The Golden Slipper, and Other Problems for Violet Strange. Анна Грин

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       Anna Katharine Green

      The Golden Slipper, and Other Problems for Violet Strange

      Published by Good Press, 2019

       [email protected]

      EAN 4057664653147

Table of Contents

       PROBLEM I THE GOLDEN SLIPPER

       PROBLEM II. THE SECOND BULLET

       “You must see her.”

       PROBLEM III. AN INTANGIBLE CLUE

       “Have you studied the case?”

       PROBLEM IV. THE GROTTO SPECTRE

       PROBLEM V. THE DREAMING LADY

       “And this is all you mean to tell me?”

       PROBLEM VI. THE HOUSE OF CLOCKS

       PROBLEM VII. THE DOCTOR, HIS WIFE, AND THE CLOCK

       PROBLEM VIII. MISSING: PAGE THIRTEEN

       PROBLEM IX. VIOLET’S OWN

       “It has been too much for you?”

PROBLEM I THE GOLDEN SLIPPER

       Table of Contents

      “She’s here! I thought she would be. She’s one of the three young ladies you see in the right-hand box near the proscenium.”

      The gentleman thus addressed—a man of middle age and a member of the most exclusive clubs—turned his opera glass toward the spot designated, and in some astonishment retorted:

      “She? Why those are the Misses Pratt and—”

      “Miss Violet Strange; no other.”

      “And do you mean to say—”

      “I do—”

      “That yon silly little chit, whose father I know, whose fortune I know, who is seen everywhere, and who is called one of the season’s belles is an agent of yours; a—a—”

      “No names here, please. You want a mystery solved. It is not a matter for the police—that is, as yet—and so you come to me, and when I ask for the facts, I find that women and only women are involved, and that these women are not only young but one and all of the highest society. Is it a man’s work to go to the bottom of a combination like this? No. Sex against sex, and, if possible, youth against youth. Happily, I know such a person—a girl of gifts and extraordinarily well placed for the purpose. Why she uses her talents in this direction—why, with means enough to play the part natural to her as a successful debutante, she consents to occupy herself with social and other mysteries, you must ask her, not me. Enough that I promise you her aid if you want it. That is, if you can interest her. She will not work otherwise.”

      Mr. Driscoll again raised his opera glass.

      “But it’s a comedy face,” he commented. “It’s hard to associate intellectuality with such quaintness of expression. Are you sure of her discretion?”

      “Whom is she with?”

      “Abner Pratt, his wife, and daughters.”

      “Is he a man to entrust his affairs unadvisedly?”

      “Abner Pratt! Do you mean to say that she is anything more to him than his daughters’ guest?”

      “Judge. You see how merry they are. They were in deep trouble yesterday. You are witness to a celebration.”

      “And she?”

      “Don’t you observe how they are loading her with attentions? She’s too young to rouse such interest in a family of notably unsympathetic temperament for any other reason than that of gratitude.”

      “It’s hard to believe. But if what you hint is true, secure me an opportunity at once of talking to this youthful marvel. My affair is serious. The dinner I have mentioned comes off in three days and—”

      “I know. I recognize your need; but I think you had better enter Mr. Pratt’s box without my intervention. Miss Strange’s value to us will be impaired the moment her connection with us is discovered.”

      “Ah, there’s Ruthven! He will take me to Mr. Pratt’s box,” remarked Driscoll as the curtain fell on the second act. “Any suggestions before I go?”

      “Yes, and an important one. When you make your bow, touch your left shoulder with your right hand. It is a signal. She may respond to it; but if she does not, do not be discouraged. One of her idiosyncrasies is a theoretical dislike of her work. But once she gets interested, nothing will hold her back. That’s all, except this. In no event give away her secret. That’s part of the compact, you remember.”

      Driscoll nodded and left his seat for Ruthven’s box. When the curtain rose for the third time he could be seen sitting with the Misses Pratt and their vivacious young friend. A widower and still on the right side of fifty, his presence there did not pass unnoted, and curiosity was rife among certain onlookers as to which of the twin belles was responsible for this change in his well-known habits. Unfortunately, no opportunity was given him for showing. Other and younger men had followed his lead into the box, and they saw him forced upon the good graces of the fascinating but inconsequent Miss Strange whose rapid fire of talk he was hardly of a temperament to appreciate.

      Did he appear dissatisfied? Yes; but only one person in the opera house knew why. Miss Strange had shown no comprehension of or sympathy with his errand. Though she chatted amiably enough between duets and trios, she gave him no opportunity to express his wishes though she knew them well enough, owing to the signal he had given her.

      This might be in character but it hardly suited his views; and, being a man of resolution, he took advantage of an absorbing minute on the stage to lean forward and whisper in her ear:

      “It’s my daughter for whom I request your services; as fine a girl as any in this house. Give me a hearing. You certainly can manage it.”

      She was a small, slight woman whose naturally quaint appearance was accentuated by the extreme simplicity of her attire. In the tier upon tier of boxes rising before his eyes, no other personality could vie with hers in strangeness, or in the illusive quality of her ever-changing expression. She was vivacity incarnate and, to the ordinary observer, light as thistledown in fibre and in feeling. But not to all. To those who watched her long, there came moments—say when the music rose to heights of greatness—when the mouth so