The Parting Glass. Emilie Richards

      Praise for the novels of

       EMILIE RICHARDS

      “(A) heartfelt paean to love and loyalty.”

      —Publishers Weekly on The Parting Glass

      “Well-written, intricately plotted novel….”

      —Library Journal on Whiskey Island

      “A flat-out page turner…reminiscent of the early Sidney Sheldon.”

      —Cleveland Plain Dealer on Whiskey Island

      “[Emilie Richards] adds to the territory staked out by such authors as Barbara Delinsky and Kristin Hannah with her hardcover debut, an engrossing novel…. Richards’s writing is unpretentious and effective.”

      —Publishers Weekly on Prospect Street

      “Richards pieces together each woman’s story as artfully as a quilter creates a quilt, with equally satisfying results, and her characterizations are transcendent, endowed with warmth and compassion.”

      —Booklist on Wedding Ring

      “(A) heartwarming, richly layered story.”

      —Library Journal on Endless Chain

      “Richards stitches together the mystery of a family’s past with the difficulties and moral dilemmas of the present for a story as intriguing as the quilt itself.”

      —Publishers Weekly on Lover’s Knot

      Emilie Richards

      the Parting Glass

      ACKNOWLEDGMENTS

      My thanks to fellow writers Karen Young, Diane Chamberlain and Patricia McLinn for their affectionate support and feedback during the creation of The Parting Glass, and to Damaris Rowland for her insights and suggestions. I’m grateful, too, for Madelyn Campbell’s considerable medical expertise and her willingness to share it.

      A very special thank-you to all the readers who asked me to continue the Donaghue story, and particularly those at Cleveland’s Irish Cultural Festival who related their personal stories of Whiskey Island and prodded me to look into Cleveland’s bootlegging past and mysterious tunnels.

      Special thanks to Michael McGee, who accompanied me on two research trips to County Mayo during particularly rainy weather and almost never complained. And as always, thanks to my talented editor, Leslie Wainger, who never fails to inspire and encourage.

      THE PARTING GLASS

      Of all the money ere I had,

      I spent it in good company,

      And all the harm I’ve ever done,

      Alas was done to none but me

      And all I’ve done for want of wit,

      To memory now I can’t recall

      So fill to me the parting glass,

      Good night and joy be with you all.

      Of all the comrades ere I had,

      They’re sorry for my going away,

      And all the sweethearts ere I had,

      They wish me one more day to stay,

      But since it falls unto my lot

      That I should go and you should not,

      I’ll gently rise and softly call,

      Good night and joy be with you all.

      (This is a traditional Irish ballad for singing at the end of an evening, a gathering or an event. One of Ireland’s most popular, it is documented as far back as the 1770s.)

      Contents

      prologue

      chapter 1

      chapter 2

      chapter 3

      chapter 4

      chapter 5

      chapter 6

      chapter 7

      chapter 8

      chapter 9

      chapter 10

      chapter 11

      chapter 12

      chapter 13

      chapter 14

      chapter 15

      chapter 16

      chapter 17

      chapter 18

      chapter 19

      chapter 20

      chapter 21

      chapter 22

      chapter 23

      chapter 24

      chapter 25

      chapter 26

      chapter 27

      chapter 28

      chapter 29

      chapter 30

      chapter 31

      chapter 32

      chapter 33

      chapter 34

      chapter 35

      chapter 36

      chapter 37

      chapter 38

      chapter 39

      chapter 40

      epilogue

      prologue

      1923

      Castlebar, County Mayo

      My dearest Patrick,

      So many years and so many miles separating us, dear brother. For centuries we McSweeneys knew nothing of loneliness but everything of each other. And what else was there to know? What else is there in the end but family, land and church? The rest is like butter on bread, mere pleasure with little nourishment.

      Now our family has been dumped like ship’s ballast on distant shores. You in Ohio, our dear sisters in Australia, Nova Scotia and the grave. We are old, all who remain, and separated by much more than miles. We know so little of each other now. I have the new photograph that St. Brigid’s made for you, and I thank you for sending it, but what happened to the young man I knew, so straight and tall? What happened to the priest with fire in his gaze and vitality in his step? Has he gone the path I’ve trod myself? The path that leads to only one destination?

      I cannot imagine you as an old man, dear Patrick. You only celebrate Mass on Holy Days, hear confession but infrequently, read for hours each day and contemplate? What exactly do you consider now that your time is your own, my brother? The years you have already lived? The green island of your birth? Our dear, dear land that McSweeneys will never work again?

      Perhaps, had I married, I might find more to do with my own time. I would have grandchildren and great-grandchildren, and I would dandle them proudly on my knee. Instead, with no family to succeed me, I think only of the family from which I came, of you and Ciara and Selma, of dear Una who was with us such a short time. Not a one of us with offspring of our own, and a long proud line in ashes at out feet.

      I remember all, even at this final juncture of my life. I remember songs and laughter, the fragrance of bread baking on a stone hearth, the bleating of sheep in our paddock. I remember a small lad tugging at my skirts, saying his prayers with