Название | The Greatest Crime Novels of Frank L. Packard (14 Titles in One Edition) |
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Автор произведения | Frank L. Packard |
Жанр | Книги для детей: прочее |
Серия | |
Издательство | Книги для детей: прочее |
Год выпуска | 0 |
isbn | 9788027221608 |
Jimmie Dale looked up suddenly, and, as suddenly, leaning forward, he touched Benson’s shoulder. They were just approaching a restaurant and music hall known as “The Sphinx,” that was popular for the moment with the slumming parties from uptown.
“This will do. You may let me out here at The Sphinx, Benson,” he said quietly; and then, as the car stopped: “I shall not be long, Benson—perhaps half an hour—wait for me.”
Benson touched his cap. Jimmie Dale ran up the steps of the restaurant, entered, threaded his way through several crowded rooms where the midnight revelry was in full swing—and passed out of the place by a convenient rear exit that gave on the adjoining cross street. The car standing in front of The Sphinx would attract no notice; and he was now on the same street as Sonnino’s place, and only two short blocks away.
He started forward from the restaurant door—and paused, struggling with a refractory match in an effort to light a cigarette. A man brushed by him, making for the restaurant door, a tall, wiry-built, swarthy, sharp-featured man—and Jimmie Dale flipped the stub of his match away from him, and went on. Sonnino himself! There was luck then at the start—the coast was clear!
Chapter XV.
Caught in the Act
It was one of those countless streets on the East Side each so identical with another—dark, not over clean, flanked on both sides with small shops, basement stores and tenement dwellings that crowded one upon the other in a sort of helpless confusion. Jimmie Dale moved quickly along. The whimsical smile was back on his lips. Sonnino, whose business, the money-lending end of it, would naturally have kept him late at work, was now evidently intent on a belated meal; Sonnino, therefore, could be counted upon as a factor eliminated for at feast the next half hour—and half an hour was enough, a little more than enough!
Jimmie Dale glanced back over his shoulder. There was no one in sight. A yard ahead of him, one of those relics of barbaric architecture, tunnelled as it were through the centre of a building that the space overhead might not be wasted, was the black driveway that gave entrance to the courtyard behind, where Sonnino lived alone in one of a half dozen small, tottering-from-age frame houses. Jimmie Dale drew closer to the wall, came opposite the driveway—and disappeared from the street.
It was the Gray Seal now, the professional Jimmie Dale, as silent in his movements as the shadows about him. He traversed the driveway, and emerged on the courtyard. Here, it was scarcely less dark. There was no moon, and no lights in any of the houses that made the rear of the courtyard. He could just discern the houses as looming shapes against the sky line, that was all.
He crossed the courtyard, and, reaching the line of door-stepless, poverty-stricken hovels—they appeared to be little more than that—crept stealthily along to the end house at the left, halted an instant to press his face against a black window pane, then tried the door cautiously. It was locked, of course. Again there came the whimsical smile, but it was almost hidden now by the black silk mask that he slipped quickly over his face. His finger tips, that were like a magical sixth sense to Jimmie Dale, embodying all the other five, felt tentatively over the lock, then slipped into his pocket, selected unerringly one of his picklocks, and inserted the little steel instrument in the keyhole. An instant more and the door was opening without a sound under Jimmie Dale’s hand. And then, the door open, he stepped over the threshold, and, in the act of closing the door behind him, stood suddenly rigid—and where the whimsical smile had been before, his lips were now compressed into a thin, straight line.
“What’s that?” came a hoarse, shaken whisper out of the blackness beyond.
“What’s what?” demanded another voice—the whisper this time sharp and caustic. “I didn’t hear anything!”
“Neither did I,” admitted the first speaker. “It wasn’t that—it was like a draft of air—as though the door or a window had been opened.”
“Forget it!” observed the second voice contemptuously. “Cut out the jumps—we’ve got to get through here before Sonnino gets back. You’d make a wooden Indian nervous!”
There was silence for an instant, then a curious gnawing sound punctuated with quick, low, metallic rasps as of a ratchet at work—and upon Jimmie Dale for a moment came stunned dismay. Time, the one factor upon which he had depended, was lost to him; Clarie Archman and Gentleman Laroque were already at work in there in that room beyond. He stood motionless, his brain whirling; and then slowly, without a sound, an inch at a time, he began to close the door behind him. He could see nothing; but the door connecting the two rooms was obviously open—the distinctness with which the whispering voices had reached him was proof of that. They were working, too, without light, or he would have got a warning gleam when he had looked through the window. And now—what now? The picklock was shifted to his left hand, as he drew his automatic from his pocket. There was only one answer to the question—to play the game out to the end, whatever that end might be!
Beneath the mask his face drew into chiselled lines, as the picklock silently locked the door. There was one exit from that inner room, and only one—through the room in which he stood. The Tocsin had drawn an accurate word-plan of the crude, shack-like place, and now in his mind he reconstructed it here in the darkness. The doorway into a small hall that led to the stairs adjoined the doorway of that inner room where the two were now at work—and in that room were no windows, it was a sort of blind cubby-hole where Niccolo Sonnino transacted his most private business.
Jimmie Dale crept forward up the room. There was no answering creak of board or flooring, no sound save that gnawing sound, and the rasping click of the ratchet. His place of vantage was against the wall between the two doors—there, he could both command the exit from, and see into, the inner room, while the doorway into the hall provided him with a means of retreat should the necessity arise. And then, suddenly, halfway up the room, he dropped down behind what was evidently a jeweller’s workbench. A whisper, obviously Laroque’s this time, came once more from the inner room.
“Shoot the flash again!” And then, savagely: “Curse it, not on the ceiling! Can’t you hold it steady! What the devil is the matter with you!”
There was no answer. A dull glimmer of light filtered through the doorway, but from the position in which he lay Jimmie Dale could distinguish nothing in the inner room itself.
“All right! That’ll do!” Laroque growled presently.
The light went out. Jimmie Dale crept forward again. And now he gained the rear wall of the room, and crouched down close against it between the two doorways.
Came the sound of breathing now, heavy, as from sustained exertion, making almost an undertone of the steady click-click-click of the ratchet, and the sullen gnaw of the bit. The minutes passed. The flashlight went on again—and Jimmie Dale strained forward. Two dark forms, backs to him, were outlined against the face of the safe which was at the far side of the room, a nickel dial glistened in the white ray—he could make out nothing else.
Then darkness again. And again, after a time, the flashlight. Ten, fifteen, perhaps twenty