Doves of War: Four Women of Spain. Paul Preston

      DOVES OF WAR

       Four Women of Spain

      PAUL PRESTON

      CONTENTS

       COVER

       TITLE PAGE

PROLOGUE: Fears and Fantasies

PRISCILLA SCOTT-ELLIS: All for Love

       NAN GREEN: A Great Deal of Loneliness

       MERCEDES SANZ-BACHILLER: So Easy to Judge

       MARGARITA NELKEN: A Full Measure of Pain

       EPILOGUE

       NOTES

       INDEX

       ACKNOWLEDGEMENTS

       ABOUT THE AUTHOR

       PRAISE

       COPYRIGHT

       ABOUT THE PUBLISHER

       PROLOGUE Fears and Fantasies

      IN LATE SEPTEMBER 1937, two English women arrived in Paris. One, a penniless housewife and Communist Party militant from London, had travelled on the crowded boat train from Calais. Despite being exhausted after her trip, she left her luggage at the station and got a bus straight to the recently inaugurated Great Exhibition. The other, the daughter of one of the richest aristocrats in England, accompanied by a princess, the granddaughter of Queen Victoria, arrived in a gleaming limousine. After checking in at their luxurious hotel in the Rue de la Paix, she dined out. The next day, after a little shopping, she too visited the exhibition. So great was the bewildering cornucopia spilling out of the two hundred and forty pavilions jostling along the banks of the Seine that only a small part of their wonders could be seen in a few hours. The two women had to make choices. What they decided revealed much about where they had come from and about where they were going.

      The Communist made a beeline for the pavilion of the Spanish Republican Government and ‘stood spellbound at Picasso’s Guernica’. She was repelled by ‘the competitive vulgarity’ of the German and Soviet pavilions which glared aggressively at each other at the end of the Pont d’Iéna on the Rive Droite of the Seine. In contrast, the society girl was captivated by the great German cubic construction, designed by Albert Speer, over which flew a huge eagle bearing a swastika in its claws. Although, like her poorer compatriot, she was en route to the Civil War raging to the south, she did not bother to visit the pavilion of the Spanish Republic. They did both share utter contempt for the British display. The Communist ‘snorted in disdain at the British contribution – mostly tweeds, pipes, walking sticks and sports gear’. The aristocrat considered the British pavilion’s displays of golf balls, marmalade and bowler hats to be ‘very bad’.

      The two English women never knew that they had coincided at the Paris exhibition any more than that their paths had crossed before. Three and a half months earlier, the aristocrat had emerged from a cinema in Leicester Square and watched a Communist demonstration protesting about the German navy’s artillery bombardment of Almería in South Eastern Spain. Amongst those chanting ‘Stop Hitler’s War on Children!’ was the left-wing housewife. For both women, Paris was just one stop on a longer journey to Spain. Their preparations in August 1937 could hardly have been more different. The Communist had thought long and hard about leaving England and her son and daughter to volunteer for the Spanish Republic. With trepidation, she sold what she could of her books and household chattels and deposited the rest in a theatrical skip. At Liverpool Street Station in London, she bade a painful farewell to her two children and then put them on a train to a boarding school paid for by a wealthy Party comrade. A month before her thirty-third birthday, the petite brunette leftist had little by way of possessions. She had hardly any packing to do for herself, just a few clothes – her two battered suitcases were crammed with medical supplies for the Spanish Republican hospital unit that she hoped to join. Clutching her burdens, she took a bus to Waterloo Station to catch the train to Dover.

      Her counterpart’s preparations were altogether more elaborate. For more than six months, she had dreamed of nothing else. She was in love and hoped that by going to Spain she would win the attention of her beloved, a Spanish prince serving with the German Condor Legion. During the summer of 1937, in the intervals between riding, playing tennis and learning golf, she took Spanish lessons with a private tutor. In London’s West End, her punishing schedule of shopping was interspersed with inoculations, and visits to persons likely to be useful for her time in Spain. These included one of the four men with principal responsibility for British policy on Spanish affairs at the Foreign Office and the ex-Queen Victoria Eugenia of Spain. Not yet twenty-one, the blonde socialite, rather gawky and deeply self-conscious about her weight, desperately haunted the beauty salons in preparation for her Spanish adventure. She left England in the chauffeur-driven limousine belonging to Victoria Eugenia’s cousin, Princess Beatrice of Saxe-Coburg. The car was overloaded with trunks and hatboxes containing the trophies of the previous four weeks’ shopping safaris. After being ushered by the station master at Dover into a private compartment on the boat train, they crossed the channel then motored on to Paris – to their hotel, more shopping and the visit to the Great Exhibition. On the following morning, she set off on the remainder of her journey south to the Spanish border, enjoying an extremely pleasant tour through the peaceful French countryside.

      After seeing the Picasso, her left-wing compatriot hastened to collect her heavy cases and catch the night train to Spain. Crushed into a third-class carriage, she was able to reflect on the horrors that awaited her on the other side of the Pyrenees. She was an avid reader of the left-wing press and had received painfully eloquent letters from her husband. He was already in Spain, serving as an ambulance driver with the International Brigades. By contrast, the young occupant of the limousine bowling along the long, straight, tree-lined French roads was blithely insouciant. Her knowledge of the Spanish Civil War was based on her reading of a couple of right-wing accounts which portrayed the conflict in terms of ‘Red atrocities’ and the knightly exploits of Franco’s officers. She sped towards Biarritz like a tourist, in a spirit of anticipation of wonders and curiosities to come. Her mind was on the object of her romantic aspirations, and she was thinking hardly at all of the terrors that might lie before her.

      Both women were sustained by their fantasy of what their participation in the Spanish war might mean. For the aristocrat, it was about love and a chivalric notion of helping to crush the dragon of Communism. The Communist’s hopes were more prosaic. She wanted to help the Spanish people stop the rise of fascism and, deep down, vaguely hoped that doing so might be the first step to world revolution. Neither the aristocrat setting out to join the forces of General Franco nor the Communist