The Fallen Queen. Emily Purdy

child,” and speculated that God had sent me to curse the Greys for their overweening pride and grandiose ambitions. But none of that matters now; I learned early that I had to be practical and discreet in order to survive, that I would only waste my life if I spent it weeping for what could never be, and that even though the darkness of the shadows may be frightening, sometimes it’s safer there, especially for someone little and strange like me.

      By now I’ve become accustomed and numb, or at least indifferent, to it all. I cannot even imagine my life without the whispers, stares, gasps of horror, laughter, jests, and insults, fast-turned backs and swiveled heads, and pointing fingers, and the children who run alongside me and mock my wobble-waddle walk. The threats that if they don’t obey their parents and eat their porridge, learn their hornbook, clean their teeth, or say their prayers at night they will grow up to look like me has rendered many an unruly child the model of docility and impeccable obedience. And I’ve heard the stories describing how, whilst carrying me, my mother was frightened by a monkey that climbed in through her open window as she lay sleeping one stormy night and burrowed beneath her bedclothes for warmth, and when she turned in her sleep, inadvertently startling the little beast, it bit her; some stories even crudely name the privy part into which it sank its teeth, prematurely bringing on her protracted and hellish labour and my deformity.

      Of course it isn’t true, as anyone who ever knew my lady-mother can readily attest. If a monkey had ever dared such a presumption, Frances Grey would have sat up and dealt him such a slap his eyes would have been forever crossed and he would have flown clear across the room and smashed into the wall and probably left half his brains there. But it makes a good story, and that’s what people like. And mayhap I should be flattered; such stories are like little gifts of immortality, truth or lies; as long as the tales are told, the people they are about never really die. Though ’tis sad to be remembered as a figure of fun or fright, one of Mother Nature’s mistakes.

      Stubby, lumpy, and crooked, I stand no taller than a child of five, the age at which I stopped growing. Mangled but alive, I endure a life of pain, with a hunched and twisted spine that pushes my right shoulder higher than the left, a constant grinding ache in my back, hips, and knees, as though each joint possesses a full mouth of blackened, rotten teeth, and the limp seems to worsen every year. If I were to lift my skirts and roll down my stockings, I would see the veins bulging from my aching legs like a swarm of blue and purple snakes, swollen and pulsing with pain that I must take a syrup of poppies to subdue. Now I walk with a cane, a regal little staff crowned with a luminous orb of moonstone my husband made for me, knowing I would someday have need of it when he might not be there to carry me. Though it wasn’t always so. I used to be right sprightly in my youth and even danced on my wedding night.

      It seems a century ago, though only a dozen years have actually passed since I, his “bumblebee bride,” as my Thomas, my Mr. Keyes, fondly called his Mrs. Keyes, lifted the black and yellow striped skirt of my wedding gown to display my dancing feet, nimble and proud in their dainty golden slippers, and the black silk stockings I had embroidered with a flight of dainty bees rising from my ankles to my knees, and—for my good husband’s eyes alone—raised my hems even higher to most brazenly reveal the sunny yellow satin bows of my garters. How he smiled and clapped delightedly as I danced a rollicking jig and the jolly pipers played. I kicked my limbs ever higher until I fell laughing on my bottom, well cushioned by taffeta and velvet and the padded bum roll tied around my hips underneath my petticoats. Then my Thomas paid the pipers and sent them on their way and lay down with me. That night when his lips followed the crooked path of my spine, going over and down the hump like taking a slow, meandering stroll down a hill, and he said it was like a perpetual question mark, an eternally beautiful mystery, and dotted it with a kiss on my sharply protruding tailbone, I stopped hating and cursing my malformed back. From that moment on whenever anyone made reference to it, whether in pity, malice, a mean spirit, or just a plain statement of fact, I always remembered his words, his lips tracing the question mark of my spine, and how very much he loved me. In his arms I discovered that ugliness is not always a curse. I knew I was well and truly loved only for myself, for the me inside my head and heart. If I had been a great beauty like Kate, I might have spent my whole life wondering if it was only my appearance that roused and stirred lust and tender regards in men’s loins and hearts.

      In truth, though one would never know it to look at me, I am not, as years are measured, a very old woman. Yet I feel very old and so very tired inside, and my mirror is no kind flatterer and so does nothing to dissuade me. So to my eyes, as well as in my soul, I am a wizened old crone who has lived far too long. I’ve outlived all the love I’ve ever known, and such a life is not truly living, merely existing, waiting for the Sands of Life in God’s hourglass to run out. Inside I feel three hundred and fifty, though I’ve drawn breath only three-and-thirty years, and that’s not even half a single century. I should feel young and vital, but I’m all worn out. Years I’ve found are just a number; a convenient, or, depending on the circumstances, a not so convenient, calculation. Except when it comes to legalities I think in truth they count for very little. We are what we are, and a number does not define the marks the marching feet of Time, whisper light, carefree, or leaden, worry-weighted, have left upon us. I only know, if asked to guess my age, none would ever think me still young enough to bleed and bear a child. My face hangs weary, pasty pale, sagging, and heavily lined so any shadows that fall upon my face show how deep the sadness bites. My muddy grey eyes that I always used to despise and wish were instead a keen, piercing sapphire until my Thomas told me they were “like a cunning silver fox mating with a wily red one” rest in dark, wrinkled nests of flesh, and more wrinkles pucker round these rouge-reddened lips that still long for a lover’s kiss. And perched precariously atop my head sits my fashionable pearl-pinned wig of dark sable red curls, its colour as close to my own as I could find, though I dearly wish these great masses and mounds of high-piled curls would go out of fashion; I was born with an inordinately large head that always seemed to totter on my neck, too big for my squat, little goblin body, and this extravagant coiffure emphasizes it all the more. Beneath this flame-lit ebony monstrosity my short-cropped hair is white as the moon itself. I hacked it all off with my sewing scissors to the horror of my jailer, who found me sitting shorn and weeping amidst the scattered ruins of my tresses, when my scalp began to shed as profusely as my eyes did tears after I lost my Thomas.

      Sometimes, when I lift off my wig before bed, I catch a glimpse in the looking glass of those wild wisps of moonstone white sprouting from my head like tufts of dandelion fluff, looking as though if a great gust of wind came along it would blow me bald-headed, and I just have to laugh. I am the only one of the Grey sisters to live to grow old and grey. “The brilliant one” and “the beautiful one” are long gone to their graves; only “the beastly little one” remains, growing more bent and beastly with every year that passes.

      If I were to see those beloved spirits, my sisters and my husband, flying in through my window this All Hallows’ Eve, defying the sage burning there, would they even recognize me as their Mary? And if they came, I don’t know which I would doubt more, their existence or my sanity, nor which would hurt my heart the more—their coming or their going away again. I’ve already grown accustomed to living without them, to thinking every time I let myself start to feel again, to let fondness and care take root within my heart, those first tender shoots that herald the flowering of love in any of its many forms are also the first dip of the quill in the silver inkwell to begin the first grandiose curlicue of the word goodbye to be writ slow or fast across the pulsing rosy parchment of my heart. And I know, if they were to come to me this night, the one time of year, if tradition be true, that they can, they would disappear come cock’s crow, and I would be left all alone again missing them all the more. Stay away! No! Come to me! Come! Go! Yes! No! my contradictory heart cries, vying to be heard over the howl of the wind, the boom of the thunder, and the beat of the rain rapping like fingernails tapping on the glass windowpanes.

      Beyond my window the dark hulk of the Tower of London looms like a monster in a child’s nightmare. I used to tell my husband I wanted a quiet life, a simple life, no great, grand palaces for me, thank you, I’d had all that before—Bradgate Manor in Leicestershire, luxurious London town houses, and the Queen’s many palaces—and love always meant far more than luxury to me. I