The Geneva Deception. James Twining

Duval was on the Senate Intelligence Committee and recommended him,’ she explained, picking her words carefully. FBI Director Jack Green had made it crystal clear that the specific circumstances in which Tom had joined and left the CIA were highly classified. ‘They recruited him into a black op industrial espionage unit. When they shut it down five years later, Kirk went into business for himself, switching from technical blueprints and experimental formulas to fine art and jewellery.’

      ‘Was he any good?’

      ‘The best in the business. Or so they said.’

      ‘And the guy with him?’

      ‘Archie Connolly. His former fence. Now his business partner. And his best friend, to the extent he allows himself to have one.’

      There was a pause as Stokes consulted the file again. It had been Jennifer’s idea to come here, of course. INS had flagged Tom’s name up when he’d landed at Dulles and it hadn’t taken her much to figure out where he’d be headed. But now that she was actually here, she was surprised at how she was feeling. Excited to be seeing Tom again after almost a year, certainly. But there was also a nagging sense of nervousness and apprehension that she couldn’t quite explain. Or perhaps didn’t want to. It was always easier that way.

      ‘And now they’ve gone straight?’ There was the suggestion of suppressed laughter in Stokes’s voice.

      ‘I’m not sure that someone like Tom can ever go straight,’ she mused. ‘Not in the way you and I mean it. The problem is, he’s seen too many supposedly straight people do crooked things to think those sorts of labels matter. He just does what he thinks is right.’

      ‘And you’re sure about this?’ Stokes pressed again, her explanation seeming to have, if anything, heightened his initial misgivings.

      She didn’t bother replying, hoping that he would interpret her silence in whichever way made him most comfortable. Instead she stepped forward to greet Tom, who had reached the final incline that led up to where they were waiting. Tom, however, hesitated, his eyes flicking to Stokes and then back to her. He was clearly surprised that she hadn’t come alone.

      ‘Tom -’ She held out her hand. It felt all wrong, too formal, but with Stokes hovering she didn’t exactly have much choice. Besides, what was the alternative? A hug? A kiss? That also didn’t seem right after eleven months.

      ‘Special Agent Browne,’ Tom shook her hand with a brief nod, having clearly decided to ape her stilted greeting. He looked healthier than when she had last seen him, his handsome, angular face having lost some of its pallor, his coral blue eyes clear and alive.

      ‘This is Special Agent Stokes.’

      ‘Agent Stokes,’ Tom nodded a greeting.

      Stokes grunted something indistinct in reply and glanced nervously over his shoulder, as if he was worried about being seen out in the open with him.

      ‘Come to pay your respects?’

      ‘We need some help on a case,’ Jennifer began hesitantly.

      ‘You mean this wasn’t a coincidence?’

      Despite his sarcastic tone, she sensed a slight tension lurking behind his smile. Annoyance, perhaps, that she was only there because she wanted something. Or was that just her projecting her own guilty feelings?

      ‘I need your help,’ she said.

      There was a pause, his smile fading.

      ‘What have you got?’

      ‘Why don’t we get in…’ She held the Suburban’s rear door open. Tom didn’t move. ‘There’s something I want to show you. It’ll only take a few minutes.’

      Tom hesitated for a moment. Then, shrugging, he followed Jennifer into the back, while Stokes climbed into the driver’s seat.

      ‘Recognise this?’

      She handed him a photograph sealed inside a clear plastic evidence bag. Tom smoothed the crinkles flat so that he could see through it. It showed a nativity scene, an exhausted Mary clutching her belly and staring blankly at the Christ child lying on the straw in front of her, an angel plunging dramatically overhead. Unusually, in the foreground a spiky-haired youth, his back to the viewer and one foot touching the baby, has turned to face an aged Joseph, his face tortured by a mischievous disbelief.

      Tom looked up, a puzzled smile playing across his lips. Outside, the sky had darkened even further, the rain thrashing the roof, the water running off the windscreen in sheets like rolled steel off a mill.

      ‘Where did you get it?’

      ‘Do you recognise it?’ Stokes repeated, although Jennifer could already tell from Tom’s face that he did.

      ‘Caravaggio. The Nativity with San Lorenzo and San Francesco,’ he pointed at the two other men in the painting gazing adoringly at the infant. ‘Painted in 1609 for the Oratory of San Lorenzo in Palermo, Sicily. Missing since 1969. Where did you get it?’

      It was Tom’s turn to repeat his question.

      Jennifer looked to Stokes and took his muted sigh and faint shrug as agreement to continue.

      ‘Special Agent Stokes is from our Vegas field office,’ she explained. ‘A week ago he took a call from Myron Kezman.’

      ‘The casino owner?’ Tom asked in surprise.

      ‘The photo arrived in his personal mail.’

      ‘It had a New York City post mark,’ Stokes added. ‘We’ve checked the envelope for prints and DNA. It was clean.’

      ‘There was a cell-phone number on the back of the photo,’ Jennifer continued; Tom turned it over so he could see it. ‘When Kezman called it there was a recorded message at the other end. It only played once before the number was disconnected.’

      The windows had started to fog up. Stokes started the engine and turned the heating on to clear them, a sudden blast of warm air washing over them.

      ‘What did it say?’

      ‘According to Kezman it made him a simple offer. The painting for twenty million dollars. And then a different cell-phone number to dial if he was interested in making the trade.’

      ‘That’s when Kezman called us in,’ Stokes took over. ‘Only this time we taped the call. It was another message setting out the instructions for the exchange. The denominations for the cash. The types of bags it should be in. The meet.’

      ‘And then they called you?’ Tom turned to Jennifer.

      ‘The Caravaggio is on the FBI Art Crime team’s top ten list of missing art works, so it automatically got referred our way,’ she confirmed. ‘I got pulled off a case to help handle it. I’ve been camping out in an office here in DC, so when I saw that you’d been flagged up at Dulles …’

      ‘You thought that maybe I could handle the exchange for you.’

      ‘How the hell did you…?’ Stokes eyed him suspiciously.

      ‘Because you’ve never dealt with anything like this before.’ Tom shrugged. ‘Because you’re smart and you know that these types of gigs never go down quite like you plan them. Because you know I might spot something you won’t.’

      There was a pause as Stokes and Jennifer both swapped a look, and then laughed.

      ‘That’s pretty much it, I guess.’ Stokes nodded with a grudging smile.

      ‘When’s this happening?’

      ‘Tonight in Vegas. On the main floor at the Amalfi.’

      ‘Kezman’s joint?’

      ‘Yep,’ Stokes nodded.

      ‘That’s smart. Busy. Exposed. Plenty of civilian cover. Multiple escape routes.’

      ‘So