The Peregrine: 50th Anniversary Edition: Afterword by Robert Macfarlane. Robert MacFarlane

      

      

       Copyright

      William Collins

      An imprint of HarperCollinsPublishers

      1 London Bridge Street

      London SE1 9GF

       WilliamCollinsBooks.com

      This eBook first published in Great Britain by William Collins in 2017

      This edition first published in Great Britain by Collins in 2010

      The Peregrine © J. A. Baker, 1967

      ‘On the Essex Coast’ © J. A. Baker, 1971. Published in RSPB Birds magazine 3(II) (Sept/Oct, 1971): 281–283

      Introduction © Mark Cocker, 2010

      Notes on J. A. Baker © John Fanshawe, 2011

      Afterword © Robert Macfarlane, 2017

      The 50th anniversary edition © HarperCollinsPublishers, 2017

      Cover art: Peregrine Falcon, English School (20th century)/Private Collection © Look and Learn/Bridgeman Images

      The authors assert their moral right to be identified as the authors of this work

      A catalogue record for this book is available from the British Library

      All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.

      Source ISBN: 9780008216214

      Ebook Edition © April 2017 ISBN: 9780008253189

      Version: 2017-03-30

      Contents

       Cover

       Title Page

       Copyright

       Introduction by Mark Cocker

       Notes on J. A. Baker by John Fanshawe

       THE PEREGRINE

Beginnings

Peregrines

The Hunting Life

       Afterword by Robert Macfarlane

       ON THE ESSEX COAST

       Acknowledgements

       Contributors

       About the Publisher

       Introduction

      by Mark Cocker

      J.A. Baker (1926-1987) is now widely acknowledged as one of the most important British writers on nature in the twentieth century. When his first book, The Peregrine, appeared in 1967 with all the unexpected power and vertiginous daring of its eponymous bird, it was instantly recognised as a masterpiece. Today it is viewed by many as the gold standard for all nature writing and, in many ways, it transcends even this species of praise. A case could easily be made for its greatness by the standards of any literary genre.

      It has been thirty years since his untimely death in 1987, aged just 61, and more than four decades since the publication of his last and only other work, The Hill of Summer (1969). For much of the intervening period, neither of the books has been in print. Yet, if anything, Baker’s stock stands higher today than at any time. His writing has been intimately associated with the resurgence of literature on nature and landscape, the so-called New Nature Writing of authors like Tim Dee and Robert Macfarlane (the latter, in fact, has played a key role in Baker’s rediscovery). His books are studied as set texts at university. Major modern poets, from Kathleen Jamie to the former laureate Andrew Motion, acknowledge Baker’s poetic genius. Commentators of various stamp, from the film maker David Cobham to the TV presenter and wildlife cameraman Simon King, hail his influence upon them.

      All of this is a remarkable achievement, particularly in view of Baker’s personal circumstances. He was an Essex man born and bred, living all of his days in what was then the small rural town of Chelmsford, largely at two addresses – 20 Finchley Avenue and 28 Marlborough Road. His parents, Wilfred and Pansy, were what might be called lower middle class; his father a draughtsman with the engineering company Crompton Parkinson. The formal education of their only son at Chelmsford’s King Edward VI School ended in 1943, when he was just sixteen years old. His abiding love for poetry and opera were perhaps exceptional in one of his social background, but Baker junior seems to have had little or no contact with other writers and artists. His only literary connections flowed from Collins’ eventual decision to publish The Peregrine and The Hill of Summer.

      It is, in many ways, confirmation of his extraordinary talent that the author’s reputation rests entirely on two works – 350 published pages of prose – and in spite of their extremely narrow geographical focus. They describe a roughly rectangular Essex patch of just 550km2, which includes the Chelmer Valley from the eastern edge of Chelmsford as far west as Maldon and the confluence of the Chelmer and Blackwater rivers. At its heart lies Danbury Hill, the highest ground in Essex, with its glorious ancient woodlands of coppiced hornbeam and sweet chestnut. Baker country then runs down Danbury’s far slope and on to the southern and northern shores of the Blackwater Estuary, there to be extinguished in the dark silts at the North Sea’s edge. Most of this countryside now lies within a commuter belt less than an hour from central London, yet in Baker’s day it was a deeply rural district. Residents of the beautiful village of Little Baddow recall how their doors were left unlocked at night until at least the 1970s. Between the dawn and dusk of a single winter’s day, Baker could traverse the whole area via a