Shinsengumi. Romulus Hillsborough

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Название Shinsengumi
Автор произведения Romulus Hillsborough
Жанр Историческая литература
Серия
Издательство Историческая литература
Год выпуска 0
isbn 9781462913589



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had a harelip. But she was wellborn, well-bred, well-educated, and, perhaps most important, endowed with measures of propriety and pluck more prevalent in the daughter of a samurai than in a woman of the common classes. The sword master’s heir had encountered many other prospective brides, each more physically attractive than Otsuné. When asked why he had chosen Otsuné for his wife, he is said to have replied, “I had interviews with beautiful women. They were conceited about their good looks. But Otsuné was much more humble in her manner and very polite.” Perhaps this is indicative of a certain humanity in the future Shinsengumi commander, and certainly it had something to do with his immovable determination to adhere to the stoic mores of his adopted social class. They were married at the end of March 1860, as the capital reeled from the shock of Regent Ii Naosuké’s assassination. Soon after their marriage, Otsuné embroidered the likeness of a skull on the back of Kondō’s training robe—a token of her appreciation for her warrior-husband’s resolve to die.

      Kondō practiced the Tennen Rishin style for more than fourteen years. When the opportunity was presented him at age twenty-nine to put his sword to practical use, it was with his great courage, a burning desire to “vent [his] long-held indignation” toward the foreign intruders, and a determination to make a name for himself as a samurai in the service of the shōgun that he closed the doors of the Shieikan and, with seven of his top swordsmen, enlisted in the Rōshi Corps.

      Hijikata was one year younger than Kondō. Having lost both parents by the time he was five years old, Hijikata was raised by his elder brother and sister-in-law at his family’s home in Ishida Village, beneath the shadow of the ancient and solemn Takahata Fudō Temple. At eleven he was briefly apprenticed at the giant mercantile enterprise Matsuzaka’ya in Edo. Upon returning to his native countryside, the boy divided his time between his family’s home and the nearby residence of his elder sister and her husband at Hino, a post town along the Kōshū-kaidō. When Hijikata was sixteen, he planted arrow bamboo behind his house and vowed to himself, as preposterously as prophetically, “to become a samurai.” Arrow bamboo consists of short, straight shafts no thicker than a person’s finger—ideal for making arrows. Planting arrow bamboo was considered an act of discretion—preparation for war becoming of a samurai. Similarly samurai-like were the manly arts of calligraphy and poetry (both Chinese and Japanese), which Hijikata pursued with a passion. He was particularly fond of haiku. Under the pen name Hōgyoku, he left behind in Hino a collection of haiku before setting out for Kyōto.

      Hijikata’s brother-in-law, Satō Hikogorō, earned menkyo rank under Kondō Shūsuké, entitling him to teach the Tennen Rishin style. Before that, Satō had inherited from his father an expansive and gated country estate and a lofty position as official leader of Hino Village. Although he belonged to the peasant class, Satō would be more aptly called a country squire than a farmer. Shortly before Hijikata’s prophetic vow, Satō had built a kenjutsu dōjō at his home, where Master Shūsuké and his heir occasionally taught. In addition to Satō, Kondō and Hijikata also maintained close relations with another member of the local squirearchy who shared their passion for kenjutsu. This was Kojima Shikanosuké, the leader of Onoji Village. Satō was six years older than Kondō; Kojima was three years Kondō’s senior. The two older men tutored their fencing master in literature, while Kondō taught kenjutsu at the private dōjō of Satō and in the front garden of the Kojima estate.

      Master Shūsuké and son were beholden to their wealthy students. Kojima and Satō provided an important source of financial support to the humble Kondō household. The two village leaders continued this support after Kondō and Hijikata enlisted in the Rōshi Corps. In their fencing master’s absence, Satō taught the Tennen Rishin style at Hino, while Kojima performed this duty at Onoji. Both men sent provisions, including much-needed armor, to Kondō and Hijikata during the bloody years in Kyōto, and during the New Year holidays Kojima collected money from local kenjutsu students to send to their master in the west.

      “He had the slight air of a merchant,” recalled a fellow swordsman who occasionally practiced at the Shieikan. “He had drooping shoulders but was tall and slender, and one of the best-looking men of the bunch [at the Shieikan]. He was shrewd in his dealings with people, and what’s more he was a clever man. He tended to be a little disagreeable, and ... there were quite a few people whom he disliked. When sitting opposite someone, he would first of all look that person over slowly, from his knees up to his face. Then he would quietly begin speaking.”

      Hijikata Toshizō did not officially enroll at Kondō’s dōjō until the spring of 1859, a number of years after the two had met. At the Shieikan, Hijikata wore his face guard tied with a pretty red cord, earning the quiet ridicule of certain of his fellow swordsmen—and the coveted menkyo rank. Several years later, people in Hijikata’s native village could hardly believe reports of the bloodletting in Kyōto at the hands of the vice