The Greatest Crime Novels of Frank L. Packard (14 Titles in One Edition). Frank L. Packard

was like a shadow now flitting soundlessly here and there in the streak of moonlight. A minute, perhaps two, passed; and then the pin that held together the rent in the window shade was removed, and Jimmie Dale peered cautiously out into the narrow, squalid, moonlit courtyard beyond. Another instant, and the French window opened noiselessly on its carefully oiled hinges, and closed again. A figure, close hugged against the wall of the building, stole along the few intervening feet to the fence that divided the courtyard from the lane. Here, next to the wall, a loosened plank swung outward. The figure slipped through into the lane—and Jimmie Dale, immaculate and faultlessly attired, emerged upon the street from which, but a few minutes before, Smarlinghue, the dope fiend, had vanished.

      He walked rapidly now, heading over toward the Bowery, and crossing that thoroughfare, innocuous now in the early evening hours, continued on deeper into the East Side. A half grim, half whimsical smile was on his lips. His objective was a little two-story, tumble-down house where an old widow by the name of Mrs. Kinsey still kept, as she had kept for more years than the East Side could remember, a small and woefully unpretentious confectionery store. It did not further the one interest he had in life now, this objective of his to-night; it would bring him no nearer to his goal, so far as he could see, though it held a logical and even intimate connection therewith. It was no “call to arms” from the Tocsin that he——

      His pace slackened involuntarily, and there was a sudden droop to the broad shoulders that were usually so straight. The Tocsin! Where was she—while he, seeking to reach her, groped and groped in pitiful failure, a blind man, a child in strength, a fool in intellect! He clenched his hands. One of those black moments again! One more added to the thousand through which he had lived in the past two weeks. Was she still alive?

      He choked back a cry of bitter agony, and quickened his pace again; but though his shoulders were once more thrown back, a whiteness had been born into his face.

      It was two weeks since she had left him that night in the little boat on the East River, two weeks since the night Gentleman Laroque, alias Isaac Shiftel, had so mysteriously disappeared from that tenement room, and she had begun again to battle alone for her existence, pitting her wits against that unknown super-fiend of the underworld whom she had styled the Phantom. And since that night Gentleman Laroque, both in that character and in the character of Isaac Shiftel, had vanished as effectually as though he had never existed; and there had been no word or sign from her, save a short note that he had found, as once before in the old days he had found one, hidden behind the movable section of the baseboard in the Sanctuary—and that was now a week ago. He had destroyed it, torn it for safety's sake into the same minute fragments that he always tore her notes; but it still remained intact, for it had seared itself word for word indelibly upon his brain.

      “Dear Philanthropic Crook,” she had written. “Oh, why will you do it! You do not know your own danger. Apart from the police, there is only one man who could be interested in the secret of Shiftel's room. That's you, Jimmie. They know that. Keep away from the place. They expect you sooner or later. Oh, I beg of you to keep away! It is a trap. Mother Margot, the new tenant, is one of them. She is only there to throw dust in your eyes, and in the eyes of the police.

      “As for myself, I am safe so far, Jimmie; but I do not know how much progress I have made. Sometimes I think I have already come far along the road—and sometimes I seem lost again. Yesterday I was sure of the Phantom's identity; to-day I am sure I was wrong; to-morrow I shall be sure again—but it will be of a totally different personality. You think, no doubt, that it is Shiftel, alias Laroque. Well, perhaps, it is; but unless you and I are both swept out of the road, neither in the one character nor the other will that man probably ever be heard of again. And so, oh, Jimmie, be careful—and remember the trap. Marie.”

      The last phrase was heavily underscored. The trap! It brought a grim twist to his lips. He had already been in and out of the trap—and, from what she had said in her note, at perhaps the only time when it had been safe so far as he was concerned, paradoxical though that seemed, for he had visited Shiftel's rooms again the night after the murder, and while the police had, so fortunately it now appeared, obligingly done unconscious picket duty for him without. The diamonds found in Shiftel's room had, thanks to the set pieces, been almost immediately identified; and these, coupled with their owner's murder, and the dead butler's identification as an ex-Sing Sing convict, had aroused a veritable furor in the papers. The police had wanted, and still wanted, Shiftel very badly indeed, and so plain-clothesmen for a week had unostentatiously watched the tenement day and night on the chance that Shiftel would return. But he, Jimmie Dale, had been even more interested in Shiftel's erstwhile domicile than had the police; therefore he had examined it, not entirely to his ultimate satisfaction, but certainly unknown to the headquarters men, whom, not being Shiftel, he had had little difficulty in eluding. The result had been—nothing.

      Then, again unknown to the police, he had joined forces with them, and he, too, had watched the tenement. On the first of the month, a week after Shiftel's disappearance, the agent had re-rented the two miserable rooms to an old hag-like creature known as Mother Margot. He had been aware of that before the Tocsin's note had reached him. But prior to that again Mother Margot had passed muster with the police, who had thereupon withdrawn their forces, considering further surveillance of the premises unnecessary and their hopes from that quarter at an end. But Mother Margot had not passed muster with him, in spite of the fact that his own investigation of the woman had resulted in the discovery that she was, and had been for a year, a licensed pushcart vendor, a sort of travelling dry goods emporium, who hawked her wares in that ultra-foreign quarter on Thompson Street, just off West Broadway, where she with a hundred others of her ilk cluttered the narrow street until it was well nigh impassable. He knew what the police did not know. He knew that Shiftel's rooms held a secret that the man whom he, as well as the Tocsin, had now come to call the Phantom would strive his utmost to protect by one means or another. And so he had watched Mother Margot because logic would not down. The Tocsin's note had but confirmed his suspicions; and though her warning had not gone utterly unheeded, and he had thereafter evaded the “trap,” he had kept even a still closer watch upon Mother Margot herself. For days at a stretch now he had lived as Smarlinghue—and that had brought him here to his errand to-night.

      Jimmie Dale's face hardened suddenly. His errand! It was dirty, miserable, pitiful work that he had partially uncovered. Sooner or later, he had made sure that Mother Margot would bring him into touch with others of the same breed who owned allegiance to the Phantom. And she had at last, to-night—for it was neither probable nor tenable to imagine that, serving the Phantom, she was allied with any other band, or permitted a divided interest. An hour ago he had followed her to the Wistaria Café, one of the lowest type of dance halls in the Bad Lands, where she had joined two men; one named Little Sweeney, a smooth-tongued, oily little rat, fastidious in his dress, and whom he, Jimmie Dale, already knew in the same sense as he knew by sight and name a hundred other crooks of greater or less degree; the other, whom they had addressed not inaptly as Limpy Mack, a stoop-shouldered, bent-over figure in peaked cap, with unkempt gray hair and moustache, who walked with a distinct limp and by the aid of a cane whose tip was heavily rubber-capped like a crutch, he did not know at all. From the dance hall proper the three had adjourned to a private room in the rear; and anticipating their arrival there by the matter of a few seconds, he, Jimmie Dale, as Smarlinghue then, had adjourned to the alleyway without, and the window raised an imperceptible crack, the roller shade raised an equally imperceptible space above the sill, had afforded both sight and hearing—that is, within limitations, in so far as hearing went. He had seen Little Sweeney hand the man who limped a paper which the latter had carefully tucked away in his pocket; and then, as a waiter came in and left a tray of glasses, the three had got their heads together around a table.

      Jimmie Dale's brows furrowed now as he hurried along. Again and again the blare of the jazz band had drowned out their low tones. In the ten minutes during which he had crouched there outside the window, he had caught no more than snatches of their conversation; but those snatches had been viciously significant. His mind mulled them over again now; a half completed sentence from one, an interjection from another. It had begun with Mother Margot.

      “Mabbe dis Mrs. Kinsey person wid her tin-horn shop ain't got so much!” she had cackled. “Mabbe