Alec Milius Spy Series Books 1 and 2: A Spy By Nature, The Spanish Game. Charles Cumming

lunch break cut in line at the bank.

      ‘If you’d like to come with me. Mr Lucas will see you now.’

      This is where it begins. Following three steps behind her, garbling platitudes, adrenaline surging, her smooth calves lead me up out of the hall. More oil paintings line the ornate staircase.

      Running a bit late today. Oh, that’s okay. Did you find us all right? Yes.

      ‘Mr Lucas is just in here.’

      Prepare a face to meet the faces that you meet.

      A firm handshake. Late thirties. I had expected someone older. Christ, his eyes are blue. I’ve never seen a blue like that. Lucas is dense boned and tanned, absurdly handsome in an old-fashioned way. He is in the process of growing a moustache, which undercuts the residual menace in his face. There are black tufts sprouting on his upper lip, cut-rate Errol Flynn.

      He offers me a drink, an invitation seconded by the woman in red, who seems almost offended when I refuse.

      ‘Are you sure?’ she says, as if I have broken with sacred tradition. Never accept tea or coffee at an interview. They’ll see your hand shaking when you drink it.

      ‘Absolutely, yes.’

      She withdraws and Lucas and I go into a large, sparsely furnished room nearby. He has not yet stopped looking at me, not out of laziness or rudeness but purely because he is a man entirely at ease when it comes to staring at people. He’s very good at it.

      He says, ‘Thank you for coming today.’

      And I say, ‘It’s a pleasure. Thank you for inviting me. It’s a great privilege to be here.’

      There are two armchairs in the room, upholstered in the same burgundy leather as the sofas downstairs. A large bay window looks out over the tree-lined Mall, feeding weak, broken sunlight into the room. Lucas has a broad oak desk covered in neat piles of paper and a framed black-and-white photograph of a woman whom I take to be his wife.

      ‘Have a seat.’

      I drop down low into the leather, my back to the window. There is a coffee table in front of me, an ashtray, and a closed red file. Lucas occupies the chair opposite mine. As he sits down, he reaches into the pocket of his jacket for a pen, retrieving a blue Mont Blanc. I watch him, freeing the trapped flaps of my jacket and bringing them back across my chest. The little physical tics that precede an interview.

      ‘Milius. It’s an unusual name.’

      ‘Yes.’

      ‘Your father, he was from the Eastern bloc?’

      ‘His father. Not mine. Came over from Lithuania in 1940. My family have lived in Britain ever since.’

      Lucas writes something down on a brown clipboard braced between his thighs.

      ‘I see. Why don’t we begin by talking about your present job. The CEBDO. That’s not something I’ve heard much about.’

      All job interviews are lies. They begin with the résumé, a sheet of word-processed fictions. About halfway down mine, just below the name and address, Philip Lucas has read the following sentence:

      I have been employed as a Marketing Consultant at the Central European Business Development Organization (CEBDO) for the past eleven months.

      Elsewhere, lower down, are myriad falsehoods: periods of work experience on national newspapers (‘Could you do some photocopying please?’); a season as a waiter at a leading Genevan hotel; eight weeks at a London law firm; the inevitable charity work.

      The truth is that CEBDO is run out of a small, cramped garage in a mews off Edgware Road. The kitchen doubles for a toilet; if somebody has a crap, no one can make a cup of tea for ten minutes. There are five of us: Nik (the boss), Henry, Russell, myself, and Anna. It’s very simple. We sit on the phone all day talking to businessmen in central–and now eastern–Europe. I try to persuade them to part with large sums of money, in return for which we promise to place an advertisement for their operation in a publication known as the Central European Business Review. This, I tell my clients, is a quarterly magazine that enjoys a global circulation of four hundred thousand copies, ‘distributed free around the world.’ Working purely on commission I can make anything from two to three hundred pounds a week, sometimes more, peddling this story. Nik, I estimate, makes seven or eight times that amount. His only overheads, apart from telephone calls and electricity, are printing costs. These are paid to his brother-in-law who desktop publishes five hundred copies of the Central European Business Review four times a year. These he posts to a few selected embassies across Europe and to all the clients who have placed advertisements in the magazine. Any spares, he throws in the bin.

      On paper, it’s legal.

      I look Lucas directly in the eye.

      ‘The CEBDO is a fledgling organization that advises new businesses in central–and now eastern–Europe about the perils and pitfalls of the free market.’

      He taps his jaw with the bulbous fountain pen.

      ‘And it’s entirely funded by private individuals? There’s no grant from the EC?’

      ‘That’s right.’

      ‘Who runs it?’

      ‘Nikolas Jarolmek. A Pole. His family have lived in Britain since the war.’

      ‘And how did you get the job?’

      ‘Through the Guardian. I responded to an advertisement.’

      ‘Against how many other candidates?’

      ‘I couldn’t say. I was told about a hundred and fifty.’

      ‘Could you describe an average day at the office?’

      ‘Broadly speaking, I act in an advisory capacity, either by speaking to people on the telephone and answering any questions they may have about setting up in business in the UK or by writing letters in response to written queries. I’m also responsible for editing our quarterly magazine, the Central European Business Review. That lists a number of crucial contact organizations that might prove useful to small businesses that are just starting out. It also gives details of tax arrangements in this country, language schools, that kind of thing.’

      ‘I see. It would be helpful if you could send me a copy.’

      ‘Of course.’

      To explain why I am here.

      The interview was set up on the recommendation of a man I barely know, a retired diplomat named Michael Hawkes. Six weeks ago I was staying at my mother’s house in Somerset for the weekend, and he came to dinner. He was, she informed me, an old university friend of my father’s.

      Until that night I had never met Hawkes, had never heard my mother mention his name. She said that he had spent a lot of time with her and Dad when they were first married in the 1960s. But when the Foreign Office posted him to Moscow, the three of them had lost touch. All this was before I was born.

      Hawkes retired from the Diplomatic Service earlier this year to take up a directorship at a British oil company called Abnex. I don’t know how Mum tracked down his phone number, but he showed up for dinner alone, no wife, on the stroke of eight o’clock.

      There were other guests there that night, bankers and insurance brokers in bulletproof tweeds, but Hawkes was a thing apart. He had a blue silk cravat slung around his neck like a noose and a pair of velvet loafers embroidered on the toe with an elaborate coat of arms. There was nothing ostentatiously debonair about any of this, nothing vain; it just looked as if he hadn’t taken them off in twenty years. He was wearing a washed-out blue shirt with fraying collar and cuffs and stained silver cuff links that looked as though they had been in his family since the Opium Wars. In short, we got on. We sat next to each other at dinner and talked for close on three hours about everything from politics to infidelity. Three days after the party my mother told me that she had spotted Hawkes in her local supermarket,