Blackwood's Edinburgh Magazine, Volume 61, No. 379, May, 1847. Various

at nineteen to his Queen, Marie Leczinska, daughter of the king of Poland, who was six years older than himself, and possessed of no remarkable personal attractions, he resisted for long all the arts of the ladies of the court, who were vieing with each other for his homage, saying constantly to those who urged the beauty of any one upon him, "the Queen is handsomer." The Queen had already borne him nine children, before a suspicion even of his infidelities came to be entertained; and he was led into them at first, rather by the efforts of those around him than his own inclination. So timid was his disposition in these respects in early years—so strong the religious scruples to which throughout life he continued subject, that, on the first occasion on which he obtained an interview with his future mistress, Madame de Chateauroux, the visit passed over without the desired result, and on the second his valet had, literally speaking, to throw him into her arms. "C'est le premier pas qui coute." He became less scrupulous in subsequent years.

      Of the Regent Orleans, who succeeded Louis XIV. in the government, and preceded Louis XV. in its abuse, M. de Tocqueville gives the following masterly character:—

      "Nature had bestowed on the Duke of Orleans all those gifts which usually captivate mankind. His physiognomy was agreeable and prepossessing: to a natural eloquence he joined uncommon sweetness of manner. Brave, full of liveliness, his penetration was never at fault, and his abilities would have procured for him distinction at the head of councils or armies. Those Who were about his person became attached to him, because they found him amiable and indulgent. They lamented his faults, without ceasing to love him, carried away by the graces of his character and amiability of his manners, which recalled, they said, those of his grandfather, Henry IV. He had the good fortune, rare in princes, to preserve his friends to the hour of his death. He readily forgave offences and pardoned injuries. But the mind endowed with so many amiable qualities was destitute of that which can alone develop or turn them to good account—he had no force of character. Without the energy which prompts crime, he was equally without that which leads to virtue. After having lost his first preceptor, his ill fortune placed him in the hands of Dubois, the most corrupt of men. This Dubois, the son of an apothecary of Brives-la-Gaillarde, founded his hopes of fortune on the entire demoralisation of the prince committed to his care. Inspired by the genius of vice, he divined and encouraged the vices of others, and above all of his master. He taught him to believe that virtue is but a mask worn by hypocrisy, a chimera on which no one can rely in the business of life; that religion is a political invention, of use only to the lower people; that all men are cheats and deceivers, and pretended rectitude a mere cover for intended villany. Madame, the mother of the Regent, early discovered the character of this detestable man. 'My son,' said she, 'I desire nothing but the good of the state and your glory: I ask but one thing for your safety, and I demand your word of honour for it—it is never to employ that scoundrel the Abbé Dubois—the greatest miscreant on the earth: who would at any time sacrifice the state and you to the slightest interest of his own.' The Duke of Orleans gave his word accordingly, but he was not long of breaking it. Shortly after, he made Dubois a councillor of state. The debaucheries into which that man impelled him soon became all indispensable distraction for that soft and enervated mind, to which the ennui of a court was insupportable. He loved its scandal and rumours—even the report of incest was not displeasing to him. Every evening, he assembled his roués, his mistresses, some danseuses from the Opera, often his daughter the Duchess de Berri,3 and some persons of obscure birth, but brilliant for their talent or renowned for their vices. At these suppers the choicest viands, the finest wines, exhilarated the guests, all the disorders and scandal of court and the city were passed in review. They drank, they became intoxicated; the conversation became licentious; impieties of every sort issued from every mouth. At last, fatigued with satiety, the party was broken up: those who could walk retired to rest; the others were carried to bed;—and the next evening a similar scene was renewed."—(Vol. i. pp. 22-24.)

      It may be conceived what an effect manners such as these pervading the head of a court, already sufficiently inclined to excitement and gratification, must have had upon the general tone of morals among the higher ranks. M. de Tocqueville portrays it in strong colours, but not stronger we believe than the truth:—

      "The disorders of its head spread to all the branches of the royal family. There was not a princess who had not her lover—not a prince who had not his mistresses. This system soon descended from the palace to the hotels of the nobles. Conjugal fidelity was considered as a prejudice, fit only to be the subject of ridicule. Adultery became the fashion, intemperance a path to distinction—the seduction of women was deemed the great object of life, and conquests in that line were sought as the highest glory; minds absorbed in the frivolous pursuits of a man à bonnes fortunes, became incapable of attention to serious affairs. When a young woman appeared in the world, no inquiries were made as to the union which prevailed in her establishment, the sole point was what lover they were to give her. The men with pretensions in that line, the corrupted women, entered into a league to plunge her into crime; and in that abominable lottery, they fixed beforehand on the person to whom she was to fall. The example of the Duchess de Berri obtained many imitators. Sometimes devotion was mingled with debauchery, as if a feeble struggle was still kept up between the recollections of the past and the seductions of the present. Women of gallantry, ambitious debauchees, passed from their orgies to the cloister; and the abstinence of penitence furnished some respite to the pleasure of the world and the agitations of politics. Such was the society of the great world, under the regency. The impulse given to vice during that period, continued through that which followed it. Neither the good example given by Louis XV., during the first years of his youth, nor the grave habits of Cardinal de Fleury, could avail as a barrier to the inundation. It only abated something of its audacity; more veiled, it excited less public scandal."—(Vol. i. p. 31.)

      It is impossible that in any country, but most of all in a monarchical and in aristocratic one, such manners can exist in the higher ranks, without inducing a total depravity of general thought, and perversion of the power of mind. Talent, often the most venal of venal things, follows in the wake of corruption. Covetous of gain, thirsting for patronage, it fans, instead of lowering, the passions by which all hope to profit. Whenever prevailing vices have set in upon a nation, be they such as spring from a monarchical, an aristocratic, or a democratic régime, the great majority of its abilities will do nothing but encourage its excesses, because it is there alone they can gain profit. A few great and generous minds will probably set themselves to resist the torrent, and they may produce a great effect upon a future age; but in their own, they are almost sure to meet with nothing but ridicule, abuse, and neglect. We see this deplorable subservience of talent, even of a very high cast, to the taste of the majority holding preferment in their hands, around us in Great Britain at this time; and the same evil was experienced in an equal degree in France during the whole course of the reign of Louis XV. and his virtuous but ill-fated successor.

      "The reign," says Tocqueville, "of Louis XIV. finished: that of Louis XV. commenced. During its course we shall see every thing change: of old forms there will remain only the shadow. Never was alteration more complete among mankind."

      "In lieu of lofty thoughts, and their serious expression, will appear a sterile futility. An incurable frivolity will get possession of the high society, and come entirely to direct thought. Licentiousness of language will accompany wicked manners, and lend a seduction the more to vice. Libertinism becomes the fashion. Impiety á la mode, miserable vanities, will supplant a noble pride to achieve a reputation in letters: it will become necessary to raise a doubt, wherever truth has been admitted. Amidst the din of feasts and the music of the ball-room, they will sap the foundations of religion, morality, and society. They will call themselves philanthropic, they will declaim on humanity—at the very moment that they are taking from the people the consolations which render supportable the miseries of life, and the religious curb which suspends wrath and restrains vengeance. It is thus, also, that they will obtain the envied title of philosophy, and merit the protection of the great; for they, too, will desire the reputation of Esprits forts. All will give way together. In war, no more great generals. The pulpit will no longer resound with the illustrious orators, whose words seemed to descend from divine inspiration. Statesmen will be without elevation: instead of able men, mere intriguers: the influence of talent will be replaced by the influence of coteries. Business will be treated of

3

The Duchess de Berri was an apt scholar in the lessons which her father taught her. One evening, after copious libations, a fancy seized them to represent the Judgment of Paris. The Princess played the part of Venus; two of the Regent's mistresses those of Minerva and Juno. "The three Goddesses appeared in the costume in which those in the tale displayed themselves to the son of Priam." De Tocqueville. Vol. i. p. 26—note.