Winter. Christopher Nicholson

was perplexed. Why mention it now?

      ‘They are so oppressive,’ she went on. ‘Some of them are so big, when they sway in the wind they are so worrying. Imagine if one came down on the house. And they make the house so dark. They shut out the light, even at this time of year. We never see the sun!’

      This was a very considerable exaggeration. The sun was low in November, but not so low that the trees hid it for the entire day.

      ‘They are not at all dangerous,’ he said. ‘I know they make a lot of noise, but they are in excellent health, according to Mr. Caddy. You shouldn’t worry about them; there is no need. They are perfectly safe.’

      ‘Thomas, they are getting bigger and bigger, they are so much bigger than they were. You can’t deny it. We are almost engulfed!’

      Trees were fine things, noble things, thought the old man; he simply did not understand the problem.

      ‘My dear, this is a very exposed, draughty spot; if there were no trees, imagine what it would be like. I remember it when Emma and I first came here, before the trees were planted. She was always complaining about the wind. If there were no trees, we should be blasted.’

      ‘I am not talking about cutting them down, it is a matter of cutting back. They are so big. They take so much light. And the spores … the spores are so bad for one’s health.’

      She was becoming upset; this was what the neuritis did to her. ‘Let us talk about it another time.’

      ‘When?’

      ‘In the morning. Now is not a good time. Has Wessex been out? Wessex? Have you been out?’

      ‘Yes, he has,’ she said.

      They wished each other good night and she departed for her bedroom, where she no doubt took one of the pills that were meant to improve the blood supply to her nerves.

      He forgot about the trees straight away. Instead, as he finished his whisky, he again allowed his mind to be occupied by thoughts of Gertie, with her pale complexion, oval face and liquid eyes. Fifteen miles of dark countryside lay between here and Beaminster, but he had no difficulty in bringing her to life. He saw her in her little cottage, standing by the fireside, hoisting her skirts to warm her legs. He saw her red lips as she yawned, and the white of her teeth, and the skin shining on her arms, just as he had once imagined Tess yawning, red-mouthed, arms shining like satin. Gertie was the very incarnation of Tess.

      Sighing to himself, he wondered whether he would ever have the opportunity to explain how close she was to his heart. The discrepancy in their ages seemed to make such a disclosure impossible; nonetheless, between them there was a perfect reciprocity of thought and emotion, or so the old man felt.

       CHAPTER II

      Last night I asked him, not for the first time, for indeed I have asked him a number of times, if we could have a few of the branches taken down as the house is now in shadow for much of the day. The problem is most acute in the summer, when we are engulfed by foliage, but even now, with winter almost upon us, the trees are an oppression. They oppress me, they darken my life. This is a dark house. He would not discuss it. I tried again this morning.

      ‘Thomas,’ I said, ‘forgive me for mentioning it again but we must talk about the trees. I know you are very preoccupied, but this is the right time of year – this is the time for tree work. The birds are not nesting now.’

      We were at the breakfast table, and he said nothing, not a word, he looked elsewhere as if he had not heard me. He looked at his toast. He studied his toast. I wondered if I had spoken or if I had merely imagined speaking. Had my senses deserted me? Had my words left my mouth or had they stuck in my throat?

      I drew a breath. I pressed on. ‘You said in the summer we could not cut back then, because of the birds, and now it is nearly winter. The servants agree with me – they agree entirely. Mr. Caddy agrees too, I have spoken to him. The trees have to be cut back sometime. And the ivy, too,’ I added, aware that I was annoying him by my persistence, that he would prefer me not to mention the subject.

      He looked at his toast as if it was burnt. He fiddled with the handle of his tea-cup.

      He believes that the trees must not be touched for fear of wounding them. Can trees be wounded? Trees are not sentient creatures. He talks of mutilation and disfigurement. To care for the feelings of birds and animals is one thing, yet to believe that trees are capable of suffering as human beings suffer is quite another. What of my suffering? I am still not well, I know I am not well. The doctors say that on all accounts I must avoid straining my nerves. Can he not see how the trees are hampering my recovery? Can he not see how I suffer?

      ‘This is such a dark house,’ I said. ‘I feel everything would be different if there were more light.’

      He raised his eyes to mine. ‘Later, Florence, later,’ he said, softly. ‘Not now. I am thinking.’

      I fell silent. I could say no more, for the moment. He was thinking; that is, he was thinking about his work; a poem was possibly taking shape inside his head. How should I know what shapes form inside his head? All I know is that on account of the trees I am condemned to shadow. I wish he would understand how dark and gloomy they make the house, and how much the absence of sunlight oppresses my spirits during the winter months, but this it seems is of no consequence when set against the supposed feelings of the trees and the nesting birds.

      This is how our breakfasts always are. I am not meant to speak and therefore I do not speak, although in the spaces that might be occupied by speech I often address him with silent questions. When were you ever happy? Were you happy when you were a boy? What could make you happy now? Should we not be happy? Is it not in our natures, is it not part of our beings, to strive for happiness? Has your writing made you happy? Would you not be happier if you were to say, I have written what I have written, enough is enough, and to put down your pen? What iron compulsion makes you continue? Thomas?

      My life is full of these unanswered questions.

      What irks me, more than anything, is that he is perfectly capable of gaiety. When guests arrive for tea it is as if an electric light were switched on (not that we have any electricity here!): suddenly he becomes a different human being. He chats and jokes and entertains, and reminisces about his childhood and tells confidential witty anecdotes. He performs. None of our visitors has any idea what he is truly like. They marvel at him! ‘What a marvel he is!’ they confide in me as they leave. (O that word, ‘marvel’!) ‘So sprightly! So spry! Such vigour!’ I nod in agreement. As soon as they are gone, the light switches off; he relapses to his former self.

      The truth is, he cannot be bothered to make an effort for me, his wife. I who do nothing but make an effort for him, I whose whole life is devoted to him, I who tiptoe after him, lay out his clothes, help him dress, read to him for hours every evening and do all that is humanly possible to make him happy, I am not worthy of the performance.

      He left, with Wessie at his heels. O Wessie, Wessie, stay with me, I beseeched him silently, do not leave me now – it was all I could do not to call him back – but they were both gone. I remained at the table with my feelings, my words which I may or may not have uttered. The door closed. My hand shook as I tried to drink my cup of coffee.

      I am not suggesting that all the trees should be cut down, merely that those nearest to the house should be thinned. Is that so much to ask? To thin the trees so that light, blessed light, will once again shine freely into the rooms? Was this not his intention when he built the house, forty years ago? The house faces south; it should be filled with sunlight, and yet it is dark. But there is nothing to be done, until later; later, later, it is what he always says; and so the matter is forever postponed, and meanwhile the trees grow ever nearer. The branches are nearly scratching at the panes of the windows, and the gutters