The Goodbye Quilt. Susan Wiggs

stared at clouds until our eyes watered. We fought about curfews, shopped for back-to-school supplies, sang along with songs on the radio. We laughed at nothing until our sides ached, and cried at movies with sad endings.

      I sneak a glance at Dan. I can’t picture him crying at the movies with me. That was always Molly’s role, the exclusive domain of females. Without really planning to, she and I created rituals and traditions, and these things formed a powerful bond.

      There is a vehemence to the thoughts tearing through my head, a sense of rebellion—How can I just let her go? I didn’t sign up for this—for creating my greatest work only to have to shove her away from me.

      When I pushed her out into the world, she was handed immediately into my arms. I never thought of letting her go, only of holding her next to my heart, under which she’d grown, already adored by the time she made her appearance. The idea of her leaving was an abstraction, a nonspecified Someday. Now it’s all happening, exactly as we planned. Except I didn’t plan for it to throttle me.

      Dan seems easy about the process. He’s always accepted—even welcomed—life’s movements from one phase to the next, like birthdays or promotions at work. He is the sort of person who makes life look effortless, a trait I admire and sometimes envy in him.

      As for me, I find myself unable to move. I’m not ready. This wrenching grief has blindsided me. I didn’t expect it to be this intense. All kids leave home. That’s the way it works. If you do your job of parenting correctly, this is the end result. They leave. When it doesn’t work that way, that’s when a mother should worry. If the kid sticks around, takes up permanent residence in her childhood bedroom, you’re considered a failure.

      Ah, but the price of succeeding is a piece of your soul. I bite my lip to keep from trying to explain this to Dan. He would tell me I’m being overly dramatic. Maybe so, but everything about this process feels dramatic. This child has been the focus of every day of my life for the past eighteen years. After being a parent for so long, I am forced to surrender the role. Now, all of a sudden, a void has opened up.

      Snap out of it, I tell myself. I have so much to be thankful for—this rich, full life. Health, husband and home. And lots to look forward to. It’s wrong to mope and wallow in the tragedy of it all. What’s the matter with me?

      The matter is this—I’m facing a huge loss. The biggest part of my daughter’s life is about to start, and it doesn’t include me and Dan. Granted, we’ve had plenty of time to prepare, but now that the moment has arrived, it’s as unexpectedly painful as a sudden accident.

      Although greeting card companies have created themes around every possible life event, there’s no ritual for this particular transition.

      This is surprising, because when a child leaves for college, it is the end of something. Other than birth or death, leaving home for any reason is the most extreme of life transitions. One moment we’re a family of three. The next, we’ve lost a vital member. It’s a true loss, only people don’t understand your grief. They don’t send you sympathy cards or invite you to join a support group. They don’t flock to comfort you. They don’t come to your door bearing tuna casseroles and bottles of Cold Duck and platters of cookies on their good chintz china.

      Instead, the journey to college is a rite of passage we mark as a joyous occasion, one we celebrate by buying luggage and books on how to build a fulfilling life. But really, if you ask any mother, she’ll tell you that deep down, we want to mark it as a loss, a funeral of sorts. We never show our sorrow, though. Our sadness stays in the shadows like something slightly shameful.

      

      Travis leaves, peeling himself away like a Band-aid that’s been stuck on too long. His union job at the plant keeps him on a strict schedule; he cannot linger. Molly stands on the front sidewalk and watches his Camaro growing smaller and smaller down the tree-lined street, flanked by timber frame houses from the 1920s, remnants of the days when this was a company town. Molly’s face is stiff and pale, as if she’s been shocked and disoriented by unexpected pain. Her arms are folded across her middle.

      I hurry outside, wanting to comfort her. “I know it’s hard,” I say, giving her a hug.

      She is stiff and unyielding, regarding me like an intruder. “You have no idea how this feels,” she says. “You never had to leave Dad.”

      She’s right. Dan and I met at a bar twenty-some years ago, and after our first dance together, we already knew we’d be a couple. If somebody had told me I had to leave him and head off to a world of strangers, would I have been willing to do that? Yes, shouts a seldom-heard voice inside me—oh, yes.

      Molly waits for an answer.

      “Aw, Moll. Your dad and I were in a much different place—”

      “Nobody forced you two apart,” she says, her voice rising.

      “And nobody’s forcing you and Travis apart.”

      “Then why am I leaving? Why am I going thousands of miles away?”

      “Because it’s what you’ve always wanted, Molly.”

      “Maybe I’ve changed my mind. Maybe I should stay and go to college in state.”

      “We need to finish loading the car,” I tell her.

      We argue. Loudly, in the driveway. About what won’t fit in the car. About what is necessary, what Molly will not be able to do without. She flounces into the house and returns a few minutes later with a duffel bag and a green-shaded lamp.

      “Sweetie, I don’t think you need the lamp,” I point out.

      “I want to bring it. I’ve always liked this lamp.” She crams the duffel bag in the back, using it to cushion the lamp.

      It has shone over her desk while she worked diligently at connect-the-dots, a report on Edward Lear, a tear-stained journal, a labored-over college essay, a love letter to Travis Spellman. The lamp has been a silent sentinel through the years. Remembering this, I quickly surrender. I don’t want to argue anymore, especially not today.

      Like making the quilt, driving her to college seemed like a good idea at the time. She could have flown, and shipped her things separately, but I couldn’t stand the thought of leaving her at the curb at the airport like a houseguest who’s overstayed her welcome.

      A road trip just seemed so appealing, a final adventure for the two of us to share. A farewell tour. All through the summer I’ve been picturing us in the old Suburban, stuffed to the top with things Molly will need in the freshman dorm, singing along with the radio and reminiscing about old times. Now as I face the sullen rebellion in Molly’s face, the idyllic picture dissipates.

      The trip is still a good idea, though. A long drive with no one but each other for company will give us a chance to talk about matters we’ve been avoiding all summer long, possibly her entire adolescence. When she was little, we discussed the great matters of her life at bedtime, lying together in the dark, watching the play of moon shadows on the ceiling. In high school, she stayed up later than I did, and our conversations shrank to sleepy utterances. Nighttime was punctuated by the creak of a floorboard under a furtive foot, the rasp of a toothbrush washing away the smell of a sneaked beer. Some days, we barely spoke a half-dozen words.

      I want these long, empty hours with her on the road. I need them with an intensity that I hide from Molly, because I don’t want her to worry that I’m getting desperate. She’s a worrier, my Molly. A pleaser. She wants everyone to be happy, and if she had some inkling of how I’m feeling right now, she’d try to do something about it. I don’t want her to feel as if she’s responsible for my happiness. Good lord, who would wish that on a child?

      We finish packing. Everything is in order, every checklist completed, our iPods organized with music and podcasts, every contact duly entered in our mobile phones. Finally, the moment has arrived.

      “Well,” says Dan. “I guess that’s it.”

      What’s