Doves of War: Four Women of Spain. Paul Preston

SPANISH CIVIL WAR has given rise to a gigantic bibliography running into more than fifteen thousand books. In 1995, a remarkably original addition to the literary legacy of the conflict passed almost unnoticed. Its importance was obscured by the fact that it appeared on the list of a small English publishing house in Norfolk. The Chances of Death consisted of an edited selection from a voluminous diary written between the autumn of 1937 and the end of the war by Priscilla Scott-Ellis.¹ The author, who had died twelve years earlier, was one of only two British women volunteers who served with Franco’s Nationalist forces during the war. Her vibrantly written and transparently honest account of her experiences is a mine of original insights into life behind the lines of the Francoist zone. Gut-wrenching descriptions of the front-line medical services alternate with accounts of the luxury still enjoyed in the rearguard by the Spanish aristocracy. Although highly readable, and deserving of a wider audience, there was every chance that this remarkable book would be a reference only for scholars.

      However, an appreciative article published in the Madrid daily El País by the British historian Hugh Thomas provoked an astonishing polemic which in turn guaranteed that the book would be translated and published in Spain. Once at the centre of the ensuing scandal, the book, taken up by one of the country’s most prestigious publishers, achieved considerable popular success. Hugh Thomas’s glowing review, entitled ‘Sangre y agallas’ (blood and guts), gave an entirely accurate picture of the book’s merits. He praised its vivid portrayal of life in an emergency medical unit and its equally fascinating account of high society behind the lines. He also commented rightly that the diary presented an image of a brave, self-sacrificing but fun-loving girl, tirelessly driven by curiosity and enthusiasm.² Nine days later, a disputatious reply was published in the pages of El País’s Barcelona rival, La Vanguardia. Entitled ‘Un enigma’, its author was José Luis de Vilallonga y Cabeza de Vaca, the Marqués de Castellvell, a playboy and journalist, known for his appearance in several Spanish and French films, for several successful novels published in France and for a semi-official biography of the King of Spain, Juan Carlos, with whom he claimed friendship.³

      Vilallonga attacked the editor of Priscilla Scott-Ellis’s diary, Raymond Carr, claiming that it was a forgery ‘written by God knows who and with what sinister intentions’. Accordingly, he dismissed Hugh Thomas’s remarks as the fruit of ignorance. Vilallonga justified these assertions by the fact that he had been married to Priscilla Scott-Ellis for seventeen years, from 1945 to 1961. He found it incredible that she had never mentioned such a diary to him. He now demanded to know the identities of ‘the real author of this diary’ and of the beneficiary of the book’s profits. Along the way, he presented a cruelly dismissive account of Priscilla Scott-Ellis and her family. He asserted that the author was incapable of writing a diary, claiming that her prose was ‘infantile’. He described her father, the Lord Howard de Walden, as a whisky-sodden alcoholic. He alleged that Priscilla Scott-Ellis was in fact illegitimate and really the fruit of an adulterous affair between her mother and Prince Alfonso de Orléans Borbón, a cousin of Alfonso XIII and a close friend of her parents. He further insinuated that the great love of her life, Ataúlfo de Orléans Borbón, who was in some ways inadvertently responsible for her decision to go to Spain, was a homosexual. His own marriage to her was thus presented as a way out of an embarrassing situation for Prince Alfonso. He stated that his own parents never approved of the marriage ‘to a foreigner through whose veins there coursed Jewish blood’.

      Some weeks later, Vilallonga’s diatribe brought forth a dignified reply from Sir Raymond Carr.⁴ He pointed out that Vilallonga’s questions about the authorship and the royalties constituted an accusation that, for money, he had knowingly undertaken to prepare an edition of a forgery. Carr gave an account of the genesis of the diary and an explanation of the circumstances whereby it had lain unpublished for half a century. In fact, it had been on the point of publication in the autumn of 1939 but the project was aborted because of the outbreak of the Second World War. Carr also published in facsimile a section of the diary. He then went on to underline some of the inaccuracies of Vilallonga’s account of Priscilla Scott-Ellis’s experiences during the Spanish Civil War. Finally, in a spirit more of sadness than of anger, he expressed his surprise that ‘a Spanish gentleman should assert in a newspaper that his wife, deceased and unable to defend herself, was a bastard and her father a drunk’. He found it tragic that Vilallonga’s article should thus ‘defame the memory of a valiant and indomitable woman’.

      Who then was this remarkable woman? Esyllt Priscilla Scott-Ellis – known as ‘Pip’ – was the daughter of two remarkably creative and eccentric parents, Margherita (Margot) van Raalte and Thomas Evelyn Scott-Ellis, the eighth Lord Howard de Walden and fourth Lord Seaford. Margot was born in 1890, the daughter of an extremely wealthy banker of Dutch origins, Charles van Raalte, and Florence Clow, an English women with some talent as an amateur painter. Florence van Raalte was such a snob that she was known in the family as Mrs van Royalty. From her parents, Margot had inherited money and both musical and artistic talent. She was a good painter and an accomplished musician. Her singing voice was good enough for her to be trained for the opera with Olga Lynn and she often gave concerts, even being conducted – in Debussy’s La Demoiselle Élue – by Sir Thomas Beecham. These interests would provide a formative influence in Pip’s childhood. Margot’s family lived at Aldenham Abbey near Watford in Hertfordshire, where they were often joined by members of the Spanish royal family. The Infanta Eulalia, Alfonso XIII’s aunt and a woman of scandalous reputation, was a friend of Margot’s parents. Princess Eulalia’s two sons, Prince Alfonso and Prince Luis de Orléans Borbón, were being educated at English boarding schools and often spent summer holidays with the family. In the late 1890s, the Van Raalte family bought the paradisical Brownsea Island in Poole harbour. With its medieval castle, two fresh-water lakes and dykes and streams, it was a wonderful place for children. Margot spent many idyllic summers there with other children including Prince Ali and Prince Luis. It was on Brownsea Island that Lieutenant-General Baden-Powell, a friend of Margot’s father, launched his Boy Scout Movement in 1907.⁵

      Tommy Scott-Ellis was born in 1880. A soldier and a great sportsman, he was educated at Eton and Sandhurst. He was commissioned into the 10th Hussars in 1899 and fought in the Boer War. The man presented by Vilallonga as a helpless sot was actually a good cricketer and boxer and was the English amateur fencing champion. In 1901, he became an immensely rich man at the age of twenty-one when he inherited his father’s title and the fortune of his grandmother, Lady Lucy Cavendish-Bentinck. He then bought a racing motorboat and competed in highly perilous cross-Channel races. He also bought a yacht and was a member of the British Olympic Team in 1906. He then acquired racing stables. In his childhood, he too had spent happy summers at Brownsea Island which was then owned by the Cavendish-Bentinck family. Having had a bitterly miserable time at various boarding schools, Brownsea became a haven for him. He now tried unsuccessfully to buy it. Deeply disappointed, he was consoled when the new owners, Charles and Florence van Raalte, turned out to be friends of his mother, Blanche. He was thus invited to Brownsea to sail in summer and to shoot in winter.⁶

      Shortly after marrying Margot van Raalte, Tommy, anxious to keep a link with the Army, joined the Westminster Dragoons. Their first children, twin sister and brother, Bronwen and John Osmael, were born on 27 November 1912. When the First World War broke out, Tommy left for Egypt as second-in-command of his regiment. At the time Margot was pregnant with their third child, Elizabeth, who was born on 5 December 1914. At the first opportunity, however, she arranged to join Tommy in Egypt. As was commonplace among the upper classes at the time, Margot thought it normal to leave her three children with a nurse. At Chirk Castle, the family’s country seat near Llangollen in North Wales, they were neglected to the extent of contracting rickets.⁷ At first Margot was rather bored in Egypt but after Tommy volunteered to go with the British invasion forces to Gallipoli, and casualties began to arrive from Turkey, she joined a friend, Mary Herbert, the wife of Aubrey Herbert, a