Then You Were Gone. Claire Moss

don’t think he will, not this time. I think he really likes her.’

      ‘Of course he bloody likes her. She’s beautiful, she’s cool, she’s got awesome hair – and then she also goes and has the cheek to be a really nice person. Of course he likes her. But Mack likes a lot of people, if you know what I mean.’

      Jazzy had smiled. It made him happy that Petra liked Simone. ‘Yes but you’re forgetting, Simone’s so low maintenance that she barely classes as a girlfriend at all. If anything, Mack’ll be the needy one and Simone’ll get bored and ditch him.’

      Petra had rolled her eyes. ‘Have you ever known a woman get bored of Mack before he got bored of her?’ The question did not require an answer. ‘Just…’ Petra had thrown her hands up, ‘if they’re going to get together, then fine. I just don’t think you should encourage it. Because when it all goes wrong, it’s you she’s going to blame for it.’

      And now it was looking as though it was going wrong, and Jazzy wondered if Simone would blame him for it. Jazzy would be surprised – shocked, even – if Mack had gone AWOL from everything, from London, from the business, from Jazzy, just to get rid of Simone. But, loath as he was to admit it, it was not entirely unthinkable. He and Mack had met ten years ago when they were teaching English in a high school in rural Japan, the only westerners in a fifty-mile radius, apart from a tall, outdoorsy Canadian girl who worked in the elementary school next door. She had fallen for Mack, swiftly and entirely, and he had seemed pretty smitten with her too, but when Mack went back to England among promises of undying devotion and vows to keep in touch, he had deliberately given the girl an email address and mobile number that bore no relation to his real ones. That Canadian girl had not deserved it any more than Simone would. And Petra was right; if Mack was taking a massive shit all over Simone’s feelings, then it was, at least partly, Jazzy’s fault.

      He thought back to the conversation he had had with Simone in his local pub to try and persuade her to give Mack a chance on a second date.

      ‘He really likes you. He told me. Honestly.’ This was true.

      Simone had looked unconvinced. ‘Yes, he likes me so much that he’s waited a month before getting in touch again.’

      ‘He’s been away a lot with work. He didn’t want to arrange something he might have to cancel at the last minute.’ This was only partly true. Mack had been away for three out of the preceding four weeks, but it was only when he had returned to London a few days ago that he had mentioned Simone.

      ‘I keep thinking about her,’ he had confided. ‘If I ask her out again, do you think she’ll say yes?’

      ‘I guarantee it,’ Jazzy had told him with a wink.

      And he had been determined to do so. Simone’s misgivings did not seem that serious to him, certainly nothing that could not be talked round.

      ‘Why are you so keen for me to go out with him again?’ she had asked.

      He had shrugged. ‘I think you’d be good together. You’re both quite similar if you ask me, even though it might not look like it at first glance. Free spirits, if you will.’

      Simone had raised a sceptical eyebrow. ‘Right, OK. But I have to say that in my experience “free spirit” is a phrase people use to describe someone they think will probably sleep with them without asking too many questions first.’

      ‘You know what I mean. Not needy or desperate or looking for someone to spend every minute of every day with. That’s what you’re both like. I just – I can see you two together. Plus,’ he had leaned forward, ‘he assures me he’s hung like a farmyard animal.’

      ‘Oh, shut up,’ Simone had said, downing the rest of her drink, and he knew then that he had won her round. And neither of them had said what they both knew; that the real reason he was so keen to set her up with Mack was that he just wanted to see her happy, like he was with Petra. That he wanted her to have someone, like he did.

      The bus was nearly at his stop before Jazzy remembered the letter. It had barely occurred to him that it could contain anything interesting, let alone anything personal. Letters never did any more.

      Even after he opened the envelope, it took him a few moments to recognise the handwriting, so rarely had he seen Mack handwrite anything. But it was unmistakably from him. The words he used, the confident, stylised penmanship, could not have come from anyone else.

       Dear J

       I know you’ll be wondering where I am by now, and I’m sorry.

       This is the most ridiculous letter I’ve ever written. (And I know, a letter? A fucking letter? Hey, Mack, 1993 called, they want their method of communication back! But the point is, you can’t hack into a letter. And I know that sounds mental, but it’s true, and that’s important).

       The thing is, and I swear, I swear on Rory’s life I’m not making this up, I’ve had to go away for a very good reason. I really, really wish I could tell you why, but I can’t, even in an unhackable letter. Just believe me when I say that you’ll be safer, and so will Petra and Rory and everyone else around you if you don’t know (again, I know that sounds like the rantings of a paranoid psychiatric patient but please, please bear with me). Believe me, if I could tell you then you know I would. But it’s a good reason.

       And the reason I’m writing to you is because I think – really, really, really – that you could be in danger too, and Petra and Rory if anyone comes looking for me. If anything happened to any of you, I couldn’t live with it. Please listen. Please, please take me seriously. If anyone comes looking for me, you have to say that you don’t know where I am. Which will be true, of course. But you have to make it sound true too, you have to make sure they believe you. And if anyone does come looking, then I think you should take Petra and Rory away for a few days, doesn’t matter where, just don’t tell anyone where you’re going. Not even Simone or Keith.

       I’ve written to Simone too, saying the same thing. If you see her, tell her I’m sorry. And, fuck it, tell her that I love her. I do.

       One last thing. If you don’t pay attention to anything else in this letter, then please, please pay attention to this. DO NOT TRY AND FIND ME. DO NOT TELL ANYONE I’VE GONE. If anyone comes looking for me you need to LIE. You need to say that I’ve gone on holiday, or quit my job to go travelling, or gone back to Japan or something. Don’t say you’ve heard from me, don’t try and guess where I am. DON’T COME LOOKING FOR ME. And I know that the first thing you’re going to do is ask Keith. Please don’t go to Keith. I mean it. It could put you in danger.

       I promise, I haven’t gone round the bend. I know this all sounds nuts but part of the trouble is that you can’t delete stuff once you’ve written it in pen. Please take me seriously.

       I wish I could say when I’d be back. I wish I could say that I’m coming back. I don’t know. I don’t know anything. I want to come back, and I will if I can. I’m going to try to find a way.

       Love you, mate.

       Mack.

      Jazzy held the letter open in his hand for a few moments, then in a burst of what his rational side told him was absurd paranoia, he folded it over so the text was hidden, casting a surreptitious glance over his shoulder. Everybody else on the bus was looking at a phone or a tablet; nobody was paying him the slightest attention. His first thought was almost certainly the one Mack had been so keen to steer him away from. His friend had surely lost the plot. It happened. It had happened to one of Jazzy’s housemates in his final year of university – too much weed, too much stress over his finals and then one day, boom, he refused to come out of his room and was convinced that the landlord had installed a covert surveillance system inside the airing cupboard.

      Jazzy jumped to his feet just in time, realising that the bus was about to pull away from his stop. He hopped down to the pavement and