Roots of Outrage. John Davis Gordon

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Название Roots of Outrage
Автор произведения John Davis Gordon
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cause a furore she did, for by law only white girls could show off their bodies for the Miss South Africa crown. Until the big night when that was decided, however, the law could not stop her hollering her intentions from the rooftops – although a certain Brigadier van Wyk of the South African police, contacted by the Star, warned darkly that ‘if Miss Gandhi insists on making a spectacle of herself the police will not fear to act,’ and a member of the public prosecutor’s staff was moved to ponder aloud to the press about ‘the point at which an act of preparation, which is not an offence, becomes an act of consummation in a case like this – which is an offence.’

      The press loved it, and the cartoonists had a field day. Overnight Patti Gandhi became a household name and face, her glamour shots drooled over in every newspaper in the land – and the international press was quick to give South Africa another tongue-lashing. Day after day the press gleefully published different pictures of her, stacking her up against other contestants, doing opinion polls, inviting letters, until an honourable member of parliament, Mr Koos van der Bergh, was moved to demand of the Minister of Police why the government was not ‘putting a stop to this cheeky provocation?’ But Miss Gandhi had not yet broken the law, the Minister of Police explained to honourable members, she would only be guilty of a crime when she physically showed up at the City Hall for the contest – ‘which would be a contravention of the Separate Amenities Act, because the City Hall is for whites only – honourable members need have no fear that Miss Gandhi will be allowed to flout the laws of the land with her ridiculous behaviour.’

      ‘Why not use the Riotous Assemblies Act?’ the Cape Times ridiculed, ‘which would enable the police to tear-gas and baton-charge Miss Gandhi …’ ‘… and water-cannon to cool down her admirers,’ the Standard in London added gleefully, while the Natal Mercury considered the Terrorism Act more appropriate for such serious cases of creating an ‘explosive’ situation, alternately ‘spreading alarm and despondency’ amongst the other contestant. The Argus was of the opinion that a clear-cut case lay against Miss Gandhi under the Suppression of Communism Act for impudently implying she was as pretty as the next South African.

      And then, predictably, came the registered letter from the organizers of the contest regretting to inform Miss Gandhi that they could not accept her entrance application because that would be contrary to the laws of South Africa; but Miss Gandhi did not receive it because she had disappeared. She did not reappear until the big night, when she arrived in a limousine at the stage door of the City Hall, to roars of applause from hundreds of fans and the flash of pressmen’s cameras, ‘looking like a million bucks’ as the Argus put it; ‘absolutely gorgeous’ – the Star; ‘pure long-legged, busty appeal’ – the Rand Daily Mail; ‘devastatingly beautiful’ – the Cape Times; ‘Wow wow wow’ was how Drum put it. She swept through them gaily, flashing brilliant smiles and blowing kisses. And the commotion when the police arrested her surpassed Parti’s wildest dreams.

      She had expected to be arrested the moment she set foot across the whites-only City Hall stage-door: as the Star put it, the stupidity of the police was ‘crass and complete’ because they wanted to make a ‘show of their kragdadigheid. They wanted all the world to see they would put up with no nonsense from pretty Indian lasses who tweaked apartheid’s nose; but instead they only showed it up for the cruel, tactless, boorish system it is …’ The South African police waited and let the glittering pageant get under way. The show had been going for some time when the doors burst open and into the pageant strode a squad of very serious members of the South African police, and up out of the audience rose a dozen plain-clothes men – ‘twenty beefy South African policemen to arrest one young unarmed Indian girl’ (Time Magazine).

      The commander strode up onto the stage, took over the microphone and announced that the proceedings were in contravention of the Reservation of Separate Amenities Act because there was a non-European on the premises. Policemen were hurrying backstage. Patti Gandhi had been standing with one of the organizers in the wings, fully clothed, watching the proceedings; now, as cops swarmed towards her, she gave a girlish cry and fled, crying ‘Help!’ She ducked behind the curtains and then burst onto the stage. She ran across it, dodging lunging policemen, and plunged into the opposite wing. She dodged around the curtains again then burst back again, shrieking ‘Save me!’ She made sure that she was arrested centre stage. Cops grabbed her from all sides. The audience was in uproar. And as Patti was led off the stage, gleefully crying ‘Please don’t hurt me!’, the punch-up started.

      Midst the cheers and applause from the government supporters and the boos and cat-calls of Patti’s supporters, the first fist flew and within moments one corner of the hall was a mass of brawling. It took the police ten minutes to restore order. And the press loved it. As the Star put it: ‘They don’t realize it, of course, in their mindless lust for kragdadigheid, but the authorities played right into Miss Gandhi’s hands and they could not have made greater fools of themselves, could not have exposed their beloved apartheid to greater ridicule and contempt, if they’d sent in the Keystone Cops …’

      And now, last month, the cops had played into her hands again. Oh, it was going to be a humdinger of a story when he’d worked it through. It was nearly midnight by the time he’d finished making his notes about Sergeant van Rensburg of the Vice Squad and Major Kotze of the Bureau of State Security – and he was finally allowed to see all the photographs. But only briefly, only long enough to be satisfied that they existed. It was with the greatest of effort that he tore his gentlemanly eyes off them and handed them back to her. ‘Okay?’ she said. No, it wasn’t okay. Oh, the rampant sensuality of that gorgeous golden body in the act of fucking – it was enough to make your eyes water, enough to break his heart. He ached to feel that gorgeous body under his … And now it was time either to leave or make that pass, and he had drunk enough to be emboldened.

      ‘Right,’ she said as she put his notebook into the big envelope with the photographs, ‘I’ll look after all this until you can come back to start writing. When? This weekend?’

      Oh, the whole weekend with her? ‘Fine.’

      ‘Okay, I’ll send the van to the same place on Saturday morning. Well, you must be tired. Shall I call the driver?’

      And it was now or never, and he stood up and took her in his arms ardently.

      And, oh, the wonderful feel of her breasts and belly and loins crushed against him, the wonderful feel of her wide warm mouth, the glorious scent of her and the smoothness of her satiny skin; with all his heart and loins he had to possess her, hurl himself on top of her and splay those gorgeous thighs and thrust his grateful way up into the glorious depths of her; his hand went to her breast – oh the lovely fullness of it – and his other slid down her satiny back – then suddenly he realized she was laughing into his mouth as they banged against the wall.

      She broke the kiss and giggled into his shoulder: ‘Oh, Luke …’ Her arms hung at her sides, her eyes bright with mirth. ‘You’re terribly attractive, but you’re so artless.’

      Artless? But terribly attractive!Me artless?’

      She burst into new giggles and walked towards the telephone. Then she turned to him and tried to put on a straight face: ‘Luke, you know that there’s no future in this … mutual attraction?’ She had to work at it to suppress her grin: ‘You’ve just seen pornographic pictures of me …’ Then her face failed her and she burst into giggles again. ‘Oh, it’s all terribly funny, but don’t you realize what a … tart I feel when you make a grab at me straight after that?’

      There was a silence: Patti’s eyes moist, Mahoney blushing, his heart knocking with the implied promise. ‘I’m sorry.’

      ‘Please don’t be too sorry!’ And she reached for the telephone, giggling.

      He was driven back to town in the back of the van, riding on air. ‘Please don’t be too sorry!’ And, oh, the wonderful brief feel of her; it seemed he could still taste her mouth, her lipstick, smell her scent. Oh, it felt like love. He could