The Queen’s Sorrow. Suzannah Dunn

in time that this wasn’t so. On the contrary: more than anyone else he knew, she suspended judgement.

      She’d arrived in Rafael’s life as the bride of his boyhood best friend. Gil, a doctor’s son and a doctor himself, now, had gone away to study and returned home with a bride. So far, so predictable. But with her tightly folded arms and half-smile, she wasn’t the kind of woman Rafael had expected Gil to bring home; Gil, who asked little of life except that he be in the thick of it, offering a helping hand. Rafael didn’t know what to make of her. The women in his family simultaneously indulged him and brushed him off, as they did with all men. Leonor, though, took the trouble to talk with him. Well, sometimes. Her talk was of nothing much, for much of the time, but that was what made it special. The women in his family talked to him to organise him, cajole him, or set him right: they had aims in their dealings with him. Leonor meandered, passing the time of day, her gaze idling on his, her slate-hued irises sometimes blue, sometimes green, grey, even almost amber. Occasionally, she’d speak more seriously – religion, politics – and say things that, in Rafael’s experience, most people didn’t dare say, but never provocatively, never carelessly. Always properly cautious, she was. But then she’d seem to be gone from him for perhaps as long as several weeks at a stretch, even though in fact she was there, around, arms folded and gaze unflinching.

      If she didn’t suit Gil, Rafael often wondered who’d suit her: who would he have imagined her with, if he hadn’t known she was married to Gil? Someone older, he felt, someone reserved. He wondered what she and Gil saw in each other. Something, though, that was for certain, because once, years into their marriage, he spotted them kissing in the grove behind their house. Slipping away unseen, he nursed his shock, because it wasn’t what he’d have expected of them.

      He’d fallen in love with Leonor. When? For a while, the question preoccupied him, he felt he owed it to his helpless, hopeless loving to be able to account for it. And then he accepted that he’d been searching for an excuse: she’d always been her, he’d always been him, and thus he’d always loved her, even when he hadn’t quite liked her, even when he hadn’t been quite sure of her.

      How did he live those years of unspoken love for his best friend’s wife? There was no art to it. He worked hard and was away a lot, eventually, with his work. He lived from breath to breath, and hard at his heels were the doubts, the fears: what did she feel for him, and what did she know – or suspect – of what he felt for her? In one breath, he’d dread that his longing was an open wound; but in the next, he’d be congratulating himself on his subterfuge. Each and every heartbeat trapped him between a craving to see her and a desperation to avoid her. He loathed himself – of course he did – but sometimes there was also something like pride, because sometimes the secret that he carried inside himself as a stone was, instead, a gem.

      And Gil. How had he felt about him? Well, he’d felt all things, over the years, and often all at once. He felt close to him, his boyhood soul mate, in their shared love for this woman with the hard-folded arms and cool eyes. He felt distant from him, too, though, as the husband of his beloved, which was who he’d become. He pitied Gil his treacherous best friend. And he resented him, of course he did. But he’d never wished him dead. No, he’d never done that.

      In the early days, to keep himself going, Rafael allowed himself the luxury of imagining that he and Leonor might just once allude to their feelings for each other being deeper than they should be. For a time, he thought that’d be enough, but that was before he caught sight of her in the grove and witnessed the hunger in her kissing. From then on, for a while, nothing was enough and he stopped at nothing in his exploration of the life that they might have had together. Getting into bed, he’d find himself thinking about whom they might have entertained that evening, if they’d been married, and what they might have remarked to each other when alone again. And longing to see the look in her eyes as she reached around to unfasten her hair, last thing.

      At the end of his second week, Rafael arrived home for supper one afternoon with Antonio to find the house being packed up. Just inside the main door, three men were taking down a tapestry: two of them up on ladders, the third supervising from below, and all three absorbed in a tense exchange of what sounded like suggestions and recriminations. Rafael might have assumed that the huge, heavy hanging was being removed for cleaning or repair – although no tapestry in the Kitson household looked old enough to require cleaning or repair – had he not noticed the packing cases around the hallway. Some were fastened and stacked, others still open. In one lay household plate: platters and jugs, the silverware for which England was famed. In another, cushions of a shimmering fabric. Towering over the cases, resting against the wall, was a dismantled bedframe, the posts carved with fruits and painted red, green and gold; and on the floor he spotted – just as he was about to trip over it – a rolled-up rug.

      One of the men glanced down, eyes rheumy with a cold, as if wondering whether he had to pack the two Spaniards as well. At this point, the pale woman appeared, hurrying as if she’d been looking for them: a purposeful approach. ‘Mr Prado? Mr Gomez?’ Some kind of announcement was going to be made, it seemed, and, to judge from her expression, one that would give her pleasure. She spoke, indicating the boxes, then herself, a touch of her fingertips to her breastbone. Rafael missed it, and looked to Antonio for translation. Antonio looked dazed, still catching up with her. ‘She’s the house –’ He frowned, and then it came to him: ‘She’s the housekeeper?’

      She was. A skeleton staff was staying behind, of which she was the backbone, the housekeeper. Later, Rafael would learn that the Kitsons lived for most of the year at their manor in the countryside and, like many of their friends, had only been at their townhouse to witness the splendour of the royal newlyweds’ entrance into London and the elaborate pageants held in the streets to celebrate it. They’d ended up having to be patient. The wedding had taken place at Winchester Cathedral just days after the prince had come ashore at Southampton, but the royal couple’s progress to London thereafter had been leisurely, taking almost a month.

      Now, though, in the first week of September, festivities over, the Kitsons were heading back to their manor. In Spain, the land was for peasants: that was the unanimous view of Rafael’s fellow countrymen. Something, then, that he had in common with the English: the dislike of towns and cities, the preference for open expanse and woods.

      The first evening after the Kitsons’ departure, he arrived back alone. Antonio was using the departure as an excuse for his own absence – as he saw it, he no longer needed to play the part of the guest. Not that he’d ever really done so. Rafael took it to mean the contrary, considering himself obliged to show support for the pale woman who’d been left almost alone to cater for them. He knocked on the door – wielded the leopard’s head – and was disappointed to hear that one of the dogs remained in residence. The pale woman opened the door, dodging the animal; the boy, too, was behind her. The woman wasn’t quite so pale – flushed and somehow scented – and Rafael guessed she’d been cooking. He wanted to apologise for having interrupted her, but didn’t know how. She looked behind him. ‘Mr Gomez?’

      ‘No.’ He didn’t know how to say more.

      She shrugged, seemed happy enough to give up on him, and stepped aside to let Rafael in. He noticed the bunch of keys on her belt: all the house keys, he presumed. She said something that sounded concerned and, frowning, touched his cloak. Said it again: ‘Drenched.’ Drenched. Then something else, faster, and a mime of eating, a pointing towards the Hall.

      Having hung up his cloak, he went along to the Hall and, self-consciously, took a place at the single table alongside the others: the porter who’d let him through the gate; a man who he was fairly sure was one of the grooms; and a quite elderly man whom he’d seen around but had no idea what he did. And the dog, of course. The old man was talking to the others – dog included – and didn’t let up when the pale woman began bringing in the dishes. Rafael rose to go and help her, but she shook her head and then he saw that she had the child in tow as helper. When an array of dishes was on the table, she helped the boy on to the bench and took her place beside him. After Grace, the old man resumed his chat and the others took him up on it, although