out of their misery.
‘OK, tell you what,’ he said, ‘how far is the Hotel Gillespie?’
Barbara looked worried. ‘It’s on Boulevard Dubouchage. About twenty minutes away.’
‘I’m going to go. You’ve booked a room for me under “Stephen Uniacke”, is that right?’
Knight perked up. ‘That is correct. But wouldn’t you like something to eat? Barbara and I thought that we could take you into Nice, to a little place we both enjoy near the port. It stays open well past …’
‘Later,’ Kell replied. There had been a Cajun wrap at Heathrow, a can of Coke to wash it down. That would see him through until morning. ‘But I need you to do something for me.’
‘Of course,’ Barbara replied.
Kell could see how much she wanted to prolong her return to the spotlight and knew that she might still prove useful to him.
‘Call the Gillespie. Tell them you’ve just landed and need a room. Go to the hotel, but wait outside and make sure you speak to me before you check in.’
Knight looked nonplussed.
‘Is that OK?’ Kell asked him pointedly. If Kell was being paid a thousand a day, chances were that the Knights were on at least half that. In final analysis, they were obliged to do whatever he told them. ‘I’ll need to gain access to the hotel’s computer system. I want all the details from Amelia’s room, arrival and departure times, Internet use and so on. In order to do that, I’ll have to distract whoever works the night shift, get them away from the desk for five or ten minutes. You could be very useful in that context – ordering room service, complaining about a broken tap, pulling an emergency cord in the bathroom. Understood?’
‘Understood,’ Knight replied.
‘Do you have a suitcase or something that will pass for an overnight bag?’
Barbara thought for a moment and said: ‘I think so, yes.’
‘Give me half an hour to check in and then make your way to the hotel.’ He was aware of how quickly he was improvising ideas, old tricks coming back to him all the time; it was as though his brain had been sitting in aspic for eight months. ‘It goes without saying that if you see me in the lobby, we don’t know each other.’
Knight produced a blustery laugh. ‘Of course, Tom.’
‘And keep your phone on.’ Kell climbed into the Citroën. ‘Chances are I’ll need to call you within the hour.’
7
The Citroën sat-nav knew how to negotiate the Nice one-way system and had led Kell to Boulevard Dubouchage within twenty minutes. The Hotel Gillespie was exactly the sort of place that Amelia favoured: modest in size but classy; comfortable but not ostentatious. George Truscott would have booked himself a suite at the Negresco and charged the lot to the British taxpayer.
There was an underground car park three blocks away. Kell looked for a secure place to stow his passport and the contents of his wallet and found a narrow wall cavity in a cracked breeze block about two metres above ground. Marquand had sent ahead full documentation for Stephen Uniacke, including credit cards, a passport, a driving licence, and the general paraphernalia of day-to-day life in England: supermarket loyalty cards; membership of Kew Gardens; breakdown cover for the RAC. There were even faded wallet photographs of Uniacke’s phantom wife and phantom children. Kell discarded the envelope and took a lift up to street level. Uniacke – supposedly a marketing consultant with offices in Reading – had been one of three aliases that Kell had regularly employed during his twenty-two-year career in British Intelligence. Assuming the identity one more time felt as natural to him – indeed, in many ways, as comforting – as putting on an old coat.
The Gillespie was set back from the street by a short, semi-circular access road that allowed vehicles to pull up outside the entrance, depositing passengers and baggage. Kell walked through a pair of automatic doors and climbed a flight of steps into an intimate midnight lobby dotted with black-and-white photographs of Duke Ellington, Dizzy Gillespie and other musical legends of yesteryear. He had a deep and incurable aversion to jazz but a fondness for sober, low-lit lobbies with rugs on old wooden floors, decent oil paintings and residents’ bars that tinkled with ice and conversation. A young man in a dark jacket with acne and cropped blond hair was organizing a large bowl of potpourri on the reception desk. The night porter. He greeted Kell with an effortful smile and Kell saw that he looked tired to the point of exhaustion.
‘May I help you, sir?’
Kell put his bag on the ground and explained, in French, that he had reserved a room under the name ‘Uniacke’. He was asked for his identification and a credit card, and obliged to fill in a brief registration form. There was a computer terminal at the desk on which the porter called up Uniacke’s details. The keyboard was below the counter, out of sight, so that it was not possible for Kell to follow the keystrokes of any log-in password.
‘I’ve stayed here before,’ he said, scoping the small office at the back of the reception area where a second computer terminal was visible. There was a can of Coke adjacent to the screen and a large paperback book open on the desk. Kell had been looking for evidence of a CCTV system in the lobby but had not yet seen one. ‘Do you have a record of that on your system?’
It was a prepared question to which he already knew the answer. Nevertheless, when the porter responded, he would have the opportunity to lean over the desk and to look directly at the reservation system in feigned astonishment.
‘Let me have a look, sir,’ the porter duly replied. A downy fur covered his pale, washed-out skin, a zit primed to burst on the chin. ‘No, I don’t think we have a record of that here …’
‘You don’t?’ Kell ramped up his surprise and touched the side of the screen, tilting it towards him so that he could identify the booking software operated by the hotel. It was ‘Opera’, the most widely used reservations system in Europe and one with which Kell was reasonably familiar. Uniacke’s details were laid out on a guest folio that itemized his impending expenses in a series of boxes marked ‘Food’, ‘Accommodation’, ‘Drinks’ and ‘Telephone’. As long as the porter left himself logged in, accessing Amelia’s information would be straightforward. Kell knew that she had been staying in Room 218 and that the tabs on Opera would take him to her personal details in two