The Erckmann-Chatrian MEGAPACK ®. Emile Erckmann

his wine cups, he spoke fondly of his little cousin who was waiting to marry him. At last this big monsieur was conducted to his room—the Green Room—and, the same night, the watchman, passing down the street Minnesänger, perceived something hanging to the crossbeam; he raised his lantern, and lo! it was the soldier, with his final discharge in a bow on his left hip, and his hands gathered up to the seam of his pantaloons, as if on parade.

      “‘Truth to say, this is extraordinary!’ cried the burgomaster; ‘the devil’s to pay.’ Well, the chamber was much visited; the walls were replastered, and the dead man was sent to Neustadt.

      “The registrar wrote this marginal note:

      “‘Died of apoplexy.’

      “All Nuremberg was enraged against the innkeeper. There were many, indeed, who wished to force him to take down his iron crossbeam, under the pretext that it inspired people with dangerous ideas; but you may well believe that old Michael Schmidt would not lend his ear to this proposition.

      “‘This crossbeam,’ said he, ‘was placed here by my grandfather; it has borne the sign of Boeuf-Gras for one hundred and fifty years, from father to son; it harms no one, not even the hay wagons which pass beneath, for it is thirty feet above them. Those who don’t like it can turn their heads aside, and not see it.’

      “Well, gradually the town calmed down, and, during several months, no new event agitated it. Unhappily, a student of Heidelberg, returning to the university, stopped, day before yesterday, at the Inn Boeuf-Gras, and asked for lodging. He was the son of a minister of the gospel.

      “How could anyone suppose that the son of a pastor could conceive the idea of hanging himself on the crossbeam of a signboard, because a big monsieur and an old soldier had done so? We must admit, Master Christian, that the thing was not probable; these reasons would not have seemed sufficient to myself or to you.”

      “Enough, enough!” I exclaimed; “this is too horrible! I see a frightful mystery involved in all this. It is not the crossbeam; it is not the room—”

      “What! Do you suspect the innkeeper, the most honest man in the world, and belonging to one of the oldest families in Nuremberg?”

      “No, no; may God preserve me from indulging in unjust suspicions! but there is an abyss before me, into which I scarcely dare glance.”

      “You are right,” said Toubac, astonished at the violence of my excitement. “We will speak of other things. Apropos, Master Christian, where is our landscape of ‘Saint Odille’?”

      This question brought me back to the world of realities. I showed the old man the painting I had just completed. The affair was soon concluded, and Toubac, well satisfied, descended the ladder, entreating me to think no more of the student of Heidelberg.

      I would gladly have followed my good friend’s counsel; but, when the devil once mixes himself up in our concerns, it is not easy to disembarrass ourselves of him.

      In my solitary hours all these events were reproduced with frightful distinctness in my mind.

      “This old wretch,” I said to myself, “is the cause of it all; she alone has conceived these crimes, and has consummated them. But by what means? Has she had recourse to cunning alone, or has she obtained the intervention of invisible powers?” I walked to and fro in my retreat. An inward voice cried out: “It is not in vain that Providence permitted you to see Fledermausse contemplating the agonies of her victim. It is not in vain that the soul of the poor young man came in the form of a butterfly of the night to awake you. No, no; all this was not accidental, Christian. The heavens impose upon you a terrible mission. If you do not accomplish it, tremble lest you fall yourself into the hands of the old murderess! Perhaps, at this moment, she is preparing her snares in the darkness.”

      During several days these hideous images followed me without intermission. I lost my sleep; it was impossible for me to do anything; my brush fell from my hand; and, horrible to confess, I found myself sometimes gazing at the crossbeam with a sort of complacency. At last I could endure it no longer, and one evening I descended the ladder and hid myself behind the door of Fledermausse, hoping to surprise her fatal secret.

      From that time no day passed in which I was not en route, following the old wretch, watching, spying, never losing sight of her; but she was so cunning, had a scent so subtile that, without even turning her head, she knew I was behind her.

      However, she feigned not to perceive this; she went to the market, to the butcher’s, like any good, simple woman, only hastening her steps and murmuring confused words.

      At the close of the month I saw that it was impossible for me to attain my object in this way, and this conviction made me inexpressibly sad.

      “What can I do?” I said to myself. “The old woman divines my plans; she is on her guard; every hope abandons me. Ah! old hag, you think you already see me at the end of your rope.” I was continually asking myself this question: “What can I do? what can I do?” At last a luminous idea struck me. My chamber overlooked the house of Fledermausse; but there was no window on this side. I adroitly raised a slate, and no pen could paint my joy when the whole ancient building was thus exposed to me. “At last, I have you!” I exclaimed; “you cannot escape me now; from here I can see all that passes—your goings, your comings, your arts and snares. You will not suspect this invisible eye—this watchful eye, which will surprise crime at the moment it blooms. Oh, Justice, Justice! She marches slowly; but she arrives.”

      Nothing could be more sinister than the den now spread out before me—a great courtyard, the large slabs of which were covered with moss; in one corner, a well, whose stagnant waters you shuddered to look upon; a stairway covered with old shells; at the farther end a gallery, with wooden balustrade, and hanging upon it some old linen and the tick of an old straw mattress; on the first floor, to the left, the stone covering of a common sewer indicated the kitchen; to the right the lofty windows of the building looked out upon the street; then a few pots of dried, withered flowers—all was cracked, somber, moist. Only one or two hours during the day could the sun penetrate this loathsome spot; after that, the shadows took possession; then the sunshine fell upon the crazy walls, the worm-eaten balcony, the dull and tarnished glass, and upon the whirlwind of atoms floating in its golden rays, disturbed by no breath of air.

      I had scarcely finished these observations and reflections, when the old woman entered, having just returned from market. I heard the grating of her heavy door. Then she appeared with her basket. She seemed fatigued—almost out of breath. The lace of her bonnet fell to her nose. With one hand she grasped the banister and ascended the stairs.

      The heat was intolerable, suffocating; it was precisely one of those days in which all insects—crickets, spiders, mosquitoes, etc.—make old ruins resound with their strange sounds.

      Fledermausse crossed the gallery slowly, like an old ferret who feels at home. She remained more than a quarter of an hour in the kitchen, then returned, spread out her linen, took the broom, and brushed away some blades of straw on the floor. At last she raised her head, and turned her little green eyes in every direction, searching, investigating carefully.

      Could she, by some strange intuition, suspect anything? I do not know; but I gently lowered the slate, and gave up my watch for the day.

      In the morning Fledermausse appeared reassured. One angle of light fell upon the gallery. In passing, she caught a fly on the wing, and presented it delicately to a spider established in a corner of the roof. This spider was so bloated that, notwithstanding the distance, I saw it descend from round to round, then glide along a fine web, like a drop of venom, seize its prey from the hands of the old shrew, and remount rapidly. Fledermausse looked at it very attentively, with her eyes half closed; then sneezed, and said to herself, in a jeering tone, “God bless you, beautiful one; God bless you!”

      I watched during six weeks, and could discover nothing concerning the power of Fledermausse. Sometimes, seated upon a stool, she peeled her potatoes, then hung out her linen upon the balustrade.

      Sometimes I saw her spinning; but she never sang, as good, kind old women are accustomed