Название | TALES OF THE ALHAMBRA & CHRONICLE OF THE CONQUEST OF GRANADA |
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Автор произведения | Вашингтон Ирвинг |
Жанр | Путеводители |
Серия | |
Издательство | Путеводители |
Год выпуска | 0 |
isbn | 9788027202515 |
The inn to which he conducted us was called the Corona, or Crown, and we found it quite in keeping with the character of the place, the inhabitants of which seem still to retain the bold, fiery spirit of the olden time. The hostess was a young and handsome Andalusian widow, whose trim basquina of black silk, fringed with bugles, set off the play of a graceful form and round pliant limbs. Her step was firm and elastic; her dark eye was full of fire, and the coquetry of her air, and varied ornaments of her person, showed that she was accustomed to be admired.
She was well matched by a brother, nearly about her own age; they were perfect models of the Andalusian majo and maja. He was tall, vigorous, and well-formed, with a clear olive complexion, a dark beaming eye, and curling chestnut whiskers that met under his chin. He was gallantly dressed in a short green velvet jacket, fitted to his shape, profusely decorated with silver buttons, with a white handkerchief in each pocket. He had breeches of the same, with rows of buttons from the hips to the knees; a pink silk handkerchief round his neck, gathered through a ring, on the bosom of a neatly-plaited shirt; a sash round the waist to match; bottinas, or spatterdashes, of the finest russet leather, elegantly worked, and open at the calf to show his stockings and russet shoes, setting off a well-shaped foot.
As he was standing at the door, a horseman rode up and entered into low and earnest conversation with him. He was dressed in a similar style, and almost with equal finery — a man about thirty, square-built, with strong Roman features, handsome, though slightly pitted with the small-pox; with a free, bold, and somewhat daring air. His powerful black horse was decorated with tassels and fanciful trappings, and a couple of broad-mouthed blunderbusses hung behind the saddle. He had the air of one of those contrabandistas I have seen in the mountains of Ronda, and evidently had a good understanding with the brother of mine hostess; nay, if I mistake not, he was a favored admirer of the widow. In fact, the whole inn and its inmates had something of a contrabandista aspect, and a blunderbuss stood in a corner beside the guitar. The horseman I have mentioned passed his evening in the posada, and sang several bold mountain romances with great spirit. As we were at supper, two poor Asturians put in in distress, begging food and a night’s lodging. They had been waylaid by robbers as they came from a fair among the mountains, robbed of a horse, which carried all their stock in trade, stripped of their money, and most of their apparel, beaten for having offered resistance, and left almost naked in the road. My companion, with a prompt generosity natural to him, ordered them a supper and a bed, and gave them a sum of money to help them forward towards their home.
As the evening advanced, the dramatis personae thickened. A large man, about sixty years of age, of powerful frame, came strolling in, to gossip with mine hostess. He was dressed in the ordinary Andalusian costume, but had a huge sabre tucked under his arm, wore large moustaches, and had something of a lofty swaggering air. Every one seemed to regard him with great deference.
Our man Sancho whispered to us that he was Don Ventura Rodriguez, the hero and champion of Loxa, famous for his prowess and the strength of his arm. In the time of the French invasion he surprised six troopers who were asleep: he first secured their horses, then attacked them with his sabre, killed some, and took the rest prisoners. For this exploit the king allows him a peseta (the fifth of a duro, or dollar) per day, and has dignified him with the title of Don.
I was amused to behold his swelling language and demeanor. He was evidently a thorough Andalusian, boastful as brave. His sabre was always in his hand or under his arm. He carries it always about with him as a child does her doll, calls it his Santa Teresa, and says, “When I draw it, the earth trembles” (“tiembla la tierra”).
I sat until a late hour listening to the varied themes of this motley group, who mingled together with the unreserve of a Spanish posada. We had contrabandista songs, stories of robbers, guerilla exploits, and Moorish legends. The last were from our handsome landlady, who gave a poetical account of the infiernos, or infernal regions of Loxa, dark caverns, in which subterranean streams and waterfalls make a mysterious sound. The common people say that there are money-coiners shut up there from the time of the Moors, and that the Moorish kings kept their treasures in those caverns.
I retired to bed with my imagination excited by all that I had seen and heard in this old warrior city. Scarce had I fallen asleep when I was aroused by a horrid din and uproar, that might have confounded the hero of La Mancha himself whose experience of Spanish inns was a continual uproar. It seemed for a moment as if the Moors were once more breaking into the town, or the infiernos of which mine hostess talked had broken loose. I sallied forth half dressed to reconnoiter. It was nothing more nor less than a charivari to celebrate the nuptials of an old man with a buxom damsel. Wishing him joy of his bride and his serenade, I returned to my more quiet bed, and slept soundly until morning.
While dressing, I amused myself in reconnoitering the populace from my window. There were groups of fine-looking young men in the trim fanciful Andalusian costume, with brown cloaks, thrown about them in true Spanish style, which cannot be imitated, and little round majo hats stuck on with a peculiar knowing air. They had the same galliard look which I have remarked among the dandy mountaineers of Ronda. Indeed, all this part of Andalusia abounds with such game-looking characters. They loiter about the towns and villages, seem to have plenty of time and plenty of money: “horse to ride and weapon to wear.” Great gossips; great smokers; apt at touching the guitar, singing couplets to their maja belles, and famous dancers of the bolero. Throughout all Spain the men, however poor, have a gentlemanlike abundance of leisure, seeming to consider it the attribute of a true cavaliero never to be in a hurry; but the Andalusians are gay as well as leisurely, and have none of the squalid accompaniments of idleness. The adventurous contraband trade which prevails throughout these mountain regions, and along the maritime borders of Andalusia, is doubtless at the bottom of this galliard character.
In contrast to the costume of these groups was that of two long-legged Valencians conducting a donkey, laden with articles of merchandise, their musket slung crosswise over his back ready for action. They wore round jackets (jalecos), wide linen bragas or drawers scarce reaching to the knees and looking like kilts, red fajas or sashes swathed tightly round their waists, sandals of espartal or bass weed, colored kerchiefs round their heads somewhat in the style of turbans but leaving the top of the head uncovered; in short, their whole appearance having much of the traditional Moorish stamp.
On leaving Loxa we were joined by a cavalier, well mounted and well armed, and followed on foot by an escopetero or musketeer. He saluted us courteously, and soon let us into his quality. He was chief of the customs, or rather, I should suppose, chief of an armed company whose business it is to patrol the roads and look out for contrabandistas. The escopetero was one of his guards. In the course of our morning’s ride I drew from him some particulars concerning the smugglers, who have risen to be a kind of mongrel chivalry in Spain. They come into Andalusia, he said, from various parts, but especially from La Mancha, sometimes to receive goods, to be smuggled on an appointed night across the line at the plaza or strand of Gibraltar, sometimes to meet a vessel, which is to hover on a given night off a certain part of the coast. They keep together and travel in the night. In the daytime they lie quiet in barrancos, gullies of the mountains or lonely farmhouses; where they are generally well received, as they make the family liberal presents of their smuggled wares. Indeed, much of the finery and trinkets worn by the wives and daughters of the mountain hamlets and farmhouses are presents from the gay and open-handed contrabandistas.
Arrived at the part of the coast where a vessel is to meet them, they look out at night from some rocky point or headland. If they descry a sail near the shore they make a concerted signal; sometimes it consists in suddenly displaying a lantern three times from beneath the folds of a cloak. If the signal is answered, they descend to the shore and prepare for quick work. The vessel runs close in; all her boats are busy landing the smuggled goods, made up into snug packages for transportation on horseback. These are hastily thrown on the beach, as hastily gathered up and packed on the horses, and then the contrabandistas clatter off to the mountains. They travel by the roughest, wildest, and most solitary roads, where it is almost fruitless to pursue them. The customhouse guards do not attempt it: they take a different course. When they hear of one of these bands returning full freighted through the mountains, they go out in force, sometimes twelve infantry and eight horsemen, and take their