The Four-Gated City. Doris Lessing

down to stop the blood all going into the sea. The funny thing was. I had no feeling in that hand, but I made it do what I wanted. And the hand which was holding on to the bit of timber – that held on too, but it was numb – dead. That’s where I learned about the body, you can make it do what you want, and it’s where I first learned about sex. That’s funny, isn’t it. You can tell your body what to do and it does it. There I was for a whole day, watching the sun go right across the sky and down, and the water was red all round me. Sometimes I passed out and then I came to myself and there was the sun, filling the sky, everything hot and glittering, and I thought I was dead already, because there was no sensation in my body anywhere. Then I thought of sharks, coming for us, because all the sea was full of red. But there was so much meat in the sea that day I suppose they didn’t need me. And when I was picked up they had to force my arm back away from holding my shoulder flesh in place: it was bent and set hard in a crook.’

      This scar was a long white weal that slanted down into the armpit. Martha stroked it with her fingers while he remembered that afternoon in a sea full of rubbish and the dead and the dying: she stroked and thought of it with him. Then he, having kissed the fingers that held the memory, contained it, ran his fingers along the minute marks on her groin and upper thighs made by pregnancy, tiny silver marks on white skin, and she thought of a small baby, any baby born to any woman, and its absolute perfection. That is why women cry when their children fall for the first time and scar a knee or an elbow: that perfect body, with not a mark on it, well, now it is claimed by the world – that is the moment when a woman cedes her child away from her, to time. She thought of Caroline, the perfect little female body that had issued from her body which now held and always would the scars of pregnancy, and it was hard to tell whether she was Martha, or her mother who had given birth to her, or Caroline, who would give birth; and meanwhile Jack touched and understood the scars, lifting his head to look at them, and on his face was the awe of his love of the flesh and his terror at what ate it.

      She lay and watched the strong bony boy’s face with the boy’s brown eyes just above hers, and the face dissolved into time: his hard straight mouth and the eyes were those of the little tyrant, his father; his nose, his falling brown hair, his mother’s, the frightened farm girl’s; and when he smiled, letting his head fall back on the pillow beside hers, she slid down her hand to the back of thighs which under the pads of her fingers were grooved and marred, and his brown eyes narrowed into a tension of memory. He was the son of a farmer in the Orange Free State, a small poor farmer with a large family: two sons, a cowed wife, and three daughters whom he adored and terrorized, and (so Jack claimed) had raped, just once, all three of them. The marks he had left on Jack and the other boy were across the backs of their thighs. He whipped them with his leather thong all through their childhood, and the moment Jack got free of him was when he went to the local Indian store and bought a pair of long khaki trousers: man’s trousers. He was twelve, and he had to roll up the bottoms more than a foot. Then he had gone to the veranda where his father was sitting at sundown with his silent wife, and had stood there – a man. And when the father had stood up, anger swelling in the veins of his neck, Jack had picked up a big stone from the earth outside the house, and had stood there, stone poised at shoulder level ready to throw. Not one word had been said. There he had stood, a thin child in a man’s long trousers that hid the scarred backs of his thighs for ever from his father; the setting sun was hot on his back and made for a long shadow right across the sand to the brick veranda where the man his father stood up to go inside and fetch his whip. But he stopped, because as he moved, the stone in the boy’s hand moved while the narrowed brown eyes (replicas of his own) took aim. The man had sat down. He had not beaten the older son again, but went on beating the younger. He did this until Jack took the eleven-year-old into the local store and with money he had stolen from the tobacco bag hidden under his father’s mattress, bought him a pair of man’s trousers. The two boys had confronted the father together. And again, not a word. Never a word spoken while the two boys stood side by side at evening looking in at the veranda where their parents sat drinking coffee. The mother had gone indoors, unable to stand it: and four females had stood in the room behind, watching the scene outside, too afraid even to cry.

      A year later Jack left the farm early one morning when the sun was coming up over the edges of the sand, taking with him money he had stolen from under the mattress. He boarded the train to Port Elizabeth. ‘And there I suddenly understood, Martha – I was mad. I’d been mad all my life, ever since I could remember being a little kicker. I had spent every moment of my life hating my father. I stood on the edge of the sea, and that was something, the sea, for the first time. I had hardly known the sea existed. No one ever mentioned it, not really. God it makes you want to cry, man, sometimes it does make me cry, all the little kickers black and white all over the Fatherland, and they’ve never seen the sea, and Port Elizabeth and Cape Town and Durban and Johannesburg are the big cities. I stood throwing stones at the sea and crying. Because I’d understood – my father was nothing. It made me feel like nothing. All my life spent hating a poor little tyrant on a few morgen of poor soil, and he’d never known anything else. I knew I had to beat hating him. I knew if I went back to the farm I’d be finished, I’d kill him, I knew I would. I had spent most of my childhood working out ways how to kill the old man. So I said I was eighteen and got a job on the docks. But the hatred – it’s there. It comes back into me when I don’t expect it. It’s my enemy. I can’t hate that poor little nothing of a backveld farmer, how can I, what am I hating? But I do … I can’t help it.’

      So Martha stroked the backs of his thighs, following with her fingers marks made by an oxhide whip held by a little tyrant now dead and lying under a thorn tree under the red sand, while Jack closed his eyes, and let hatred rise in him so that he could hold it and control it. He lay trembling with the force of his hatred, his lashes pressed hard against his cheek, until, with a gasp, the tension held, he opened his eyes and he smiled into her face.

      Her face which was – whose? For her eyes were her father’s, and her mouth too; and her nose and the shape of her face and even where the lines showed how they would fall, and a mole, her mother’s. Yet it was Martha who lay now, endowed with these features which were not hers at all, merely from stock, the storehouse of the race, and smiled at Jack? Who smiled? Who smiled back, who, what? – When Martha smiled at Jack, Jack at Martha, in these shapes of flesh that had come together as if a sculptor had flung noses, eyes, hands, mouths together. And was it Jack then, who bent her head back so that he could see where the thirty years of her life were written into the soft place just under her chin. Just there and nowhere else on her body did the wear of time show. He touched with soft fingers the soft crinkling place, and kissed it, tears in his eyes because of the anguish of time eating. Jack comforted Martha. Martha took comfort from Jack.

      And now, the ritual was complete. They lay, taut with power held and controlled. Ready. But if things had not gone right, if the hatred had built up and exploded, as sometimes it did, so that he gasped and jumped away from her, to beat his fists on the wall, swearing and crying and trembling; if he had gone white and cold remembering the terror of his being in the sea with his blood leaking away; if she had let herself go away from him into the anonymity of an ancient femaleness, something indifferent to men, even hostile, self-sufficiently female; if she had let herself go into the great indifference of sorrow, thinking how soon her body would sag down over her bones in a gutter of flesh, so that what delight there could be now was not worth the making of it, since it so soon would be in the past – if they went away from each other off a finely achieved and held point, then Jack would kiss her, jump up and say: Well, that’s not right, it’s not working this time – and make them both cocoa. This achievement of control which was so hard, could not tolerate a second best, or a falling away: sex that was an explosion of force, or a weakening of it, was not possible, or too damaging to let happen.

      ‘Martha, do you know what I’ve discovered – making love? I understood what hating is. You say all your life “I hate” “I love”. But then you discover hatred is a sort of wavelength you can tune into. After all, it’s always there, hatred is simply part of the world, like one of the colours of the rainbow. You can go into it, as if it were a place. Well, right at the beginning when I was using sex to beat me hating my father, then I suddenly understood. If you can get beyond “I hate” – then you find – there is hatred, always there. You can say I