Witnessing Waterloo: 24 Hours, 48 Lives, A World Forever Changed. David Crane

Index

       By the Same Author

       About the Publisher

Epigraph

      Went the day well?

      We died and never knew.

      But, well or ill,

      Freedom, we died for you.

      John Maxwell Edmonds

Prologue

      ‘There exists a highly respectable school of liberal thought which does not deplore Waterloo. We are not of their number. To us Waterloo is the date of the confounding of liberty.’

      Victor Hugo, Les Misérables

      On any Sunday or holiday around the end of the Napoleonic Wars, the naval pensioners of Greenwich Hospital, dressed in their tricorn hats and blue uniforms, could be found under a tree near the Observatory in the Park, their telescopes set up, their old yarns of Trafalgar and the Nile primed for retelling, waiting for trade. From the summit of the hill on which they stood the view stretched northwards over the marshes towards Barking church and Epping Forest, and westwards across a forest of masts and docks to the London of Wren, St Paul’s and Westminster Abbey.

      It was a sight to make a foreigner quail at the trading might of a modern Tyre – there might be more than two thousand ships lying in the Thames at any one time – but for the Sunday holiday-makers who had made their way up Observatory Hill there was a more macabre demonstration of Britain’s naval power. For the last four hundred years crimes at sea had been punished with all the symbolic pomp the Admiralty could manage at Wapping’s Execution Dock, and for the price of a penny, the pensioners’ customers could hire a telescope and take their fill of the latest victims of naval justice, their bodies tarred and chained, and hanging in iron cages from a gibbet at the river’s edge as a warning against piracy.

      On one such holiday in the early summer, while the hawthorn was still out and the great elms and chestnuts of Greenwich Park were looking their best, the humorist and poet Thomas Hood had paid his penny to see the sights and was sitting beneath the trees near the Observatory, watching the early-comers queue to take their turn. In almost every instance the first thing they asked to see were the ‘men in chains’ across the river on the Isle of Dogs, but there was one exception – a young woman he had watched climbing the hill on the arm of her husband, a swarthy-looking able-bodied seaman ‘with a new hat on his Saracen-looking head, a handkerchief full of apples in his left hand, with a bottle neck sticking out of his jacket for a nosegay’ – and it was this pair who caught Hood’s attention.

      When it came to their turn, the sailor asked one of the ‘telescope-keepers’ to point out the men in chains for his ‘good lady’, but she told him that ‘she wanted to see something else first’.

      ‘Well!’ he wanted to know. ‘What is it you’d like better, you fool you?’

      ‘Why. I wants to see our house in the court, with the flowerpots, and if I don’t see that I won’t see nothing. What’s the men in chains to that? Give us an apple.’ There was nothing he could say that was going to change her mind, and while he consoled himself with his bottle she took an apple out of the bundle and told the pensioner to turn the telescope towards Limehouse church.

      ‘Here, Jack! Here it is, pots and all!’ she suddenly screamed. ‘And that’s our bedpost. I left the window up o’purpose as I might see it.’

      Jack himself took an observation. ‘D’you see it, Jack?’

      ‘Yes.’

      ‘D’ye see the pots?’

      ‘Yes.’

      ‘And the bedpost?’

      ‘Ay, and here Sal, here, here’s the cat looking out of the window.’

      ‘Come away, let’s look again.’ And then she looked, and squalled, ‘Lord! What a sweet place it is!’ And then she assented to seeing the men in chains, giving Jack the first look.

      Anyone familiar with Bruegel’s painting of the Fall of Icarus, with the labourers in the foreground pressing on with the ploughing, unconscious or utterly indifferent to the drama unfolding behind them, will hardly need the reminder but Thomas Hood’s Sal is still a useful warning about the way we see history. For all those nineteenth-century Britons who grew up with the memory of Waterloo, 18 June 1815 could only mean one thing, and yet for the men and women who lived through that day, carrying on their ordinary Sunday lives, going to Greenwich Park or church, oblivious to the fact that on the other side of the Channel the greatest single act of Sabbath breaking in British history was unfolding, it was a different story.

      He didn’t think he would ever recover from this, a tragic Thomas Fremantle wrote in his diary after being bowled out for a duck in a school match at Eton, and it is this profoundly human mix of the extraordinary and the everyday, that gives the day of Waterloo its peculiar, haunting character. For two long weeks in the June of 1815 the country had been forced to live in that anxious limbo between events and report, and even as Wellington’s rain-sodden army was retreating towards Brussels for the final, decisive battle, men and women across the country were still going to the theatre and science lectures, still working in the fields and the factories, still reading and writing their sermons, still applauding the Duke of York’s winners at Ascot and buying their lottery tickets, blithely unconscious that there was such a place as Waterloo, or that the children who would be born that Sunday would be born into a different Britain from the Britain that for the last twenty years had struggled with Revolutionary and Napoleonic France.

      I should like to have been able to say that this book was the story of Britain’s pots and cats and chained men on this, the most important day in its nineteenth-century history, but that might lead to the wrong expectations. This is not a social history of the kind that tells what people wore or the time at which they ate, but a book about the intersection of the private and public spheres, about the ways in which individuals are touched by remote events, and how much – or how little – of what we usually think of as mainstream history actually impinged on the lives of ordinary men and women who witnessed Waterloo.

      ‘And what should they know of England who only England know?’ Rudyard Kipling asked in the last heady days of Empire, and the same question might just as well be posed of the Britain that defeated Bonaparte. The Regency age carries with it such brilliant aristocratic and literary associations that it is very hard to look past them, but this was as much the age of the Highland Clearances and brutal misery as of Byron, Prinny, and Almacks, an age of such violent cultural, intellectual and economic extremes and contrasts that it is difficult to believe that the events described here took place in the same century let alone the same country.

      This is a book about that country, the Britain that fought Waterloo and the very different Britain that emerged triumphant from it, and if it says more about the casualties of victory than it does about its rewards then that is because the latter hardly need spelling out. For another hundred years the country would bask in the rich afterglow of victory, and yet while