Gold Boy, Emerald Girl. Yiyun Li

mother had not come, citing illness, as I had known she would.

      After I registered, a woman officer, about a head taller than I was, her hair cropped short, introduced herself as Lieutenant Wei, my platoon leader. She had on a straw-colored uniform shirt buttoned to the top, dark green woolen pants, and a crimson tie. I did not cringe under her severe stare; I had lived, until then, beneath the unrelenting eyes of my mother. Decent if not strikingly beautiful—sometimes during a meal she would study my face and comment on it; in the evenings when my father was working the night shift, she would remark on my adequately developed curves. I had learned that if one remained unresponsive in those situations one could become transparent; when my mother’s eyes peeled off my clothes piece by piece they would meet nothing underneath but air.

      After I changed into my uniform, Lieutenant Wei ordered me to mop the barracks. Yes, I replied; yes, Lieutenant, she corrected me. Yes, Lieutenant, I replied readily, and she looked at me for a long moment, then turned around as if disgusted by my lack of defiance.

      I was the first one of our platoon to have arrived, and I walked through the aisles between the bunk beds, studying the names taped to the metal frames. The company was housed in a three-story building, with each platoon occupying a long floor and bunk beds lining both walls, separated into four squads by washstands and desks. I would be sharing a bunk bed with a girl named Nan: We each had a white sheet, underneath which was a thin straw mattress; a quilt and a blanket, both dark green, folded as though they were sharply cut tofu. There was no pillow, and soon we would all learn to wrap up our outside clothes—dresses and shirts that were forbidden in the barracks—into pillows at night. Next to my bed was a window opening to the courtyard, where trees whose names I had yet to learn stood in a straight line, their branches pointing upward in a uniform manner.

      Lieutenant Wei came back later and ran a palm over the floor. Do not think this is your home, she said, adding that I’d better prepare to shed a few layers of skin. When she ordered me to mop the floor again, I replied, “Yes, Lieutenant.”

      “Louder,” she said. “I can’t hear you.”

      “Yes, Lieutenant.”

      “I still can’t hear you,” she said.

      “Yes, Lieutenant,” I said.

      “You don’t have to yell in my face. A respectful and clear reply is all we need here.”

      “Yes, Lieutenant,” I said. She stared at me for a long moment and said that a soldier shed sweat and blood but never tears. I waited until she left before I dried my face with my sleeve. It was my father’s handshake through the open window that I had cried for, I told myself, and swore that I would never again cry in the army.

      TWO

      A DREAM HAS occurred repeatedly over the past twenty years, in which I have to give up my present life and return to the army. Always Lieutenant Wei is in the dream. In the early years she would smile cruelly at me. Didn’t I tell you that you would be back? The question was put to me in various ways, but the coldness remained the same. The dreams have become less wicked as the years have gone by. I’m back, I tell Lieutenant Wei; I always knew you would come back, she replies. We are older, having aged in my dreams as we have in real life, the only remnants of a previous life among a group of chirrupy teenage girls.

      These dreams upset me. Lieutenant Wei’s marriage, two years after I had left the army, and her transfer to another city, which would know her only as a married woman and later a mother, and then would see her die, must have wiped her history clean so she could start collecting new memories not about young, miserable girls in the camp but about happy people who deserved to be remembered. I never showed up in her dreams, I am certain, as people we keep in our memories rarely have a place for us in theirs. You may say that we too evict people from our hearts while we continue living in theirs, and that may very well be true for some people, but I wonder if I am an anomaly in that respect. I have never forgotten a person who has come into my life, and perhaps it is for that reason I cannot have much of a life myself. The people I carry with me have lived out not only their own rations but mine too, though they are innocent usurpers of my life, and I have only myself to blame.

      For instance, there is Professor Shan. She was in her early sixties when I met her—but this may be the wrong way to put it, as she had lived in the neighborhood for as long as my father had. She must have watched my generation grow up, and studied every one of us before singling me out—I like to imagine it that way; you see, for a lonely woman, it is hard not to make up some scenario that allows her to believe herself special in some minor way.

      Professor Shan was in her early sixties and I was twelve when she approached me one September evening. I was on my way to the milk station. “Do you have a minute?” she asked.

      I looked down at the two empty bottles, snuggled in the little carrier my father had woven for me. He had painted the dried reed different colors, and the basket had an intricate pattern, though by then the colors had all paled. My father had a pair of hands that were good at making things. The wooden pegs he put on the foyer wall for my school satchel and coat had red beaks and black eyes; the cardboard wardrobe had two windows that you could push open from the inside, a perfect place for me to hide. He had built my bed too, a small wooden one, painted orange, just big enough to fit in the foyer alongside the wardrobe. We lived in a small one-room unit, the room itself serving as my parents’ bedroom, the foyer my bedroom; there was a small cube of kitchen and a smaller cube of bathroom next to the foyer. Later it occurred to me that we could not afford much furniture, but when I was young I thought it was a hobby of my father’s to make things with his own hands. Once upon a time he must have made things for my mother too, but from the time my memory begins, their bedroom had two single beds, my father’s bare and neatly made and my mother’s piled with old novels, perilously high.

      “Do you have a minute? I am asking you,” the old woman said again. I had developed a look of distractedness by then, and she was not the most patient woman.

      I was on the way to the milk station, I stammered. “I’ll wait for you here,” she said, tapping on the face of her wristwatch with a long finger.

      When I was out of her sight I took my time examining the trees by the roadside, and the last blossoming wildflowers. The line at the milk station was long, and that was what I told her when I reported back to her late. I addressed her as Teacher Shan, and she corrected me, telling me to call her Professor Shan. She led me up flights of stairs to her flat on the fifth floor. It did not occur to me that there was anything odd about this. The only thing my mother had warned me about, when I had had my first period a month earlier, was not to spend time alone with a man.

      Professor Shan’s place, a one-room unit also, seemed more crowded than ours even though she lived there by herself. Apart from a table, a chair, and a single bed, the room was filled with trunks: dark leather ones with intricate patterns on the tops and sides, wooden ones with rusty metal clips, and two matching trunks—once bleached but by then more yellow than white—made of bamboo or perhaps straw, I couldn’t tell which. On each trunk there were books. She moved a pile of books to make a spot for me to sit on her single bed, and then took a seat in the only chair in the room. Up to that point I had not studied her, but I realized now that she was a beautiful woman, even at her age. Her hair, grayish white, was combed into a tight bun, not a single strand running loose. Her face—the high cheekbones, the very prominent forehead, and the deep-set eyes—reminded me of a photograph of a female Soviet pilot in my textbook. I wondered if Professor Shan had some mixed blood. It was a secret joy of mine to study people’s faces. I must take after my mother, who, apart from studying my face at meals—the table placed between the two beds in my parents’ bedroom—rarely took a bite. Sometimes, waiting for us to finish eating, she would comment on the people passing by outside our window: Oily and puffy as fresh fried dough, she described a woman living a floor above us; the man next door had a long and bitter-looking face, like a cucumber.

      My mother was the prettiest woman I had known until then, with almond-shaped eyes in a small, heart-shaped face, a straight and delicate nose, and, as I later learned from her collection of