Blackwood's Edinburgh Magazine, Volume 61, No. 378, April, 1847. Various

likely that he should borrow: he loves nothing, praises nothing, esteems nothing of this poor visible present; but it was an additional recommendation to the Puritanic piety, that it had left a detestable memory behind it, and was in declared hostility with all contemporaneous ways of thinking. What could he better do, therefore, than borrow this old volcanic crater of Puritanism, and pour out from it his religion and his anger upon a graceless world?

      Others, not given to such refinements, would explain the phenomenon upon more ordinary principles, and reduce the enigma to a case merely of literary monomania. Mr Carlyle, they would say, has been striving to understand these Puritans till he has grown, for the time, to resemble them. In the effort to project his mind into their mind, he has overshot the mark; he has not been able yet to get his own mind back again. It is a case, they would say, of mere imagination. Could you bring Mr Carlyle into contact with a live Puritan, the charm would be instantly dispelled. If one of Harrison's troopers would but ask him to step aside with him, under a hedge, to wrestle for a blessing, or would kindly undertake to catechise him on some point of divinity,—on that notion of his, for instance, of "Right and Wrong bodying themselves into Hell and Heaven,"—the alliance would be dissolved, not, perhaps, without violent rupture.

      For ourselves, we sometimes think that Mr Carlyle is in earnest. Men should be honest. One who talks so loudly about faith, ought to be sincere in his utterances to the public. At other times, the mummery becomes too violent, grows too "fast and furious," to permit us to believe that what we witness is the sane carriage of a sane man. At all events, we can but look on with calm surprise. If our philosopher will tuck his robe high up about his loins, and play the merry-andrew, if he will grimace, and paint thick, and hold dialogue with himself, who shall hinder him?—only we would rather not wear, on such an occasion, the docile aspect of admiring pupils; we prefer to stand aside, and look on with Mr Dryasdust.

      It is worthy of note, that however Mr Carlyle extols his "Heroic Ones" in a body, Cromwell is the only individual that finds a good word throughout the work. Every one else, Hampden not excepted, is spoken of with slight and disparagement. Amongst all the "godlike," there is but one who finds favour in his sight,—him, however, he never deserts,—and the very parties who have before been applauded, in general terms, become the subjects of ridicule or castigation the moment they are seen in opposition to Cromwell.

      To Cromwell, then, let us turn our attention. Him we also can admire. We admire his great practical sagacity, his eminent talents for war and for government, the moderation and the conscientiousness which, though a usurper and a zealot, he displayed in the use of power. He was, as we have said, a genuine Puritan. This must be understood, or no intelligible view of his character can be taken. It is not only hostility to his memory which has attributed to him a studied hypocrisy; the love of the marvellous has lent its aid. Such a supposition was thought to magnify his talents and his genius. It was more dramatic to make him the "honest Iago" of the piece. A French writer, M. Villemain, in his History of Cromwell, expresses this feeling very naïvely, and speaks of an hypocrisy "que l'histoire atteste, et qu'on ne saurait mettre en doute sans ôter quelque chose à l'idée de son génie; car les hommes verront toujours moins de grandeur dans un fanatique de bonne foi, que dans une ambition qui fait des enthusiastes. Cromwell mena les hommes par la prise qu'ils lui donnaient sur eux. L'ambition seule lui inspira des crimes, qu'il fit executer par le fanatisme des autres." That he thus employed the spirit of the age without sharing it, is a theory which will not stand the light for a moment. Besides, it is not in this manner that history is transacted: we may all be puppets, if you will, upon the scene, but it is not in this fashion that any one man gets hold of the wires. The supposition, whatever honour it may do the genius of Cromwell, will do very little honour to the speculative genius of any writer who adopts it. But this is evident, that to whatever extent Cromwell shared the distempered feelings of a sectarian party, nothing ever clouded his penetration upon any affair of conduct, any question of means to an end. The hour never came that found him wanting. At every phase of the revolution he is there to lead, or control, or predominate over it.

      Starting from this point of view—understanding him, in the first place, as the conscientious zealous Puritan, and endeavouring to estimate, as the history proceeds, the modifications which the soldier and the general, and finally the Protector, would induce upon this original substratum—the character of Cromwell becomes intelligible, and his conduct, in a measure, consistent. Whilst yet a private man, he had warmly espoused the extreme opinions of that religious party who looked on Popery as antichrist, and the Church of England as little better than Popery in disguise, as the same scarlet lady in a somewhat more modest attire. He was one of a class occasionally met with in the most quiet walks of life, men who torment their spirit on some public question till it becomes a personal grievance, or rather a corroding passion. What were bishops personally to him? He might have prayed, and expounded, and walked meditative in his fields, and left a public question to be decided by the movements, necessarily slow, of public opinion. But no; he was constituted quite otherwise. From a spiritual jurisdiction, claimed though not exercised over him, his soul revolted. And this hatred to prelacy, to any spiritual authority over him or his—this determination to be his own priest—is, if not the strongest, certainly the steadiest and most constant feeling that he manifests. We trace it throughout his whole career. The first thing we hear of him in the House of Commons is a protest, a sort of ominous growl, against the promotion of some Arminian or semi-Popish divine. "If these are the steps to church preferment, what are we to expect!" Almost the first glimpse we catch of him when he has taken arms, is as the captain of a troop entering some cathedral church, and bidding the surpliced priest, who was reading the liturgy, "to cease his fooling, and come down!" And throughout the letters which he addresses to the Speaker from the seat of war, he rarely omits the opportunity of hinting, that the soldiers are worthy of that religious liberty for which they have fought so well. "We pray you, own His people more and more; for they are the chariots and horsemen of Israel." And in one of his latest speeches, he describes it as the great "extremity" of past times, that men were not permitted to preach in public unless they were ordained.

      A rooted animosity to prelatical or other spiritual domination, is the key-note of this "melodious worker," as Mr Carlyle calls him. Cromwell entered the civil war provided with no theory or plan of civil government, animated with no republican zeal; it was not patriotism in any ordinary sense of the word, it was his controversy with the church of England that brought him on the field of battle. After fighting against episcopacy, he fought with equal zeal against presbyterianism; but against monarchy, or for the republic, he can hardly be said to have drawn the sword. We all applaud the sagacity which saw at once that the strongest antagonist to the honour and fidelity of the royalist, was to be found in the passion of the zealot. He enlisted his praying regiment. From that time the battle was won. But the cause was lost. What hope could there be for the cause of civil freedom, of constitutional rights, when the champion who won its victories was fanatical zeal, and the rage of theological controversy?

      It is the glaring defect in Cromwell—a defect which he had in common with many others of his time—that he threw himself into a revolution having for its first object to remodel the civil government, animated only with the passions of the collateral controversy upon ecclesiastical government. He fought the battle which was to destroy the monarchy, without any fixed idea or desire for the republican government which must be its substitute. This was not the subject that had engaged his thoughts or inflamed his ardour. When, therefore, the royalists had been conquered, it is not at all surprising that he should have seen nothing but the difficulties in the way of forming a republic. At this point of his history some excuse for him may be drawn from the very defect we are noticing. His mind had dwelt on no theory of civil government—to the cause of the commonwealth his heart had never been pledged—and we can hardly call him, with justice, as Godwin does, a traitor to the republic. But, on the other hand, what a gap, what a void, does this disclose in the mind of our hero? What should we say of one who had plunged heart and soul into the French Revolution, conducted only by his rage against the Roman Catholic hierarchy? Such a one, had he risen to take a leading part in that drama, might have acted with greater wisdom and moderation than ardent and patriotic men; the very absence of any political opinion or passion might have enabled him to see more clearly than others the position which they all occupied; but this would not justify or palliate the original error, the rash, exclusive, self-blinding zeal which had brought him into