Essential Novelists - Ford Madox Ford. Ford Madox Ford

took one hundred and eighty-seven paces, then, turning sharp, left-handed, four hundred and twenty took you straight down to the fountain. From the Englischer Hof, starting on the sidewalk, it was ninety-seven paces and the same four hundred and twenty, but turning lefthanded this time.

      And now you understand that, having nothing in the world to do — but nothing whatever! I fell into the habit of counting my footsteps. I would walk with Florence to the baths. And, of course, she entertained me with her conversation. It was, as I have said, wonderful what she could make conversation out of. She walked very lightly, and her hair was very nicely done, and she dressed beautifully and very expensively. Of course she had money of her own, but I shouldn’t have minded. And yet you know I can’t remember a single one of her dresses. Or I can remember just one, a very simple one of blue figured silk — a Chinese pattern — very full in the skirts and broadening out over the shoulders. And her hair was copper-coloured, and the heels of her shoes were exceedingly high, so that she tripped upon the points of her toes. And when she came to the door of the bathing place, and when it opened to receive her, she would look back at me with a little coquettish smile, so that her cheek appeared to be caressing her shoulder.

      I seem to remember that, with that dress, she wore an immensely broad Leghorn hat — like the Chapeau de Paille of Rubens, only very white. The hat would be tied with a lightly knotted scarf of the same stuff as her dress. She knew how to give value to her blue eyes. And round her neck would be some simple pink, coral beads. And her complexion had a perfect clearness, a perfect smoothness . . .

      Yes, that is how I most exactly remember her, in that dress, in that hat, looking over her shoulder at me so that the eyes flashed very blue — dark pebble blue . . .

      And, what the devil! For whose benefit did she do it? For that of the bath attendant? of the passers-by? I don’t know. Anyhow, it can’t have been for me, for never, in all the years of her life, never on any possible occasion, or in any other place did she so smile to me, mockingly, invitingly. Ah, she was a riddle; but then, all other women are riddles. And it occurs to me that some way back I began a sentence that I have never finished . . . It was about the feeling that I had when I stood on the steps of my hotel every morning before starting out to fetch Florence back from the bath. Natty, precise, well-brushed, conscious of being rather small amongst the long English, the lank Americans, the rotund Germans, and the obese Russian Jewesses, I should stand there, tapping a cigarette on the outside of my case, surveying for a moment the world in the sunlight. But a day was to come when I was never to do it again alone. You can imagine, therefore, what the coming of the Ashburnhams meant to me. I have forgotten the aspect of many things, but I shall never forget the aspect of the dining-room of the Hotel Excelsior on that evening — and on so many other evenings. Whole castles have vanished from my memory, whole cities that I have never visited again, but that white room, festooned with papier-maché fruits and flowers; the tall windows; the many tables; the black screen round the door with three golden cranes flying upward on each panel; the palm-tree in the centre of the room; the swish of the waiter’s feet; the cold expensive elegance; the mien of the diners as they came in every evening — their air of earnestness as if they must go through a meal prescribed by the Kur authorities and their air of sobriety as if they must seek not by any means to enjoy their meals — those things I shall not easily forget. And then, one evening, in the twilight, I saw Edward Ashburnham lounge round the screen into the room. The head waiter, a man with a face all grey — in what subterranean nooks or corners do people cultivate those absolutely grey complexions? — went with the timorous patronage of these creatures towards him and held out a grey ear to be whispered into. It was generally a disagreeable ordeal for newcomers but Edward Ashburnham bore it like an Englishman and a gentleman. I could see his lips form a word of three syllables — remember I had nothing in the world to do but to notice these niceties — and immediately I knew that he must be Edward Ashburnham, Captain, Fourteenth Hussars, of Branshaw House, Branshaw Teleragh. I knew it because every evening just before dinner, whilst I waited in the hall, I used, by the courtesy of Monsieur Schontz, the proprietor, to inspect the little police reports that each guest was expected to sign upon taking a room.

      The head waiter piloted him immediately to a vacant table, three away from my own — the table that the Grenfalls of Falls River, N.J., had just vacated. It struck me that that was not a very nice table for the newcomers, since the sunlight, low though it was, shone straight down upon it, and the same idea seemed to come at the same moment into Captain Ashburnham’s head. His face hitherto had, in the wonderful English fashion, expressed nothing whatever. Nothing. There was in it neither joy nor despair; neither hope nor fear; neither boredom nor satisfaction. He seemed to perceive no soul in that crowded room; he might have been walking in a jungle. I never came across such a perfect expression before and I never shall again. It was insolence and not insolence; it was modesty and not modesty. His hair was fair, extraordinarily ordered in a wave, running from the left temple to the right; his face was a light brick-red, perfectly uniform in tint up to the roots of the hair itself; his yellow moustache was as stiff as a toothbrush and I verily believe that he had his black smoking jacket thickened a little over the shoulder-blades so as to give himself the air of the slightest possible stoop. It would be like him to do that; that was the sort of thing he thought about. Martingales, Chiffney bits, boots; where you got the best soap, the best brandy, the name of the chap who rode a plater down the Khyber cliffs; the spreading power of number three shot before a charge of number four powder . . . by heavens, I hardly ever heard him talk of anything else. Not in all the years that I knew him did I hear him talk of anything but these subjects. Oh, yes, once he told me that I could buy my special shade of blue ties cheaper from a firm in Burlington Arcade than from my own people in New York. And I have bought my ties from that firm ever since. Otherwise I should not remember the name of the Burlington Arcade. I wonder what it looks like. I have never seen it. I imagine it to be two immense rows of pillars, like those of the Forum at Rome, with Edward Ashburnham striding down between them. But it probably isn’t — the least like that. Once also he advised me to buy Caledonian Deferred, since they were due to rise. And I did buy them and they did rise. But of how he got the knowledge I haven’t the faintest idea. It seemed to drop out of the blue sky.

      And that was absolutely all that I knew of him until a month ago — that and the profusion of his cases, all of pigskin and stamped with his initials, E. F. A. There were gun cases, and collar cases, and shirt cases, and letter cases and cases each containing four bottles of medicine; and hat cases and helmet cases. It must have needed a whole herd of the Gadarene swine to make up his outfit. And, if I ever penetrated into his private room it would be to see him standing, with his coat and waistcoat off and the immensely long line of his perfectly elegant trousers from waist to boot heel. And he would have a slightly reflective air and he would be just opening one kind of case and just closing another.

      Good God, what did they all see in him? for I swear there was all there was of him, inside and out; though they said he was a good soldier. Yet, Leonora adored him with a passion that was like an agony, and hated him with an agony that was as bitter as the sea. How could he arouse anything like a sentiment, in anybody?

      What did he even talk to them about — when they were under four eyes? — Ah, well, suddenly, as if by a flash of inspiration, I know. For all good soldiers are sentimentalists — all good soldiers of that type. Their profession, for one thing, is full of the big words, courage, loyalty, honour, constancy. And I have given a wrong impression of Edward Ashburnham if I have made you think that literally never in the course of our nine years of intimacy did he discuss what he would have called “the graver things.” Even before his final outburst to me, at times, very late at night, say, he has blurted out something that gave an insight into the sentimental view of the cosmos that was his. He would say how much the society of a good woman could do towards redeeming you, and he would say that constancy was the finest of the virtues. He said it very stiffly, of course, but still as if the statement admitted of no doubt.

      Constancy! Isn’t that the queer thought? And yet, I must add that poor dear Edward was a great reader — he would pass hours lost in novels of a sentimental type — novels in which typewriter girls married Marquises and governesses Earls. And in his books, as a rule, the course of true love ran as smooth as buttered honey. And he was fond of poetry, of a certain type — and he could even read a perfectly sad